Madeleine Roux

I love a good horror story. I love stories that incorporate myths and folklore. I especially love stories that explore the fluid definitions of guilt and innocence. Madeleine Roux‘s House of Furies is all three, and I adored every word of it.

I personally would not classify House of Furies as a young adult novel. Even though Louisa is seventeen, her demeanor and attitude are of someone much older and more experienced in the world. Her life experiences are of events that rapidly make adults show more out of children. Similarly, set in the late 1800s, there was no such thing as a young adult back then. The age at which someone was considered an adult occurred much earlier and often with a brutality most children today will never experience. Ms. Roux stays close to this precedent with the harsh realities Louisa faces at her boarding school and later on the road. When she arrives at Coldthistle House, she is not an innocent to the ways of the world. To pitch this as a YA may mislead readers into thinking that Louisa is too young or incapable of dealing with everything she discovers at her new place of employment. She is more than capable of doing so.

Not only is Louisa capable of understanding everything to which she is exposed at Coldthistle House, she is able to wrestle with the fluctuating definitions of guilt and innocence. Living on the streets with no family and no legitimate means of support tends to skew your view of guilt, and Louisa is no different. As she discovers more about Mr. Morningside and his methods of hospitality, she must also wrestle with the idea of judgment. When is it okay to steal, to lie, or to kill, if ever? Should the person who steals out of greed face the same punishment as someone who steals out of need? This is “Dexter” crossed with “Downton Abbey” for the younger crowd…with monsters.

Ms. Roux does an excellent job balancing the different elements of this surprisingly complex novel. There are moments of levity and sweetness to counteract the more terrifying scenes. It is easy to fall in love with Louisa as she tries to hide her vulnerability underneath a brusque exterior. Her longing to belong is palpable, even while her tough talking and frank curiosity create for more than one amusing scene. Louisa is anything but a stereotypical Victorian-era girl, and the story is better for her run-ins against convention.

House of Furies is the first book in a new series, and that will deter some readers from experiencing this delightful, fun, and yet thought-provoking story. However, it does not appear as if this is going to be a series in which each book builds off the other. Based on the ending, one could consider House of Furies a stand-alone novel as there are not many unanswered questions left to carry forward into a second novel. It also remains to be seen how tiresome Louisa becomes in future stories. There is just enough character growth in this one to add interest and depth to the story, but future novels may be less successful without adequate character development. While the first book is so much fun to read, time will tell on whether this is a series to follow.

One cannot talk about the book without discussing the monsters in the book. Ms. Roux does the obvious comparison of monsters and men but she does so in a way that is refreshing and satirical. The creatures Louisa meets, whether human or something other, are some of the more fascinating elements of the story. Ms. Compiet’s illustrations are exquisitely drawn and really do help flesh out the myths come to life. Mr. Morningside is enigmatic but charming, and his guests border on the hilarious in their protestations and machinations.

There is enough darkness to the story to warrant the horror classification, but House of Furies is so much more than that. It is also a bit of a comedy, something of a historical commentary, and a little sociological debate. The characters are a delight, and the question regarding Lee’s stay in Coldthistle House is fast-paced and entertaining with its diversions. While it is not the type of literature that will stand up to continued scrutiny, it is a diverting novel that provides a much-needed escape from our current reality. show less

I really enjoyed this dark fairy tale-esque teen horror novel. Honestly, it could have been an adult novel, it was deliciously dark and disturbing at times. When a teenaged girl has been selected to be the new count's bride, she is sent through the dark and dangerous forest to meet him at his castle. She is not looking forward to marrying a stranger, but she is looking forward to a life of luxury and maybe making some female friends. While on the way to meet the Count she is viciously show more attacked by a being of the forest and her once beautiful face is now destroyed. To make matters worse, life in the castle is far from what she imagined it to be. There is something evil and menacing lurking within her walls. She used to be scared of the forest, but maybe it's what is inside the castle walls that should concern her the most. Lush writing, this folk tale is definitely a memorable one. Loved it! show less

What a fun Regency period romance ala Jane Austen this book is, with all the misunderstandings, mistaken identities, and missed opportunities we've come to expect from such books.

The year is 1817. Margaret Arden, ("Maggie") has made her debut to the Ton and has found no suitable partners. Frankly, she'd rather be left alone to pursue her dream of being a writer of novels. But so much of the Arden women's survival depends upon Maggie making a good match with a wealthy suitor. She and the show more other Arden women are invited to a country estate for the nuptial celebration of their cousin and his bride. Turns out, their cousin is best buds with the publisher, Bridger Darrow, who turned down Maggie's manuscript without a care. So you can just imagine the sparks flying between these two on such an auspicious occasion.

Ms. Roux has done a lovely job of capturing the Austenesque vibe of the period. Her writing is solid and her character development quite good. She paints her scenes with lovely expression and one can just imagine the lush gardens so beautifully appointed for such a special occasion. The romantic scenes were chaste. The poignant Shakespeare quotes at the head of each chapter were suggestive of that which is to follow. All in all, this was a pleasant diversion and thoroughly enjoyed.

I am grateful to author Madeleine Roux and her publisher, Dell, for having provided a complimentary uncorrected proof of this book through NetGalley. Their generosity, however, has not influenced this review - the words of which are mine alone.

Publisher: ‎Dell
Publication Date: ‎October 22, 2024
Number of pages: 272
ISBN: 978-0593499399 show less

For a story that is only 84 pages long, the author did an excellent job. Out of all the Asylum stories and books, this is by far the creepiest one. Seeing how the warden interacts with patients and employees through the eyes of a new employee was amazing.

It's an emotional roller coaster from start to finish, and even though you know how it must end if you've read the other stories, it is still a shock when everything plays out. If you're going to read the series, start with this story show more first.

The rest of the series will make a bit more sense, and it'll set the tone for the rest of the series in a way the first book or the other prequel story could do. show less