Owen Carter Jones (1809–1874)
Author of The Grammar of Ornament
Owen Carter Jones is Owen Jones (1). For other authors named Owen Jones, see the disambiguation page.
Works by Owen Carter Jones
The Grammar of Ornament: All 100 Color Plates from the Folio Edition of the Great Victorian Sourcebook of Historic Design (1987) 162 copies, 1 review
The Psalms of David: The Great Illuminated Psalter Dedicated to Queen Victoria (1989) 79 copies, 1 review
Tagged
Common Knowledge
- Canonical name
- Jones, Owen Carter
- Legal name
- Jones, Owen Carter
- Other names
- Jones, Owen
Jones, Owen C. - Birthdate
- 1809-02-15
- Date of death
- 1874-04-19
- Gender
- male
- Education
- Royal Academy Schools
Charterhouse - Occupations
- architect
designer - Short biography
- Welsh architect (1809-1874)
- Nationality
- UK
- Birthplace
- London, England, UK
- Places of residence
- London, England, UK
- Place of death
- London, England, UK
- Associated Place (for map)
- London, England, UK
Members
Reviews
First published in 1856, this (thankfully) unabridged reprint was a wonderful resource of the history of the decorative arts in textiles, architecture, and culturally-related ornamentation. The quality of illustrated artwork is of the highest standard and a delight to peruse on its own. Though reflective of a 19th-century aesthetic, the author covers ornamentation going back centuries, inclusive of diverse societies. Highly recommended for any reader with historical design interests as well show more as discovering an astute evaluation of the muddling in late Victorian designs and buildings. show less
When I first started to play with the concept that I might be able to actually produce pretty things using pen, paper and paint (nicely alliterative that), this was one of the first books I purchased. I didn't know much about the artist who created these lovely initials, but they did look like they were medieval. What I didn't realize is that Owen Jones, while a truly excellent artist and the man who almost single-handedly opened Victorian minds to the art of the Middle Ages and Renaissance, show more was, in fact, a man of the 19th century himself.
Jones studied medieval illuminated manuscripts, digested the art, and then, using them as his inspiration, created some extremely lovely works. Then he took what he had learned, organized it, and offered it up in books of his own so that others could appreciate and use the material themselves.
Much of his material is quite usable, whether for modern C&I uses and more period ones. My only caveat is that you make sure that you don't copy his human forms -- he tended to change the "sad" faces into happy ones. They're glaringly awful and very funny. show less
Jones studied medieval illuminated manuscripts, digested the art, and then, using them as his inspiration, created some extremely lovely works. Then he took what he had learned, organized it, and offered it up in books of his own so that others could appreciate and use the material themselves.
Much of his material is quite usable, whether for modern C&I uses and more period ones. My only caveat is that you make sure that you don't copy his human forms -- he tended to change the "sad" faces into happy ones. They're glaringly awful and very funny. show less
This 19th century collection of decorative arts collected from around the world and across the centuries is always a delight to browse in. I saw it in a bookstore in London after my suitcases were gone, and had to add it to my (already full) hand luggage. I've never regretted it. Not even when carrying one of the largest books I have ever owned through the airports.
The illuminated letters in this volume by the great Victorian designer Owen Jones, many taken from an illustrated edition of The Psalms of David, represent popular alphabet motifs that have been copied by artists and designers for more than a century throughout Europe and North America.
Each page of this versatile archive contains approximately 40 magnificently embellished individual letters of the alphabet. (There's also an additional page of equally attractive Arabic and Roman numerals.) show more Foliated and filigreed designs - ranging from small to large, simple to spectacular - display the meticulous craftsmanship and attention to detail that have become synonymous with Victorian design.
Commercial artists, graphic designers, and craftspeople will find this elegant and versatile treasury of copyright-free decorative letters an excellent and indispensable sourcebook for graphic projects calling for old-fashioned Victorian charm. show less
Each page of this versatile archive contains approximately 40 magnificently embellished individual letters of the alphabet. (There's also an additional page of equally attractive Arabic and Roman numerals.) show more Foliated and filigreed designs - ranging from small to large, simple to spectacular - display the meticulous craftsmanship and attention to detail that have become synonymous with Victorian design.
Commercial artists, graphic designers, and craftspeople will find this elegant and versatile treasury of copyright-free decorative letters an excellent and indispensable sourcebook for graphic projects calling for old-fashioned Victorian charm. show less
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Statistics
- Works
- 24
- Members
- 1,178
- Popularity
- #21,825
- Rating
- 4.2
- Reviews
- 13
- ISBNs
- 158
- Languages
- 9








