Graciela Montes
Author of El turno del escriba
About the Author
Image credit: via Loqueleo
Series
Works by Graciela Montes
Habia una vez una nube (Había Una Vez/ There Once Was a) (Spanish Edition) (2005) 28 copies, 1 review
Había una vez una princesa / There Once Was a Princess (Spanish Edition) (Habia Una Vez / There Once Was a) (2017) 19 copies
Habia una vez una princesa (There Once Was a Princess) (Había Una Vez / There Once Was a) (Spanish Edition) (2005) 18 copies
El Globo Azul (the Blue Balloon) (Serie Verde / Coleccion Pequenas Historias) (Spanish Edition) (2016) 17 copies
La frontera indómita. En torno a la construcción y defensa del espacio poético (Lengua y Estudios Literarios) (Spanish Edition) (1999) 17 copies
Literatura Infantil/ Children Literature: Creacion, Censura y Resistencia (La Llave) (Spanish Edition) (2003) 6 copies, 1 review
El Paraguas del Mago (the Magician's Umbrella) (Serie Verde / Coleccion Pequenas Historias) (Spanish Edition) (Colección Pequeñas Historias) (2016) 4 copies
LA Familia Delasoga/the Delasoga Family (Coleccion El Pajarito Remendado) (Spanish Edition) (1985) 4 copies
A Filha do rei 2 copies
ANITA QUER MEXER 2 copies
Circe, la hechicera 2 copies
El Caballo de Troya 2 copies
A la sombra de una inmensa cuchara / In the Shadow of a Huge Spoon (Especiales) (Spanish Edition) (1999) 2 copies, 1 review
Valentín se parece a ... 1 copy
Había una vez una [llave] 1 copy
Arturo el dueño de la espada 1 copy
HABÍA UNA VEZ UN BARCO 1 copy
Altromondo 1 copy
El golpe 1 copy
La puerta del sótano 1 copy
Poordog the Starved 1 copy
Era Uma Vez Uma Chave 1 copy
Así empezó nuestra historia 1 copy
La ventana del altillo 1 copy
La pipa del abuelo 1 copy
HABIA UNA VEZ UNA 1 copy
Tagged
Common Knowledge
- Birthdate
- 1947
- Gender
- female
- Occupations
- translator
writer - Awards and honors
- Premio Iberoamericano SM de Literatura Infantil y Juvenil (2018)
- Nationality
- Argentina
- Associated Place (for map)
- Argentina
Members
Reviews
I have a thing for subterranean stories. I don’t know why really, but I guess the sturdy metaphor of escaping into the dirt, becoming a troglodyte to hide from the world’s troubles rings true to me somehow. I’ve used the image myself in at least one of my plays. True, the theme doesn’t come with that many variations, but I always approach a book with a subterranean setting with great interest.
In this slim YA novel (beautiful in format and it’s simple design) a group of teenagers in show more a poor Buenos Aires neighborhood get fed up with gang violence and being scared. Starting under the floorboards of Ariadne’s kitchen, they create an underground home for themselves, a secret and serene place called Otroso. But the Boots, the local gang, are onto them. If they could only find the way down there… Soon Otroso is on the brink on invasion, and it’s inhabitants have to start creating defences.
This story, very straight (too straight) is told by a local new reporter several years afterwards. And really, this is the best thing about the book. The main characters are perhaps not the kids going underground themselves, but the adult witnesses on the block, who know the place exists, but have never been there themselves. How the locals react to the fact that there’s an underground world underneath their feet that they have no access to is boldly captured, without overstating. Those who think Otroso is a threat and an insults, the gossips who love to speculate, and the “spy network” of adults who decide to try and help the kids keep Otroso secret.
Montes throws a bit of labyrinth mythology into this story, adding another shade of complexity. But it isn’t quite enough. I find myself closing the book with a small shrug. Otroso is an enjoyable read, but it lacks teeth. show less
In this slim YA novel (beautiful in format and it’s simple design) a group of teenagers in show more a poor Buenos Aires neighborhood get fed up with gang violence and being scared. Starting under the floorboards of Ariadne’s kitchen, they create an underground home for themselves, a secret and serene place called Otroso. But the Boots, the local gang, are onto them. If they could only find the way down there… Soon Otroso is on the brink on invasion, and it’s inhabitants have to start creating defences.
This story, very straight (too straight) is told by a local new reporter several years afterwards. And really, this is the best thing about the book. The main characters are perhaps not the kids going underground themselves, but the adult witnesses on the block, who know the place exists, but have never been there themselves. How the locals react to the fact that there’s an underground world underneath their feet that they have no access to is boldly captured, without overstating. Those who think Otroso is a threat and an insults, the gossips who love to speculate, and the “spy network” of adults who decide to try and help the kids keep Otroso secret.
Montes throws a bit of labyrinth mythology into this story, adding another shade of complexity. But it isn’t quite enough. I find myself closing the book with a small shrug. Otroso is an enjoyable read, but it lacks teeth. show less
Qué libro tan maravilloso. La ingenuidad de Orejas a ratos da risa y a ratos te dan ganas de abrazarlo y protegerlo. Una historia que honestamente no me esperaba.
Cuatro cuentos divertidos, entretenidos y con los que Graciela Montes demuestra su pluma y oficio.
A story about a cloud and all of the changes that it goes through when completing the water cycle. It contains pictograms that substitute words for drawings
Lists
Awards
El Globo Azul (the Blue Balloon) (Serie Verde / Coleccion Pequenas Historias) (Spanish Edition) (Ganador – Gran Premio ALIJA – 2016)
El Paraguas del Mago (the Magician's Umbrella) (Serie Verde / Coleccion Pequenas Historias) (Spanish Edition) (Colección Pequeñas Historias) (Ganador – Gran Premio ALIJA – 2016)
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Associated Authors
Statistics
- Works
- 136
- Members
- 657
- Popularity
- #38,399
- Rating
- 3.7
- Reviews
- 19
- ISBNs
- 200
- Languages
- 5





















