Kim Paffenroth
Author of Dying to Live
About the Author
Kim Paffenroth is Arthur J. Ennis Fellow, Humanities Program, Villanova University, USA.
Image credit: Kim Paffenroth at HorrorFind 12. September 4, 2010. Photo by Nathan Filizzi (yoyogod)
Series
Works by Kim Paffenroth
Associated Works
Vampires, Zombies, Werewolves and Ghosts: 25 Classic Stories of the Supernatural (Signet Classics) (2011) — Contributor — 54 copies, 1 review
Triumph of The Walking Dead: Robert Kirkman’s Zombie Epic on Page and Screen (2011) — Contributor — 36 copies, 2 reviews
Butcher Knives and Body Counts: Essays on the Formula, Frights, and Fun of the Slasher Film (2011) — Contributor — 14 copies, 1 review
Tagged
Common Knowledge
- Canonical name
- Paffenroth, Kim
- Birthdate
- 1966-03-07
- Gender
- male
- Education
- St. John's College (Annapolis | BA)
Harvard Divinity School (STM)
University of Notre Dame (PhD) - Occupations
- associate professor (Relgious Studies | Iona College)
author - Organizations
- Iona College
- Birthplace
- Syosset, New York, USA
- Places of residence
- New York, USA
Virginia, USA
New Mexico, USA - Associated Place (for map)
- USA
Members
Reviews
History Is UNdead!
Zombies have coexisted with humans since before the birth of h. sapiens – that is, if we’re to believe the team of “crack historians” behind History Is Dead: A Zombie Anthology, edited by Kim Paffenroth (2007). And why not, when believing is such bloody good fun?
While at least half of the twenty stories found in History Is Dead take place in the past 200 years – with America and Europe proving popular settings – the rest stretch as far back as the Pleistocene show more epoch. (“This Reluctant Prometheus,” in which members of the homo ergaster species become infected with zombie-ism after consuming an infected wooly mammoth, is one of my favorites.) Zombies are credited for bringing humans the gift of fire, rescuing a Viking kingdom from insurrection, inspiring budding horror author Mary Shelly, and administering vigilante justice to Jack the Ripper. They appear on Civil War battlefields and in East End slums. They infiltrate the United States government in their quest for gooooold. (An “Indian” curse gone weird. Don’t ask.) The Great Fire of Chicago? Started by zombies, the first of which was created when Biela’s Comet rained a mysterious green rock onto (and into) Pat “Paddy” O’Leary’s Aunt Sophie. Zombies, it seems, are all around us.
As always, anthologies are difficult to review, since you’re apt to take a shining to some pieces more than others. Overall, History Is Dead is a quick, enjoyable, entertaining read – perfect for a morbid Saturday afternoon at the beach. I polished it off in under a week, which is near-record speed for me. Though they share a common theme, each story in this collection is unique. In some, zombies make a brief, even ancillary cameo – while in others they serve as the story’s protagonists. A bloody, gory, over-the-top collection of shoot-‘em-up zombie tales this is not.
In fact, it could be argued that zombies aren’t even the scariest monsters to be found within the pages of HISTORY IS DEAD. Take, for example, “Junebug” – which comes with a major trigger warning – in which a preacher (at the End Times Church, natch) uses the looming zombie apocalypse as a pretense to sexually enslave one of his young parishioners (June or “Junebug” of the story’s title). After several months of living with him – with her parents’ permission, ostensibly to babysit his children due to his wife’s illness – she becomes pregnant from the repeated rapes. Cast out by the preacher, she finds no solace from her family, as they blame her for “seducing” her rapist. June and her sole defender, brother Ethan, ultimately meet a gory end – and yet, even at their “worst,” the reader has more sympathy for the zombie siblings than for their human victims.
I found a similar pleasure in “Awake in the Abyss,” which finds Jack the Ripper’s “canonical five” victims - Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly - along with a sixth woman, narrator Nelly, awakening from the grave in order to avenge their deaths…as only zombies can. I bet you never thought you’d find yourself rooting so enthusiastically for the zombies, eh?
http://www.easyvegan.info/2012/07/16/history-is-dead-a-zombie-anthology-edited-b... show less
Zombies have coexisted with humans since before the birth of h. sapiens – that is, if we’re to believe the team of “crack historians” behind History Is Dead: A Zombie Anthology, edited by Kim Paffenroth (2007). And why not, when believing is such bloody good fun?
While at least half of the twenty stories found in History Is Dead take place in the past 200 years – with America and Europe proving popular settings – the rest stretch as far back as the Pleistocene show more epoch. (“This Reluctant Prometheus,” in which members of the homo ergaster species become infected with zombie-ism after consuming an infected wooly mammoth, is one of my favorites.) Zombies are credited for bringing humans the gift of fire, rescuing a Viking kingdom from insurrection, inspiring budding horror author Mary Shelly, and administering vigilante justice to Jack the Ripper. They appear on Civil War battlefields and in East End slums. They infiltrate the United States government in their quest for gooooold. (An “Indian” curse gone weird. Don’t ask.) The Great Fire of Chicago? Started by zombies, the first of which was created when Biela’s Comet rained a mysterious green rock onto (and into) Pat “Paddy” O’Leary’s Aunt Sophie. Zombies, it seems, are all around us.
As always, anthologies are difficult to review, since you’re apt to take a shining to some pieces more than others. Overall, History Is Dead is a quick, enjoyable, entertaining read – perfect for a morbid Saturday afternoon at the beach. I polished it off in under a week, which is near-record speed for me. Though they share a common theme, each story in this collection is unique. In some, zombies make a brief, even ancillary cameo – while in others they serve as the story’s protagonists. A bloody, gory, over-the-top collection of shoot-‘em-up zombie tales this is not.
In fact, it could be argued that zombies aren’t even the scariest monsters to be found within the pages of HISTORY IS DEAD. Take, for example, “Junebug” – which comes with a major trigger warning – in which a preacher (at the End Times Church, natch) uses the looming zombie apocalypse as a pretense to sexually enslave one of his young parishioners (June or “Junebug” of the story’s title). After several months of living with him – with her parents’ permission, ostensibly to babysit his children due to his wife’s illness – she becomes pregnant from the repeated rapes. Cast out by the preacher, she finds no solace from her family, as they blame her for “seducing” her rapist. June and her sole defender, brother Ethan, ultimately meet a gory end – and yet, even at their “worst,” the reader has more sympathy for the zombie siblings than for their human victims.
I found a similar pleasure in “Awake in the Abyss,” which finds Jack the Ripper’s “canonical five” victims - Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly - along with a sixth woman, narrator Nelly, awakening from the grave in order to avenge their deaths…as only zombies can. I bet you never thought you’d find yourself rooting so enthusiastically for the zombies, eh?
http://www.easyvegan.info/2012/07/16/history-is-dead-a-zombie-anthology-edited-b... show less
Dying to Live, both the original and this book, the sequel, are heralded as "the intelligent man's zombie novel" and I can't think of a better description than that.
The second book picks up twelve years after the first as Zoey, the baby rescued at the end of the first book, prepares to be inducted into life as an adult-in-training. Between Jack, Will (aka Popcorn) and Milton (the other zombie Christ figure) the survivors have branched out quite a bit from their initial encampment in a show more museum. Now part of a prosperous town, with the zombie threat so far diminished that terror and survival has given way to a ritualistic reverence of the ambulatory dead, Zoey concentrates with precocious skill on the nature of their existence and surviving in a new kind of world.
As she faces danger from zombies and other humans she slices into the nature of the people around her (dead, living and somewhere between) with a painfully keen intellect. Harder-core horror fans shouldn't be disappointed. Through the commentary on human nature there are fights, gore, moaning undead and more.
There are also peculiar things happening among the dead, including a pair of zombies who seem to remember their lives before death, and who refuse to be dismissed as mere mindless creatures of hunger. Truman, once a philosophy professor, now a dead man, challenges the town's perceptions of the creatures who destroyed the world with his refusal to eat flesh and his joy of reading.
And because Paffenroth himself is a shrewd flayer of human behavior, there are not-so-subtle reminders that the walking dead are far less sinister than the living who embrace cruelty and savagery.
It's very readable, smooth and insightful. Intelligently horrific and outright beautiful in places, it's a must-read for zombie fans looking for something more than a zombie uprising story of a motley crew being picked off one by one. show less
The second book picks up twelve years after the first as Zoey, the baby rescued at the end of the first book, prepares to be inducted into life as an adult-in-training. Between Jack, Will (aka Popcorn) and Milton (the other zombie Christ figure) the survivors have branched out quite a bit from their initial encampment in a show more museum. Now part of a prosperous town, with the zombie threat so far diminished that terror and survival has given way to a ritualistic reverence of the ambulatory dead, Zoey concentrates with precocious skill on the nature of their existence and surviving in a new kind of world.
As she faces danger from zombies and other humans she slices into the nature of the people around her (dead, living and somewhere between) with a painfully keen intellect. Harder-core horror fans shouldn't be disappointed. Through the commentary on human nature there are fights, gore, moaning undead and more.
There are also peculiar things happening among the dead, including a pair of zombies who seem to remember their lives before death, and who refuse to be dismissed as mere mindless creatures of hunger. Truman, once a philosophy professor, now a dead man, challenges the town's perceptions of the creatures who destroyed the world with his refusal to eat flesh and his joy of reading.
And because Paffenroth himself is a shrewd flayer of human behavior, there are not-so-subtle reminders that the walking dead are far less sinister than the living who embrace cruelty and savagery.
It's very readable, smooth and insightful. Intelligently horrific and outright beautiful in places, it's a must-read for zombie fans looking for something more than a zombie uprising story of a motley crew being picked off one by one. show less
Reviewed for MonsterLibrarian.com
A deceptively straight forward tale, in Valley of the Dead, classic literary hero Dante finds himself wandering in a strange valley, filled with strange people who, besieged by a strange plague of undead, live their lives with a fierce, often sinful, form of passion. The zombies themselves are also metaphors, filled with "rage at [the living], with seething jealousy that they were alive, and overwhelming frustration that [the zombie] could not make them show more dead." Oversensitive, depressed and caught up in hell on earth Dante sees the worst humanity has to offer where undeath just seems like a blessed end to a pitiful life.
Valley of the Dead is classic Paffenroth, a moody, dark, delicate blend of religion and zombies. It's easy to see why, in this "True Story" version of Dante's Inferno, Paffenroth is drawn to horror and religion simultaneously. Furthermore Paffenroth really captures the original feel of horror, beauty and devotion from Dante's Divine Comedy with sweeping strokes that simply should not be missed by true horror fans. Highly recommended, no, essential for public collections as an example of the depth and soul horror tales can possess.
Contains: Violence, language, gore show less
A deceptively straight forward tale, in Valley of the Dead, classic literary hero Dante finds himself wandering in a strange valley, filled with strange people who, besieged by a strange plague of undead, live their lives with a fierce, often sinful, form of passion. The zombies themselves are also metaphors, filled with "rage at [the living], with seething jealousy that they were alive, and overwhelming frustration that [the zombie] could not make them show more dead." Oversensitive, depressed and caught up in hell on earth Dante sees the worst humanity has to offer where undeath just seems like a blessed end to a pitiful life.
Valley of the Dead is classic Paffenroth, a moody, dark, delicate blend of religion and zombies. It's easy to see why, in this "True Story" version of Dante's Inferno, Paffenroth is drawn to horror and religion simultaneously. Furthermore Paffenroth really captures the original feel of horror, beauty and devotion from Dante's Divine Comedy with sweeping strokes that simply should not be missed by true horror fans. Highly recommended, no, essential for public collections as an example of the depth and soul horror tales can possess.
Contains: Violence, language, gore show less
Dying to Live is Kim Paffenroth's first novel and quite an outstanding first attempt. The story follows Jonah Caine who is the all-in-one underdog, hero, and saint. Wandering, alone, across the apocalyptic terrain Jonah eventually joins up with a group that has holed up in a museum. The group is lead by Milton, who the rest of the group looks up to as some sort of messiah. Jack, on the other hand is tactical and logistical leader of the group. From their first meeting, Jonah and the museum show more folks fight the undead and other evil in the world just to have a merger existence.
Dying to Live is by no means a simple zombie bash. No, it also takes a page from Paffenroth's Gospel of The Dead and is very much an examination of humanity. Many comparisons are made between the living and undead. This quote (taken from memory, so I hope it is correct) "We are not evil, just dumb and clumsy" highlights this aspect of the book. The living, just like the unliving, are prone to be dumb and clumsy. Often Jonah struggles with killing the zombies, as he still identifies with them. He also observes that in many ways that the living are much more cruel than the dead.
Also, those who read the biblical story of Jonah & the novel Moby-Dick will see some familiar ideas. For instance the beginning of the book will surely remind you of Moby-Dick, while later; the story of Jonah is invoked.
While Dying to Live is the most intellectually stimulating zombie novel I have ever read, fear not, there is plenty of action, gore, and fright to go around. There are some very well described combat sequences, some downright frightening parts, and one particular scene during Frank's story that will both make you sick to your stomach and scare the crap out of you.
Dying to Live is an absolute great piece of writing that will both stimulate your mind and deliver the action and gore that we all love so much. With this book Kim Paffenroth shows that there is more to zombie fiction than eating flesh and killing with head shots. Dying to Live is a welcome break from the typical zombie book and the new favorite on the top of my list. show less
Dying to Live is by no means a simple zombie bash. No, it also takes a page from Paffenroth's Gospel of The Dead and is very much an examination of humanity. Many comparisons are made between the living and undead. This quote (taken from memory, so I hope it is correct) "We are not evil, just dumb and clumsy" highlights this aspect of the book. The living, just like the unliving, are prone to be dumb and clumsy. Often Jonah struggles with killing the zombies, as he still identifies with them. He also observes that in many ways that the living are much more cruel than the dead.
Also, those who read the biblical story of Jonah & the novel Moby-Dick will see some familiar ideas. For instance the beginning of the book will surely remind you of Moby-Dick, while later; the story of Jonah is invoked.
While Dying to Live is the most intellectually stimulating zombie novel I have ever read, fear not, there is plenty of action, gore, and fright to go around. There are some very well described combat sequences, some downright frightening parts, and one particular scene during Frank's story that will both make you sick to your stomach and scare the crap out of you.
Dying to Live is an absolute great piece of writing that will both stimulate your mind and deliver the action and gore that we all love so much. With this book Kim Paffenroth shows that there is more to zombie fiction than eating flesh and killing with head shots. Dying to Live is a welcome break from the typical zombie book and the new favorite on the top of my list. show less
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Statistics
- Works
- 30
- Also by
- 8
- Members
- 1,022
- Popularity
- #25,208
- Rating
- 3.6
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- ISBNs
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