John Cassavetes (1929–1989)
Author of A Woman Under the Influence [1974 film]
About the Author
Image credit: Find A Grave
Works by John Cassavetes
John Cassavetes: Five Films (Shadows / Faces / A Woman Under the Influence / The Killing of a Chinese Bookie / Opening Night / A Constant Forge) (1958) — Director — 33 copies
Un Tueur dans la Foule 1 copy
Coltelli 1 copy
PETER FALK 4-FILM COMEDY COLLECTION/BD — Director — 1 copy
Associated Works
TCM Greatest Classic Films Collection: WWII Battlefront Europe: Kelly's Heroes / Where Eagles Dare / The Dirty Dozen / Battleground (2009) 20 copies
Tagged
Common Knowledge
- Canonical name
- Cassavetes, John
- Legal name
- Cassavetes, John Nicholas
- Other names
- Κασσαβετης, Γιαννης Νικολαος
- Birthdate
- 1929-12-09
- Date of death
- 1989-02-03
- Gender
- male
- Education
- Port Washington High School
Blair Academy, New Jersey
Colgate University
American Academy of Dramatic Arts - Occupations
- actor
screenwriter
film director - Relationships
- Cassavetes, Nick (son)
Rowlands, Gena (wife)
Cassel, Seymour (colleague)
Cassavetes, Alexandra (daughter)
Cassavetes, Zoe (daughter)
Cassavetes, Katherine (mother) - Cause of death
- cirrhosis of the liver
- Nationality
- USA
- Birthplace
- New York, New York, USA
- Places of residence
- New York, New York, USA
Greece
Long Island, New York, USA
Hollywood, California, USA - Place of death
- Los Angeles, California, USA
- Burial location
- Westwood Village Memorial Park, Los Angeles, California, USA
- Map Location
- USA
Members
Reviews
A real missed opportunity here due to a very poor script. Falk is wasted as a gangland boss trying to muscle in on a Las Vegas hotel. Cassavetes is the unemotional title character released from prison to rob the hotel. But despite the star power, and the presence of some other good actors as well, the whole thing just falls flat--and ends with one of the worst songs in history. Surely someone could have come up with a better ending than this! NOT RECOMMENDED - Don't even be tempted to waste show more your 90 minutes or so. show less
A working-class housewife is mentally ill.
It's an extremely well-made film, but difficult to watch. Uncomfortable, intense, and exhausting.
Concept: C
Story: B
Characters: A
Dialog: A
Pacing: B
Cinematography: B
Special effects/design: B
Acting: A
Music: A
Enjoyment: C
GPA: 3.2/4
It's an extremely well-made film, but difficult to watch. Uncomfortable, intense, and exhausting.
Concept: C
Story: B
Characters: A
Dialog: A
Pacing: B
Cinematography: B
Special effects/design: B
Acting: A
Music: A
Enjoyment: C
GPA: 3.2/4
Tenter de résumer Faces est une gageure. Disons que c'est une succession de crises, composées de fous rires, de déchaînements de colère , d'envies de danser ou de mourir (éthyliques dans les deux cas de figure), de mauvaises blagues. Tout ça se passe dans un milieu bourgeois qui s'ennuie et qui a besoin de s'encanailler.
La manière de tourner, la mise en scène, le cadrage, l'impression d'improvisation permanente font de ce film une petite révolution cinématographique en 1968. show more C'est résolument nouveau et innovant.
En somme, Faces fait partie de ces marqueurs incontournables du cinéma, si efficace dans sa manière cynique de filmer la bêtise, la grossièreté et l'hystérie permanente qu'il en devient régulièrement à la limite du supportable pour le spectateur.
Les acteurs sont exceptionnels ; mention spéciale à John Marley. show less
La manière de tourner, la mise en scène, le cadrage, l'impression d'improvisation permanente font de ce film une petite révolution cinématographique en 1968. show more C'est résolument nouveau et innovant.
En somme, Faces fait partie de ces marqueurs incontournables du cinéma, si efficace dans sa manière cynique de filmer la bêtise, la grossièreté et l'hystérie permanente qu'il en devient régulièrement à la limite du supportable pour le spectateur.
Les acteurs sont exceptionnels ; mention spéciale à John Marley. show less
Mar 2, 2021French
An oppressive and irritating film in which a shrill and numbing hysteria of acting and direction soon kills any empathy for the loneliness of the main characters. John Cassavetes wrote and directed in his familiar home-movie improvisational and indulgent style. His use of exaggerated gestures to underscore the loneliness and fears of his characters is more interesting in theory than funny or moving in actual fact. He built this movie on a small conceit -- a love affair between two people who show more are wildly unsuited to each other -- and it doesn't work. show less
Aug 11, 2025English (UK)
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 23
- Also by
- 18
- Members
- 346
- Popularity
- #69,042
- Rating
- 3.6
- Reviews
- 9
- ISBNs
- 49
- Languages
- 3
















