
Richard A. Lanham
Author of A Handlist of Rhetorical Terms
About the Author
Born on April 26, 1936, Richard Lanham was educated at Yale, receiving a B.A. in 1956, an M.A. in 1960, and a Ph.D. in 1963. After serving in the U.S. Army for two years, Lanham worked briefly for the Smithsonian Institution and then took a position teaching English at Dartmouth College. In 1965, show more he moved to the University of California at Los Angeles, eventually becoming the executive director of writing programs. He was a National Endowment for the Humanities senior fellow in 1973-74. Lanham is the author of numerous books on writing, including Style: An Anti-textbook, The Motives of Eloquence: Literary Rhetoric in the Renaissance, Revising Prose, Revising Business Prose, Analyzing Prose, and Literacy and the Survival of Humanism. He has also contributed articles to English Literary Renaissance, Modern Language Quarterly, English Studies, and other journals. Richard Lanham married Carol Dana in 1957. (Bowker Author Biography) show less
Works by Richard A. Lanham
The Economics of Attention: Style and Substance in the Age of Information (2006) 160 copies, 5 reviews
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Lanham has been a university professor for about 40-years, Yale-educated, English lit and rhetoric. He came of age pre-computer revolution, when writing meant manual type-writers and white-out and transcription. This series of connected essays are his ideas about what the digital revolution means for the future of books, universities and what he calls "the economics of attention" - how the world operates when information is plentiful and the scarce resource are "eyeballs" (attention). We are show more flooded with high-quality art, news, books, movies, data of every type - it is not an "information economy" because information is as plentiful as air - the scarce resource is peoples attention. In that environment, style (the wrapping paper, the ornamentation, packaging, literary style, etc..) becomes more important than substance - style is the substance (think for example all the crazy cultural things that come out of Japan - all style, no substance). He also discusses how we interact with things: we look "at" them, or we look "through" them - ie. we enjoy them for what they are, or we analyze them. We read a novel/movie on a literary level and dissect how it was created or and historical context, or we "get lost in the book" and enjoy it for what it is. These two forces are in a constant tug of war with every object we own - cars for example, utilitarian or style (or some combo usually). In the end Lanham concludes it is the liberal arts that will save the day for they are the ones who are trained to filter (critics) and create design and style (the new substance). He also provides the most detailed and lucid explanation I've seen on why paper books have not been replaced by the digital medium. show less
Apparently the point of this whole book is nothing more than, 'hey man, style and subtance are both important.' Maybe I'm missing something, maybe that's an oversimplification, but it seems like that's what Lanham's whole 'attention economy' idea boils down to, and I don't know that I believe it deserved a whole book on the subject. The text never offers a very close interrogation of 'style' and how it can lead us to information but also mislead us. What about the downside of style? What show more about when style is used to drag our attention to worthless content? Or Lanham he arguing that the style itself has enough intrinsic worth that we shouldn't worry too much about the content?
All in all, the book raises some interesting ideas, but ultimately does little with them. show less
All in all, the book raises some interesting ideas, but ultimately does little with them. show less
In The Economics of Attention (2006), Richard Lanham argues that information is not scarce in our current economy, attention is. Thus, he argues we should understand our economy as one of attention, and he understands rhetoric as "the economics of attention" (xii). He argues that style (and design) are what attracts our attention.
An essential and no nonsense guide to any kind of writing, but especially useful to the person who wants to communicate in the "real world" -- that is, in business, academia, or personal correspondence. It's not as much about style or spelling or punctuation, but about how to get the fat, useless, rambly stuff that you were convinced made you sound smarter in highschool out of your writing so people can figure out what you are trying to say.
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