Dave Stewart (1)
Author of Lobster Johnson Volume 1: The Iron Prometheus
For other authors named Dave Stewart, see the disambiguation page.
About the Author
Image credit: via Image Comics
Series
Works by Dave Stewart
Lobster Johnson Volume 5: The Pirate's Ghost and Metal Monsters of Midtown (2017) — Illustrator — 45 copies
Universal Monsters: Creature From the Black Lagoon Lives! (2024) — Illustrator — 22 copies, 2 reviews
Hellboy and the B.P.R.D.: 1953 #2: The Witch Tree & Rawhead and Bloody Bones (2017) — Illustrator — 7 copies
Fatale, Vol. 1: Death Chases Me 2 copies
Frankenstein Underground #1 2 copies
UNIVERSAL MONSTERS THE CREATURE FROM THE BLACK LAGOON LIVES #1 (OF 4) CVR B JOSHUA MIDDLETON VAR 2 copies
Star Wars: Jedi vs. Sith 1 1 copy
Frankenstein Underground #2 1 copy
Associated Works
Buffy the Vampire Slayer Season 8 Volume 1: The Long Way Home (2007) — Illustrator — 2,017 copies, 76 reviews
Buffy the Vampire Slayer Season 8 Volume 2: No Future for You (2008) — Illustrator — 1,387 copies, 43 reviews
The Walking Dead, Volume 28: A Certain Doom (2017) — Cover artist, some editions — 246 copies, 10 reviews
Black Hammer Volume 3: Age of Doom Part One (2019) — Colorist, some editions — 155 copies, 7 reviews
B.P.R.D.: 1946-1948 (2015) — Colors (And What Shall I Find There?, 1947, 1948, Cover Art) — 125 copies, 1 review
Abe Sapien Volume 2: The Devil Does Not Jest and Other Stories (2012) — Illustrator — 102 copies, 5 reviews
Conan Omnibus, Vol. 4: Mercenaries and Madness (2018) — Cover artist; Colorist — 17 copies, 1 review
The Walking Dead [2003] #183 - And Michonne Without Her Sword (2018) — Cover artist, some editions — 10 copies
The Walking Dead [2003] #182 - The Commonwealth Grows (2018) — Cover artist, some editions — 10 copies
The Walking Dead [2003] #180 - New World Order Part 6 of 6 (2018) — Cover artist, some editions — 7 copies
The Walking Dead [2003] #178 - New World Order Part 4 of 6 (2018) — Cover artist, some editions — 6 copies
The Walking Dead [2003] #179 - New World Order Part 5 of 6 (2018) — Cover Art, some editions — 6 copies
The Walking Dead 3 copies
Superman/Batman Secret Files & Origins — Colorist, Cover, some editions — 2 copies
Future Quest Presents #8 — Cover artist, some editions — 1 copy
Tagged
Common Knowledge
- Gender
- male
- Awards and honors
- Eisner Award (Best Colorist, 2003)
Eisner Award (Best Colorist, 2005)
Eisner Award (Best Colorist, 2007)
Eisner Award (Best Colorist, 2008)
Eisner Award (Best Colorist, 2009)
Eisner Award (Best Colorist, 2010) (show all 8)
Eisner Award (Best Colorist, 2011)
Eisner Award (Best Colorist, 2013)
Members
Reviews
Mike Mignola's comic book universe based around Hellboy and the BPRD is a fine and amazing thing, but this is an unusually distinctive entry that stands out a bit. 1881, and Sir Edward Grey, England's official Witchfinder, is dispatched to the town of Hallam to investigate the odd death of a Crown official. At first disgruntled at what he perceives to be a mundane murder mystery, he soon finds himself attacked by giant eels, and so starts to feel right at home. Hallam is the source of a show more popular health tonic, a model industrial town reclaimed from the marshes. naturally there are all sorts of evil goings-on going on, secrets and mysteries and monsters for Grey to explore unravel and fight.
It all has the feel of a wonderfully British period gothic Hammer horror. There's a terrific and loving attention to detail, with glimpses of life in a town dredged from ancient marshes and propelled to a glorious and progressive future by a reforming baron of industry. The cylinders of instructive music played to the workers in the factory, the penny dreadful version of the constable's suspicions, the touches of local dialect, successfully used without mocking or demeaning the speaker and effortlessly touching on tensions between class and education, and eels, lots and lots of eels. It also has a rather bleak sting at the end, a vision of the glorious future everyone's heading towards, and tying in with later evens in the Mignolaverese too, I think.
A splendidly entertaining read that can be enjoyed without much reference to other titles in series, but why deny yourself the pleasure? It's a lot of fun, even if this is a particularly rich and satisfying example. show less
It all has the feel of a wonderfully British period gothic Hammer horror. There's a terrific and loving attention to detail, with glimpses of life in a town dredged from ancient marshes and propelled to a glorious and progressive future by a reforming baron of industry. The cylinders of instructive music played to the workers in the factory, the penny dreadful version of the constable's suspicions, the touches of local dialect, successfully used without mocking or demeaning the speaker and effortlessly touching on tensions between class and education, and eels, lots and lots of eels. It also has a rather bleak sting at the end, a vision of the glorious future everyone's heading towards, and tying in with later evens in the Mignolaverese too, I think.
A splendidly entertaining read that can be enjoyed without much reference to other titles in series, but why deny yourself the pleasure? It's a lot of fun, even if this is a particularly rich and satisfying example. show less
This started out so good. SO good. The art, while not my favourite style, fit the tone and actually had some breathtaking panels...especially when it came to the creature itself.
But then the story reached it's climax and there was a reveal—which I won't spoil—but I literally turned the page, saw the reveal, and said, "Oh come on! Really? That's stupid!"
Because...well, it was stupid.
And it shredded all the goodwill the first half of the story had built up.
I really hope the upcoming ones show more are better than the two I've read so far. show less
But then the story reached it's climax and there was a reveal—which I won't spoil—but I literally turned the page, saw the reveal, and said, "Oh come on! Really? That's stupid!"
Because...well, it was stupid.
And it shredded all the goodwill the first half of the story had built up.
I really hope the upcoming ones show more are better than the two I've read so far. show less
I'd not heard of 'Witchfinder' when I picked it up, and it has been a pleasing discovery. Sir Edward Grey is an investigator of the supernatural by appointment to Her Majesty, Queen Victoria. In 1888 he investigates a seemingly mundane murder in Hallam, Somerset, which turns out to have many secrets. The story definitely has a hat-tip to 'The Shadow Over Innsmouth' by H.P. Lovecraft, but pleasingly is not a carbon copy of that tale. Mike Mignola does not disappoint with his artwork. There show more are horrific moments but Sir Edward is steadfast in the face of danger. This is the third 'Witchfinder' book; I will seek out the first two based on this reading. show less
Much finding of witches and killing of monsters and gentlemen explorers dying ghastly deaths because of the unspeakable things they uncovered in the desert but also EELS. Kim Newman writing an arc of this made me wish they'd made Grey a more flamboyant, dandyish figure - it would have been a contrast with all the sometimes dour and earnest monster-hunters in the rest of the Mignolaverse.
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Statistics
- Works
- 89
- Also by
- 150
- Members
- 1,614
- Popularity
- #15,966
- Rating
- 4.0
- Reviews
- 44
- ISBNs
- 79
- Languages
- 5
- Favorited
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