Christopher Guest
Author of This Is Spinal Tap [1984 film]
About the Author
Image credit: Christopher Guest
Works by Christopher Guest
Christopher Guest 3-Pack (A Mighty Wind / Waiting for Guffman / Best in Show) [DVD] 2 copies, 1 review
The Best of Saturday Night Live: Hosted by Candice Bergen — Director — 1 copy
Associated Works
My First Guitar: Tales of True Love and Lost Chords from 70 Legendary Musicians (2012) — Contributor — 22 copies
Tagged
Common Knowledge
- Canonical name
- Guest, Christopher
- Legal name
- Haden-Guest, Christopher
- Other names
- 5th Baron Haden-Guest
- Birthdate
- 1948-02-05
- Gender
- male
- Education
- New York University Tisch School of the Arts (MFA|1971)
Bard College - Occupations
- film director
screenwriter
actor
comedian
musician - Awards and honors
- Hereditary Peerage (Fifth Baron Haden-Guest, 1996)
Primetime Emmy Award (1976)
Lone Star Film & Television Award (1998)
DVD Exclusive Award (2001)
Seattle Film Critics Award (2003)
Grammy Award (2004) - Relationships
- Curtis, Jamie Lee (wife)
Haden-Guest, Anthony (half-brother)
Haden-Guest, Peter (father)
Guest, Nicholas (brother) - Nationality
- USA
UK - Birthplace
- New York, New York, USA
- Associated Place (for map)
- New York, USA
Members
Reviews
Before VH1s Behind The Music; before YouTube; before Borat and Bruno; before Heavy: The Story of Metal; but not before The Jerk or Airplane! or SNL, but before In Living Color and Dumb and Dumber, but not before Monty Python or Anaconda....what I mean to say is, In The Beginning, before Wholly Moses or Holy Moses, but not after Armageddon, either, there were the legendary British mock stars, Spinal Tap, a band of mini-Stonehenge proportions, both sonically and stuffed-sock-in-crotchily, and show more it was rad, and it was bitchen, and it was unquestionably clear their artistic intentions, when they opened with, Tonight We're Gonna Rock You, Tonight. Tonight We're Gonna Rock You, Tonight, brought new, profound meaning and depth of insight to the oft-redundant (and more often than not, banal) realm of heavy metal lyrics. But there's nothing banal about Spinal Tap's music, or their movie, or their music. If by Tonight We're Gonna Rock You, Tonight, Spinal Tap set out to rock you, tonight well then, hells bells if they did not indeed rock you tonight like you'd never been rocked tonight either that night or any night since!
True, Queen gave the world Fat Bottomed Girls in 1978, but Spinal Tap, ever aspiring to outclass the oftentimes raunchy and debauched competition of late 70s/early 80s heavy metal and hard rock music, in 1982 (the movie wasn't released until 1984) countered Queen's crass and pejoratively deplorable objectification of a singular asspect of the glorious female anatomy with a tribute to rotund derriers uniquely its own, Big Bottoms. Hold your Sweet Honey close and listen to (or merely read, if you can) the lyrics below. Make a romantic evening of it, admiring the subtlety and complexity of Spinal Tap's nuanced word play and puns from a Big Bottoms excerpt, as featured in the film, This Is Spinal Tap.
My baby fits me like a flesh tuxedo
I'd like to sink her with my pink torpedo
Big bottoms, big bottoms
Talk about bum cakes, my girl's got 'em
Big bottoms drive me out of my mind
How could I leave this behind?
Ahhh. They sure don't write sensitive love ballads like that anymore, do they? Certainly not in heavy metal. And if you call in the next 6.66 seconds, we'll send you Spinal Tap's classic follow up albums - Break Like The Wind and Smell The Glove for FREE!
This Is Spinal Tap is even better than a double-enema or a robust and blustery bowel movement after an unduly, days long, bout of constipation. Better than a transesophagealechocardiogram, for my money. Watch This Is Spinal Tap, and you may not need that extra-strength laxative.
The writers, Rob Reiner, Harry Shearer, Christopher Guest, and Michael McKean, tapped in oh so sublimely (if not so spinally), with satiric precision, as they pierced the bloated, bombastic heavy metal bubble of that time, and let out in whoopee-cushioned-flatulent-fashion, as they pricked, with their monumentally phallic, mockumentary flick, all that heavy metal hot air and excess. Think Screaming For Vengeance era Judas Priest - studs and black leather - without a doubt, the model of a metal band that Spinal Tap mercilessly mocked, down to the last malfunctioning Alienesque-pod-prop detail. Or think Herman Rarebell (his real name, and not a Spinal Tap invention), the drummer for the then hugely popular, Scorpions, who was quoted saying, after watching the film, This Is Spinal Tap, how offensive he thought it was. Offensive because he felt people would see the movie and then not be as likely to take their music - the Scorpions' in particular and heavy metal in general - as seriously as they once did. And he was serious!
Spinal Tap, as a band, moreover, was strangely prescient when it came to crafting en vouge album covers, having just released their own "black" album long before Metallica's classic "black" album broke all heavy metal sales records a decade later; though at the time, they were poking fun, of course, at AC/DCs uber-successful, Back In Black, completely black album cover.
Spinal Tap was louder than most heavy metal bands as well, because their guitar amps went to...eleven! instead of ten. Imagine if that type of guitar amplification technology and sound innovation had existed for Pete Townshend in his Who's Next to Quadrophenia prime? -- how many more than 120 Guinness-Book-of-World-Records-decibels would have been recorded at that May 31st, 1976 WHO concert in Charlton, South London? Undoubtedly, at least eleven more decibels would have been recorded.
Famous rock critic, Reginald Yardcoch, in his seminal heavy metal treatise, first published in the fanzine, Play Metal, Boys!, entitled, "How Spinal Tap Reshaped Metal The Way Silicone Reshaped Breasts," said a Spinal Tap gig "made him gag for all the right reasons."
May watching This Is Spinal Tap make you gag (assuming you get it, the movie, I mean) in a good way too! show less
True, Queen gave the world Fat Bottomed Girls in 1978, but Spinal Tap, ever aspiring to outclass the oftentimes raunchy and debauched competition of late 70s/early 80s heavy metal and hard rock music, in 1982 (the movie wasn't released until 1984) countered Queen's crass and pejoratively deplorable objectification of a singular asspect of the glorious female anatomy with a tribute to rotund derriers uniquely its own, Big Bottoms. Hold your Sweet Honey close and listen to (or merely read, if you can) the lyrics below. Make a romantic evening of it, admiring the subtlety and complexity of Spinal Tap's nuanced word play and puns from a Big Bottoms excerpt, as featured in the film, This Is Spinal Tap.
My baby fits me like a flesh tuxedo
I'd like to sink her with my pink torpedo
Big bottoms, big bottoms
Talk about bum cakes, my girl's got 'em
Big bottoms drive me out of my mind
How could I leave this behind?
Ahhh. They sure don't write sensitive love ballads like that anymore, do they? Certainly not in heavy metal. And if you call in the next 6.66 seconds, we'll send you Spinal Tap's classic follow up albums - Break Like The Wind and Smell The Glove for FREE!
This Is Spinal Tap is even better than a double-enema or a robust and blustery bowel movement after an unduly, days long, bout of constipation. Better than a transesophagealechocardiogram, for my money. Watch This Is Spinal Tap, and you may not need that extra-strength laxative.
The writers, Rob Reiner, Harry Shearer, Christopher Guest, and Michael McKean, tapped in oh so sublimely (if not so spinally), with satiric precision, as they pierced the bloated, bombastic heavy metal bubble of that time, and let out in whoopee-cushioned-flatulent-fashion, as they pricked, with their monumentally phallic, mockumentary flick, all that heavy metal hot air and excess. Think Screaming For Vengeance era Judas Priest - studs and black leather - without a doubt, the model of a metal band that Spinal Tap mercilessly mocked, down to the last malfunctioning Alienesque-pod-prop detail. Or think Herman Rarebell (his real name, and not a Spinal Tap invention), the drummer for the then hugely popular, Scorpions, who was quoted saying, after watching the film, This Is Spinal Tap, how offensive he thought it was. Offensive because he felt people would see the movie and then not be as likely to take their music - the Scorpions' in particular and heavy metal in general - as seriously as they once did. And he was serious!
Spinal Tap, as a band, moreover, was strangely prescient when it came to crafting en vouge album covers, having just released their own "black" album long before Metallica's classic "black" album broke all heavy metal sales records a decade later; though at the time, they were poking fun, of course, at AC/DCs uber-successful, Back In Black, completely black album cover.
Spinal Tap was louder than most heavy metal bands as well, because their guitar amps went to...eleven! instead of ten. Imagine if that type of guitar amplification technology and sound innovation had existed for Pete Townshend in his Who's Next to Quadrophenia prime? -- how many more than 120 Guinness-Book-of-World-Records-decibels would have been recorded at that May 31st, 1976 WHO concert in Charlton, South London? Undoubtedly, at least eleven more decibels would have been recorded.
Famous rock critic, Reginald Yardcoch, in his seminal heavy metal treatise, first published in the fanzine, Play Metal, Boys!, entitled, "How Spinal Tap Reshaped Metal The Way Silicone Reshaped Breasts," said a Spinal Tap gig "made him gag for all the right reasons."
May watching This Is Spinal Tap make you gag (assuming you get it, the movie, I mean) in a good way too! show less
A Mighty Wind makes me laugh every time I watch it and it must be watched. Part of what makes me laugh is the perfectly normal sounding part of the "documentary" juxtaposed with something wince-worthy. This was actually my introduction to the mockumentary genre and I fell in love with it.
I think part of the movie's attraction is its attention to detail. The album covers featured look like they were created during the appropriate time period. Even the songs and musical styles sound right. show more (Yes, I bought the CD and the songs blend easily into my other folk music songs.)
I also loved the extras. The deleted scenes are funny, but the jewels are the TV episodes and the PBN recording. They are spot on. Do take the time to watch them.
If you like folk music and have a sense of humor about it or if you enjoy good comedy, I think you'll like the movie. show less
I think part of the movie's attraction is its attention to detail. The album covers featured look like they were created during the appropriate time period. Even the songs and musical styles sound right. show more (Yes, I bought the CD and the songs blend easily into my other folk music songs.)
I also loved the extras. The deleted scenes are funny, but the jewels are the TV episodes and the PBN recording. They are spot on. Do take the time to watch them.
If you like folk music and have a sense of humor about it or if you enjoy good comedy, I think you'll like the movie. show less
2025 movie #183. 1984. With a sequel to this movie just released I went back to watch the original. I'd last seen it over 30 years ago but it's still a funny, and right on point, movie. The music is almost good, the documentary style works really well. Worth another look.
2021 movie #158. 2003. Mockumentary about those great bands from the '60s folk revival, like The Folksmen, The New Main Street Singers and Mitch and Mickey. Pretty entertaining and funny but with a love of the subject matter.
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Statistics
- Works
- 39
- Also by
- 14
- Members
- 1,600
- Popularity
- #16,111
- Rating
- 4.2
- Reviews
- 20
- ISBNs
- 75
- Favorited
- 2






















