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Angela Thirkell (1890–1961)

Author of High Rising

47+ Works 8,479 Members 301 Reviews 56 Favorited

About the Author

Image credit: Courtesy of the Angela Thirkell Society

Series

Works by Angela Thirkell

High Rising (1933) 765 copies, 43 reviews
Wild Strawberries (1934) 578 copies, 26 reviews
The Brandons (1939) 452 copies, 18 reviews
August Folly (1936) 416 copies, 26 reviews
Pomfret Towers (1938) 382 copies, 11 reviews
Before Lunch (1939) 348 copies, 12 reviews
Summer Half (1937) 326 copies, 10 reviews
The Headmistress (1944) 278 copies, 14 reviews
Miss Bunting (1946) 259 copies, 7 reviews
Cheerfulness Breaks In (1940) 259 copies, 10 reviews
Northbridge Rectory (1941) 254 copies, 4 reviews
Growing Up (1943) 250 copies, 7 reviews
Marling Hall (1942) 249 copies, 6 reviews
Peace Breaks Out (1946) 223 copies, 6 reviews
The Demon in the House (1934) 208 copies, 10 reviews
County Chronicle (1950) 195 copies, 4 reviews
Private Enterprise (1947) 192 copies, 5 reviews
Happy Returns (1952) 191 copies, 7 reviews
Love Among the Ruins (1948) 190 copies, 5 reviews
Jutland Cottage (1953) 189 copies, 3 reviews
The Old Bank House (1949) 187 copies, 6 reviews
The Duke's Daughter (1951) 187 copies, 4 reviews
Enter Sir Robert (1955) 168 copies, 7 reviews
A Double Affair (1957) 166 copies, 5 reviews
Love at All Ages (1959) 159 copies, 4 reviews
Three Houses (1931) 158 copies, 3 reviews
What Did It Mean? (1954) 155 copies, 3 reviews
Christmas at High Rising (2013) 155 copies, 7 reviews
Never Too Late (1956) 148 copies, 3 reviews
Close Quarters (1958) 147 copies, 6 reviews
Ankle Deep (1933) 137 copies, 7 reviews
Coronation Summer (1937) 125 copies, 2 reviews
Three Score and Ten (1961) 124 copies, 5 reviews
Trooper to the Southern Cross (1934) 97 copies, 4 reviews
O, These Men, These Men! (1935) 85 copies
The Grateful Sparrow (1935) 10 copies
The Good Little Girls (2013) 5 copies
The Brandons, and others (1968) 3 copies
Everything 1 copy

Associated Works

Persuasion (1817) — Introduction, some editions — 33,207 copies, 576 reviews
The Newcomes (1855) — Introduction, some editions — 433 copies, 2 reviews
An Adult's Garden of Bloomers (1966) — Contributor — 7 copies

Tagged

Common Knowledge

Canonical name
Thirkell, Angela
Legal name
Thirkell, Angela Margaret
Other names
Parker, Leslie
Birthdate
1890-01-30
Date of death
1961-01-29
Gender
female
Education
St Paul's School, London, England, UK
Occupations
writer
novelist
Relationships
Mackail, Denis (brother)
Mackail, J. W. (father)
Burne-Jones, Edward Coley (grandfather)
MacInnes, Colin (son)
Kipling, Rudyard (first cousin)
Baldwin, Earl Stanley Baldwin (first cousin) (show all 10)
Barrie, J. M. (godfather)
Baldwin, Monica (cousin)
Thirkell, Lance (son)
McInnes, Graham (son)
Short biography
Angela Margaret Mackail was born on January 30, 1890 at 27 Young Street, Kensington Square, London. Her grandfather was Sir Edward Burne-Jones, the pre-Raphaelite painter. Her grandmother was Georgiana Macdonald. Angela's brother, Denis Mackail, was also a prolific and successful novelist. Angela's mother, Margaret Burne-Jones, married John Mackail - an administrator at the Ministry of Education and Professor of Poetry at Oxford University. Angela married James Campbell McInnes in 1911. James was a professional Baritone and performed at concert halls throughout the UK. In 1912 their first son Graham was born and in 1914 a second son, Colin. A daughter was born in 1917 at the time when her marriage was breaking up. In November 1917 a divorce was granted and Angela and the children went to live with her parents in Pembroke Gardens in London. The child, Mary, died the next year. Angela then met and married George Lancelot Thirkell in 1918 and in 1920 they travelled on a troop ship to George's hometown in Australia. In 1921, in Melbourne Australia, her youngest son, Lancelot George, was born. Angela left Australia in 1929 with 8-year- old Lance and never returned. Although living with her parents in London she badly needed to earn a living so she set forth on the difficult road of the professional writer. Her first book, Three Houses, a memoir of her happy childhood was published in 1931 and was an immediate success. The first of her novels set in Trollope's mythical county of Barsetshire was Demon in the House, followed by 28 others, one each year. Angela died on the 29th of January 1961. She is buried in Rottingdean alongside her daughter Mary and her Burne-Jones grandparents.

Nationality
UK
Birthplace
Kensington, London, Middlesex, England, UK
Places of residence
Kensington, London, Middlesex, England, UK
Melbourne, Victoria, Australia
Chelsea, London, Middlesex, England, UK
Place of death
Bramley, Surrey, England, UK
Burial location
Rottingdean, Sussex, England, UK
Map Location
England, UK

Members

Reviews

307 reviews
Classic Thirkell: a widow and her two grown-up children come to spend the summer next door to their relatives in Barsetshire, so we have a pretty good idea what's going to happen. But, as with P.G. Wodehouse, we don't come to Thirkell looking for challenging plots and unexpected characters: the essence of this sort of light fiction is comfort and familiarity, tempered with a chance to laugh a little bit at English foibles.
It's this affectionate mockery that gives Thirkell her distinctive show more character. She doesn't have Wodehouse's gift for bending the language to unexpected uses, but she does have a remarkable ear for dialogue. When her characters speak (and most of them do a great deal of speaking and very little listening) they are always entirely believable, and usually hilarious. She is an expert at male bores, middle-aged female invalids, and servants of both sexes. With those three categories you've practically got the English novel sown up. Add to that her overgrown schoolgirls, and you have a recipe for most enjoyable chaos. show less
The Old Bank House is the eighteenth of Angela Thirkell’s Barsetshire novels. Set in the late 1940s, the citizens of Barsetshire have adjusted -- somewhat -- to peacetime and the post-war Labour government. MP and industrialist Sam Adams has decided to step back from day-to-day business operations. His daughter, Heather, will soon marry and this will leave Sam, a widower, on his own. He has bought a new home which, according to the previous owner, “needs a mistress.” Regular readers show more will immediately spot this foreshadowing, and know there will be at least one happy ending to this novel. Meanwhile, Young Tom Grantly has recently earned a classics degree at Oxford, but finds himself less interested in the academic career his degree prepared him for, and more interested in land work such as farming or estate management. Fortunately for Tom, he is well-liked and there are many who are willing to show him the ropes and give him opportunities to learn. And his sister Eleanor, although recently appointed to run the Red Cross Library, has greater aspirations.

The major Barsetshire families are brought in through the usual set pieces of garden parties, country house weekends, and “farm talk.” These are delivered with Thirkell’s characteristic humor, and advance the storylines in pleasing ways without becoming overly complicated. They are also a way for Thirkell to document life events for certain characters who, while not central to this novel, are pivotal to the series as a whole.

These are novels in which nothing much happens, but I always close the book feeling satisfied.
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Jane Austen famously said that in writing Emma, she'd set out to create "a heroine whom no one but myself will much like." Reading High Rising was like reading a photo negative version of Emma: Angela Thirkell clearly thought she was writing a lovable, heart-of-gold scatterbrain main character in Laura Morland, but I found her absolutely insufferable. No matter how much the other characters insisted that Mrs Morland was lovely and just so kind, her thoughts and actions showed her to be a show more petty, mean-spirited, and insular snob—and the mouthpiece for some pretty appalling bigotry.

And before someone jumps at me for saying "But it was the 1930s! Standards for what was acceptable were different then!": that is true to an extent, but I can also honestly say that I've read lots of other fiction first published in the Twenties and Thirties that didn't have main characters regularly spout antisemitic, anti-Irish, and anti-Black sentiments with every sign of narrative approval. One of the comic relief/male romantic partners also at one point just randomly comes out with "The marriage customs [...] of the Arunta tribe, a revolting set of Australian aboriginals, are alone enough to justify their extirpation by rum, missionaries, or any other destroying element." Wow! Holy shit! Love a bit of cheerleading for genocide in what's supposed to be a light romantic comedy!

Not that the romance is much to write home about: dull and unconvincing and rote. Thirkell is not an author I care to read any further.
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I do love Angela Thirkell's work, her imagined county of Barsetshire and the residents thereof. This is one of the first books in the extensive series to be set during World War II and as such it captures the feel of the early days of the war, at least as it was seen from rural village England. In this installment of the story, Rose Birkett finally gets married to the relief of her family who figured they'd have the care of her selfishly flighty self forever. Other village girls take up show more wartime efforts, working in local hospitals and caring for evacuee children while settling into engagements with the men so soon to be leaving. There's no muss, no fuss about the courtships or indeed the characters themselves.

Thirkell is an ace at portraying the British stiff upper lip so evident in times of stress and she pokes fun at many of her characters, having them lament the lack of good patients at the hospital and thrill at the thought of catastrophic injuries. She presents the London children in all their dirt and coarseness but makes it evident that the ladies of the village have no intention of facing reality in their dealings with the urchins. As the series reader has come to expect, Thirkell's biting wit is just as evident in this war time novel as it is in previous novels. Her characters are a delight with whom to spend time and the reader is easily engrossed in their daily lives. Thirkell is, as always, a writer of domestic fiction par excellence. A reading experience to savour, I look forward to the rest of the series, especially since this book in particular ends with a terrible cloud hanging over it (and enough information to know the outcome despite its perceived ambiguity). If you're not yet reading Thirkell's delightful books, why ever not?
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Lists

Awards

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Associated Authors

May Wilson Cover artist
Roy Colmer Cover designer
Jilly Bond Reader
Thomas Stegers Translator
Nadia May Narrator
Fritz Wegner Cover designer
Patricia Davey Cover designer
Tony Gould Introduction

Statistics

Works
47
Also by
3
Members
8,479
Popularity
#2,839
Rating
4.1
Reviews
301
ISBNs
271
Languages
5
Favorited
56

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