John Hendrix (4) (1976–)

John Hendrix’s "The Faithful Spy" is a visually stunning and profoundly moving graphic novel that recounts the life and heroic efforts of Dietrich Bonhoeffer, a German pastor who became a spy and ultimately a martyr during World War II. This compelling work of historical nonfiction is a testament to Bonhoeffer's unwavering faith and moral courage in the face of unimaginable evil.

Hendrix’s artwork is nothing short of breathtaking. His use of vibrant colors, dynamic layouts, and expressive show more typography not only captivates the eye but also deepens the emotional impact of Bonhoeffer's story. The illustrations are meticulously detailed, immersing readers in the historical context of Nazi Germany while vividly conveying the tension and danger of Bonhoeffer's clandestine activities. The visual storytelling is so powerful that even readers less familiar with graphic novels will find themselves drawn into the narrative.

The narrative itself is skillfully crafted, blending historical fact with personal insight to present a well-rounded and deeply human portrait of Bonhoeffer. Hendrix does an exceptional job of highlighting the internal and external conflicts Bonhoeffer faced, from his theological struggles to his involvement in the plot to assassinate Hitler. The pacing is excellent, ensuring that each chapter builds upon the last, leading to a climax that is both heartbreaking and inspiring.

One of the standout aspects of "The Faithful Spy" is how it handles complex themes with sensitivity and nuance. Bonhoeffer’s journey is depicted not just as a fight against a political regime but as a profound moral and spiritual quest. Hendrix delves into Bonhoeffer’s thoughts and beliefs, illustrating how his faith informed his resistance and how his actions were driven by a deep sense of justice and humanity. This exploration makes the book not only a historical account but also a meditation on the nature of faith, courage, and ethical responsibility.

In addition to its narrative and artistic strengths, "The Faithful Spy" is also a meticulously researched work. Hendrix’s thorough understanding of the historical context and his attention to factual accuracy lend the story a significant degree of authenticity. The inclusion of quotes from Bonhoeffer’s writings and speeches further enriches the text, providing readers with a direct connection to his thoughts and philosophies.

Overall, "The Faithful Spy" is an exceptional graphic novel that succeeds on multiple levels. It is an educational resource, a visually stunning work of art, and a poignant narrative that resonates with readers of all ages. John Hendrix has created a masterpiece that honors the legacy of Dietrich Bonhoeffer while providing a powerful reminder of the enduring importance of standing up for what is right, even in the darkest of times. This book is a must-read for anyone interested in history, theology, or the power of individual resistance. show less

When a picture-book author is at pains to distinguish his subject's actions from those of a modern-day terrorist, you know that said subject must be a figure of some controversy. Such is certainly the case here, in this children's biography of John Brown, the nineteenth-century radical Abolitionist who believed, not just that slavery should be abolished, but that all races of people were equal, and should be treated as such. Spurred on by a deep commitment to his religious and political show more ideals, and angered by the brutal injustice of slavery, Brown, who had worked as a conductor on the Underground Railroad from the time he was a young man, became increasingly involved in the violent side of the movement, fighting with the free-staters in the bloody pre-Civil War conflict in Kansas ("Bleeding Kansas"). Eventually, he conceived of a plan to free all of the slaves, a plan that would lead to his infamous raid on Harper's Ferry, Virginia, his wounding and capture, and then his execution. But even dead, John Brown's story wasn't over, as his name and actions became a symbol to people on both sides of the issue...

I'm immensely impressed that John Hendrix attempted this picture-book biography of a man who, even one hundred and fifty years later, still evokes strong responses in most Americans. I think he did an excellent job presenting John Brown's virtues, as well as his weaknesses, and I felt that I learned quite a bit. I'd had no idea, for instance, that Harriet Tubman had agreed to fight with Brown, but had been prevented by illness. Nor was I aware that Brown had the chance, during that fateful raid on Harper's Ferry, to take a multitude of innocent hostages, when a train passed through town, but elected not to. I did feel that there was a disconnect, from time to time, between the narrator's assurances that Brown didn't embrace violence, and the actual choices and actions being depicted, but it's possible that that contradiction accurately reflects the man himself.

This is undoubtedly a favorable account of John Brown, and I imagine that it will, as a result, cause discomfort for some readers, particularly those who disagree with Brown's methods. It's a tricky question, isn't it? I mean, the ends can't be said to justify the means, in my view. On the other hand, unless you're a complete pacifist - and hey, if you are, I respect that: I have lots of Quaker and Unitarian pacifist relatives! - then you have to believe that violence is called for at some point, no? And it's hard for me to think of something that cries for it more loudly than slavery... In any case, this is an engaging (and unique) biography of an important figure in American history, and I recommend it to young readers (middle school and up, I'd say) who have an interest in that topic. With the right teacher, I can see it sparking some interesting classroom discussion as well. show less

Writer and illustrator John Hendrix relates the life of controversial abolitionist John Brown via a picture-book biography for middle graders. He begins in 1840, when John and his family lived in Hudson, Ohio - “a great center of the abolitionist cause.” John made a point of treating blacks as equals and with respect, a radical choice for the time.

His father also believed in the equality of all human beings, and both attributed these beliefs to their devotion to Christian ideals. John show more was inspired by Ecclesiastes 4:1: “Behold the tears of such as were oppressed and they had no comforter, and on the side of their oppressors there was power; but they had no comforter.” Could he make a difference?

He began to come up with a plan: “I will raise a storm in this country that will not be stayed so long as there is a slave on its soil.” (Hendrix incorporates many direct quotes into the text, rendered artistically in period-fashion fonts accenting the main narration.)

In 1854 the U.S. Congress passed the Kansas-Nebraska Act, which stipulated that each state could vote on whether to enter the Union as a slave state or a free state. Supporters of each position flocked to the new states to influence the vote. John and his sons made up some of them, helping create “Bleeding Kansas” when they murdered some pro-slavery settlers. This act got John branded as a crazed madman to some, and a folk hero to others, and made John a wanted man. Hendrix writes:

“John did not believe bloodshed was the answer, but he knew the key to his plan was to capture the country’s attention with a big bang.”

To that end, he planned to raid the large federal armory at Harpers Ferry, Virginia and capture arms to equip his growing army of abolitionists. Brown wanted an authoritative black leader to stand by his side, but Harry Tubman was ill, and Frederick Douglass was wary of Brown’s plan.

He went ahead with it nevertheless, and staged the raid on October 17, 1859. It didn’t take long for things to go wrong. The first man killed by the raiders was a free black man. Townsmen started to shoot at them, soon joined by well-organized militia from the area. Several raiders were killed and the rest were cornered in a small brick engine house next to the armory. That night, a force of U.S. Marines arrived, led by Robert E. Lee and J.E.B. Stewart, who, though now defending the United States, only a few years later would become leaders of the Confederate Army.

By the next day, the raid was over and the raiders were captured. As John told his interrogators after his arrest:

"I want you to understand, gentlemen, that I respect the rights of the poorest and weakest of colored people, oppressed by the slave system, just as much as I do those of the most wealthy and powerful.”

John was put on trial in Charlestown, Virginia for insurrection, conspiracy, and high treason. He was sentenced to death.

On November 2, 1859, in his last speech, given in court, he averred:

"This court acknowledges, as I suppose, the validity of the law of God. I see a book kissed here which I suppose to be the Bible, or at least the New Testament. That teaches me that all things whatsoever I would that men should do to me, I should do even so to them. It teaches me, further, to 'remember them that are in bonds, as bound with them.' I endeavored to act up to that instruction. . . . Now, if it is deemed necessary that I should forfeit my life for the furtherance of the ends of justice, and mingle my blood further with the blood of my children and with the blood of millions in this slave country whose rights are disregarded by wicked, cruel, and unjust enactments, I submit; so let it be done!"

On December 2, 1869, John was taken to the gallows, and he was executed. [John Wilkes Booth hated John Brown passionately; he came up to Harper’s Ferry in 1859 to witness the execution and help ensure there would be no attempts to rescue him by supporters.]

Hendrix notes:

“For the forty-five days between his capture and his death, John wrote many letters that were published in newspapers all around the country. The publicity surrounding his execution strengthened the abolitionist cause and rallied thousands to call for an end to slavery.”

If you are familiar with Lincoln’s speeches, you may have noticed the similarities between Brown’s last speech and Lincoln’s second inaugural address, when Lincoln declaimed:

"If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through His appointed time, He now wills to remove, and that He gives to both North and South this terrible war as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a living God always ascribe to Him? Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said "the judgments of the Lord are true and righteous altogether."

The ingenious mixed media illustrations by Hendrix provide a wealth of colorful and historically-appropriate details. His inspired visual interpretations that reflect John Brown’s strong identification with the Bible will have you shaking your head in awed appreciation.

Discussion: Too often, what children learn in school is a black-and-white account stressing that John Brown was “crazy.” But Hendrix argues Brown was misunderstood and mischaracterized. Indeed, many recent historians have revised assessments of Brown because so much of what has been written about him fulfilled a specific political agenda, rather than serving truth. That is, it was considered dangerous to valorize insurrection against the government, even for a cause that many found to be just.

In his Author’s Note, Hendrix writes:

“As I continued to study the life of John Brown, I began to admire him because he would not make a truce with injustice. . . . though the United States hanged him as a traitor, I feel we must not dismiss him as a madman. Terrorists crave destruction and turmoil, and the seed of John’s rebellion was compassion.”

Evaluation: This book provides so much for children, parents, and teachers to discuss. Not only does Hendrix give a perspective of a historical figure different from that offered in many textbooks. He also teaches that there is often an agenda to culturally mediated memories that can misrepresent the past, and it is important to consider what it might be. Readers will have much to ponder as they become aware of how and why facts can be twisted to suit the moment, not only in the past, but even in the present time. show less

In some regards, I liked this graphic biography a lot. I really enjoyed the way the story of Lewis' and Tolkien's friendship was told, and I liked the art a lot. However, there were also sections of lots of text with minimal art, and I found those parts less enjoyable. I understand that there was a lot of information the author wanted to convey, and sometimes that meant he felt a text dump was the best option, but I didn't enjoy that section as much since I had picked up this book show more specifically because it was an illustrated book.

Perhaps part of my issue with the large chunks of text was that the font used for those sections was the same font in the illustrated panels. I found that this font worked really well for speech bubbles, but was harder for me to read as full paragraphs. Since I was reading this as an ebook, I was able to zoom in and that helped me with the text legibility, but it still wasn't ideal for me.

The story of the friendship between two authors whose work I love, though, was an enjoyable one. I'd heard of the coin flip bet and about the Inklings, but never knew any detail about them. It was nice to get the history behind two fantasy realms that shaped my childhood. show less