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Michael Steinberg (1) (1928–2009)

Author of The symphony: a listener's guide

For other authors named Michael Steinberg, see the disambiguation page.

5 Works 437 Members 5 Reviews

About the Author

Michael Steinberg is a widely admired writer, critic, lecturer, and teacher. For many years, he wrote program notes for the New York Philharmonic, the San Francisco Symphony, and the Boston Symphony

Works by Michael Steinberg

Tagged

Common Knowledge

Other names
Steinberg, Carl Michael Alfred
Birthdate
1928-10-04
Date of death
2009-07-26
Gender
male
Education
Princeton University
Occupations
music critic
music teacher
program annotator
Holocaust survivor
music historian
Organizations
Manhattan School of Music
Awards and honors
Fulbright Scholarship
Relationships
Fleezanis, Jorja (widow)
Rosen, Charles (#1, roommate)
Short biography
Michael Steinberg was born to a Jewish family in Breslau, Germany (present-day Wrocław, Poland). His parents were Margarethe and Siegfried Steinberg. In 1939, his mother sent 11-year-old Michael alone on a Kindertransport to the UK. She was able to follow him later along with his brother. The family immigrated to the USA in 1943, settling in St. Louis, Missouri. Steinberg earned a degree in musicology from Princeton University, then studied for two years in Italy on a Fulbright Scholarship. He did a two-year stint in Germany with the U.S. Army, then returned to the USA to join the faculty of the Manhattan School of Music in New York City, where he taught music history. Steinberg taught at several colleges in New York and Massachusetts before becoming the music critic for The Boston Globe in 1964. After nearly 12 years with The Globe, he became the program annotator for the Boston Symphony Orchestra. From 1979 to 1989, he worked as publications director and artistic advisor for the San Francisco Symphony. He was also a sought-after program annotator for other orchestras, including the New York Philharmonic and the Minnesota Orchestra, which he served as artistic advisor in the 1990s. He also wrote the liner notes for some landmark recordings, including John Adams's operas "Nixon in China" and "The Death of Klinghoffer." He published several books on classical music, including The Symphony (1995), The Concerto (1998), Choral Masterworks: A Listener's Guide (2005), and For The Love of Music: Invitations to Listening (2006).
Nationality
USA
Germany (birth)
Birthplace
Breslau, Germany
Places of residence
St. Louis, Missouri, USA
Princeton, New Jersey, USA
New York, New York, USA
Minneapolis, Minnesota, USA
Place of death
Edina, Minnesota, USA
Associated Place (for map)
USA

Members

Reviews

5 reviews
This is a well-written guide to the concerto repetoire by an experienced music critic, historian and annotator. It is a companion to his previous volume, The Symphony, and shares the assets of that book. In addition to the standard classic and romantic composers the author has included both less well known concertos by some of the more famous composers, and selected twentieth century concertos. Each entry is enriched by biographical detail, historical background and musical examples. This is show more a welcome introduction to music for both new and experienced listeners. show less
This is a well-written guide to the symphonic repetoire by an experienced music critic, historian and annotator. In addition to the standard classic and romantic composers the author has included selected twentieth century symphonic works. Each entry is enriched by biographical detail, historical background and musical examples. This is a welcome introduction to music for both new and experienced listeners.
As the flyleaf states, Steinberg's book discusses "over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994." The book is organized by composer in alphabetical order. All the usual suspects in the standard repertory are covered, but so are less familiar pieces such as works by Bridge, Perle, Reger and Sessions. It's mostly Piano and Violin Concertos with some Cello Concertos, as you might expect, but there's also Viola Concertos by Hindemith and Walton, Clarinet show more Concertos by Mozart, Copland and Nielsen, Oboe Concertos by Richard Strauss and Carter, a Flute Concerto by Nielsen, Horn Concertos by Mozart and Richard Strauss, a Trumpet Concerto by Zimmerman and a Concerto for Winds, Percussion and String by Martin. The essays are informative and entertaining and make a great introduction to the concerto form. show less
½
Reading this as a Companion, matching chapters to my listening, concerts or otherwise. Brilliant.

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Statistics

Works
5
Members
437
Popularity
#55,994
Rating
3.9
Reviews
5
ISBNs
56
Languages
1

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