
Bryan Collier (1) (1967–)
Author of All Because You Matter
For other authors named Bryan Collier, see the disambiguation page.
Works by Bryan Collier
Associated Works
Martin's Big Words: The Life of Dr. Martin Luther King, Jr. (2001) — Illustrator — 4,698 copies, 223 reviews
The Art of Reading: Forty Illustrators Celebrate RIF's 40th Anniversary (2005) — Contributor — 273 copies, 3 reviews
Our Children Can Soar: A Celebration of Rosa, Barack, and the Pioneers of Change (2009) — Illustrator — 254 copies, 17 reviews
Tagged
Common Knowledge
- Birthdate
- 1967-01-31
- Gender
- male
- Education
- Pratt Institute (BFA)
- Nationality
- USA
- Associated Place (for map)
- USA
Members
Reviews
A jumble of shoes in a girl's closet all hope to be chosen for "Daddy-and-me" day...but, bafflingly, the girl chooses one flip-flop and one boot! The left-behind flip-flop and boot go off in pursuit, hoping to remedy the apparent mistake before Daddy arrives...but when he does, he's wearing mis-matched shoes also! Collier is equally adept at expressive cartoon shoes and the Black dad and daughter (and there's even a secret Pigeon, p. 50-51).
Tami Charles pens a poetic, lyrical text that is part love letter, part anthem, assuring readers that they always have, and always will, matter. This powerful, rhythmic lullaby reassures readers that their matter and their worth is never diminished, no matter the circumstance: through the joy and wonder of their first steps and first laughs, through the hardship of adolescent struggles, and the pain and heartbreak of current events, they always have, and always will, matter. Accompanied by show more illustrations by renowned artist Bryan Collier, a four-time Caldecott Honor recipient and a nine-time Coretta Scott King Award winner or honoree, All Because You Matter empowers readers with pride, joy, and comfort, reminding them of their roots and strengthening them for the days to come. show less
"Award-winning illustrator Collier sets images of the present and the past against the text of a beloved song.
Lyrics of “We Shall Overcome,” a song associated with the 1960s-era civil rights movement, are printed in orange capital letters against a strip of brown background along the bottom of each spread. The pictures tell stories, juxtaposing present-day scenes and children in full color against significant events and sites of past struggle in black and white. Endmatter explains the show more significance of said sites and scenes for those who may not know: the Sixteenth Street Baptist Church, Rosa Parks sitting down on a bus, children integrating schools. The opening spreads feature a school-age Black child rising and getting ready for the day with a smile; the middle spreads show the child arriving at school and learning with a multiracial group of peers, a Black teacher at the head of the class. Final spreads show the child walking by a street being painted with Black Lives Matter in yellow, then small crowds standing together and painting a mural together. Collier uses collage with a multitude of faces and layers to place the times and movements in relationship, creating a powerful opportunity for comparison, reflection, and discussion about the past and present. The opening and closing spreads with the smiling child offer the hopeful message Collier reinforces in his note.
This thoughtful work of art comes together with beauty and meaning. (historical note, illustrator's note) (Picture book. 3-10)" www.kirkusreviews.com, A Kirkus Starred Review show less
Lyrics of “We Shall Overcome,” a song associated with the 1960s-era civil rights movement, are printed in orange capital letters against a strip of brown background along the bottom of each spread. The pictures tell stories, juxtaposing present-day scenes and children in full color against significant events and sites of past struggle in black and white. Endmatter explains the show more significance of said sites and scenes for those who may not know: the Sixteenth Street Baptist Church, Rosa Parks sitting down on a bus, children integrating schools. The opening spreads feature a school-age Black child rising and getting ready for the day with a smile; the middle spreads show the child arriving at school and learning with a multiracial group of peers, a Black teacher at the head of the class. Final spreads show the child walking by a street being painted with Black Lives Matter in yellow, then small crowds standing together and painting a mural together. Collier uses collage with a multitude of faces and layers to place the times and movements in relationship, creating a powerful opportunity for comparison, reflection, and discussion about the past and present. The opening and closing spreads with the smiling child offer the hopeful message Collier reinforces in his note.
This thoughtful work of art comes together with beauty and meaning. (historical note, illustrator's note) (Picture book. 3-10)" www.kirkusreviews.com, A Kirkus Starred Review show less
"Two accomplished creators invite Black children to take up their spaces in the world.
Charles’ lyrical text addresses “you, dear child,” in the voice of a loving caregiver, recounting how the world anticipated and prepared for the child’s existence. The child was “dreamed of, / like a knapsack / full of wishes / carried on the backs / of your ancestors,” who worked and built, “because to them, / you always mattered.” The word “matter” is used in both ways: as a noun, as show more the child is made up of the same stuff that makes up the universe, and as a verb, because “strength, power and beauty / lie within,” even though the world will sometimes make the child question whether “they, / or you, / will ever matter.” The universe made room for “you, / your people, / their dreams, / your future,” Charles assures the child. The protesters (“take a breath, / take a stand, / take a knee”) and victims of racist violence (“Trayvon, / Tamir, / Philando”) are mentioned explicitly without becoming the focus; the journey from beginning to end of the book sends a message that is nurturing, nourishing, loving, and reassuring, expanding and deepening the words of the movement it echoes. Collier’s trademark paint-and-collage illustrations use petal shapes with patterns and faces, blue and brown hues, and family scenes and close-ups to embody the child’s growth within affectionate circles of family, community, and universe.
A gem for every household. (author's note, illustrator's note) (Picture book. 5-10)" www.kirkusreviews.com, a kirkus starred review show less
Charles’ lyrical text addresses “you, dear child,” in the voice of a loving caregiver, recounting how the world anticipated and prepared for the child’s existence. The child was “dreamed of, / like a knapsack / full of wishes / carried on the backs / of your ancestors,” who worked and built, “because to them, / you always mattered.” The word “matter” is used in both ways: as a noun, as show more the child is made up of the same stuff that makes up the universe, and as a verb, because “strength, power and beauty / lie within,” even though the world will sometimes make the child question whether “they, / or you, / will ever matter.” The universe made room for “you, / your people, / their dreams, / your future,” Charles assures the child. The protesters (“take a breath, / take a stand, / take a knee”) and victims of racist violence (“Trayvon, / Tamir, / Philando”) are mentioned explicitly without becoming the focus; the journey from beginning to end of the book sends a message that is nurturing, nourishing, loving, and reassuring, expanding and deepening the words of the movement it echoes. Collier’s trademark paint-and-collage illustrations use petal shapes with patterns and faces, blue and brown hues, and family scenes and close-ups to embody the child’s growth within affectionate circles of family, community, and universe.
A gem for every household. (author's note, illustrator's note) (Picture book. 5-10)" www.kirkusreviews.com, a kirkus starred review show less
Lists
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 6
- Also by
- 11
- Members
- 2,139
- Popularity
- #12,032
- Rating
- 4.3
- Reviews
- 211
- ISBNs
- 74
- Languages
- 3




















































