Judy Sierra

A kindhearted young girl named Damura is manipulated into asking her widowed father to remarry in this Cinderella variant from Indonesia's Spice Islands (AKA the Maluku Islands). Mistreated by her new stepmother and stepsister, she is forced to take on the role of servant, and given only a ragged sarong to wear. When she loses this at the river one day, while doing the washing, she calls upon the wild animals for aid, and finds herself confronted by Grandmother Crocodile. This fearsome fairy show more godmother brings her a beautiful sarong of silver, while Damura cares for her offspring, but metes out a very different reward when Damura's stepsister attempts the same task. When the local prince holds a gathering in order to find the most graceful dancer, and Damura cannot attend because she does not have the required finery - her silver dress having been taken from her - Grandmother Crocodile steps in to help once again. But although Damura's dancing wins her the heart of the prince, who uses her golden slipper to locate her, the story does not end there, for the wicked stepmother and stepsister have another plan...

Adapted from a version of this story found in G.J. Ellen's 1916 Woordenlijst van het Pagoe op Noord-Halmahera ("Glossary of the Pagu of North Halmahera"), The Gift of the Crocodile: A Cinderella Story comes from the island of Halmahera, and contains many elements common to this tale type, the world over. The wicked stepmother and stepsister, the heroine being made to take the role of servant, the magical helper (or fairy godmother), the dainty slipper the heroine leaves behind for her prince - these are all present. I thought it was interesting that the magical helper here was a crocodile, as the fearsome reputation of this animal works to emphasize the heroine's kindness and good manners in the story, and to make her reward all the more extraordinary. By calling the crocodile 'Grandmother,' Damura emphasizes their connection, protecting herself from the animal's appetite, something Grandmother Crocodile herself confirms, when she says "it was wise of you to call me Grandmother...for if you had not, I might have eaten you." I also thought that the last episode of the story, in which Damura's wicked stepmother and stepsister feed her to a crocodile, only for Grandmother Crocodile to rescue and revive her, was fascinating, and added an unusual element to the tale. The accompanying artwork from Reynold Ruffins, done in acrylic, is beautiful, with bold colors and immensely appealing stylized figures. I have encountered Ruffins' work once before, in Verna Aardema's Misoso: Once Upon a Time Tales from Africa, and am glad to have run into another of his titles. This is one I would recommend to all young folklore enthusiasts, and to any reader interested in Cinderella type stories from around the world.

NOTE: like so many other authors who have retold Cinderella variants from around the world, Judy Sierra incorrectly states in her afterword that the Chinese version was the first version, worldwide, to be written down. This is an error I frequently see, and its ubiquity always confuses me. In point of fact, the first written version of a Cinderella-style story is that of Rhodopis, the Greek girl who was kidnapped by pirates and sold into slavery in Egypt. This 'Egyptian Cinderella' can be found in the first-century BC writings of the Greek author Strabo, predating the ninth-century AD Chinese version by many centuries. show less

Author/illustrator team Judy Sierra and Marc Brown, who previously collaborated on Wild About Books, join forces again in the entertaining counting adventure. The rhyming text tells the story of how Takoda the tiger cub found an abandoned mall and, together with his animal pals, turned it into a luxurious zoo for them all. Only the bugs are left out, told that their contribution doesn't count. But when the rhinos begin to bully the other animals, once the zoo is built, it turns out that the show more bugs have a role to play after all...

As with their previous title, I found Sierra and Brown's Everyone Counts to be quite a hoot to read! The rhyming text flows quite well, incorporating the numbers one to ten into the story, while the colorful artwork, done in gouache and pencil, accentuates the humor and fun of the tale. The decorative end-papers were also entertaining, presenting number-related jokes at the front, and bug-relates jokes at the rear. Recommended to anyone looking for fun new counting books, or for entertaining read-aloud selections for story-hour! show less

Mother Goose may never be the same...Sierra's Monster Goose looks like the traditional frumpy goose, but look more closely...yes, there it is. Monster Goose has that evil gleam in her eye, not to mention a discreet pair fangs...not only does she look more sinister than Mother Goose, her tales are decidedly creepier and CHOCK full of monsters, snakes, bats, slugs, and creepy crawlies of all kinds! What we get in Monster Goose is a creepy parody of our most favored nursery rhymes! Sierra show more covers Hickory Dickory Dock (Slithery Dithery Dock), Mary Had a Little Lamb (Mary Had a Vampire Bat), Jack and Jill (Jill and Jaques), Twinkle Twinkle Little Star (Twinkle Twinkle Little Slug), and many more!! Some are cute, clever, witty, and just the right amount of creepy...while others not so much, thankfully where that happens, Davis' illustrations make up for it! The illustrations here are simply delightful...Mary with her vampire bat is a green, Goth chick (too funny); little Jack Horner is a green cannibal, complete with nose ring; Bo Peep has vampire sheep peeking around a tree at the unsuspecting werewolf; the zaniness is just perfect for this horrible nursery rhymes!

Overall, I give it four stars, the text and illustrations are fun, creepy and a perfect match for one another...it only gets four stars because not all of the rhymes work (some are strained and aren't all that funny or cute). Obviously you'd be doing yourself a favor to add this to your reading repertoire around Halloween, but there's simply NO reason not to add a little Monster Goose to your reading list at any time of the year! I'll be buying a copy of this for my permanent library! As a side now, I noticed, when I went to get some publishing information for when I post this to my blog, that many reviewers/parents complained about the use of gasoline and turpentine in a couple of the rhymes...if your kids would think it was ok to use those things for drinking or brushing their teeth, you haven't done your job as a parent. As for the calls that this would frighten kids...well, that's rather the point...but really, this is more campy creepy that genuinely scary, again it's a matter of not just how children perceive it...it's how YOU treat it as well. These are silly rhymes that take a monsterific twist on the classic Mother Goose nursery rhymes. show less

When the words in the dictionary get bored one day, they escape from their proper places and hold a word parade. With the Onomatopoeia Marching Band leading the way, and that self-centered one-letter word (I) as marshal, the parade contains many fun categories of word, from antonyms to palindromes. Eventually Noah Webster manages to shepherd these unruly creatures back into the dictionary, only for Roget to notice other words escaping from his thesaurus...

An amusing and educational look at show more the various kinds of words, from parts of speech - contractions, conjunctions, interjections - to categories like anagrams and homophones, The Great Dictionary Caper pairs a fun, frenetic text from author Judy Sierra with entertaining artwork from illustrator Eric Comstock. There's even a glossary included at the rear, to explain various terms and archaic words used in the story. I'm not sure this would make a good story-time selection for a large audience, as there are so many words to be read on the page, in addition to the main narrative, but in a small group, I think it would be a hit. Recommended to anyone looking for a fun way to explain parts of speech and/or other word categories to young children. show less