Mary Burchell (1904–1986)
Author of Safe Passage: The Remarkable True Story of Two Sisters Who Rescued Jews from the Nazis
About the Author
Disambiguation Notice:
Ida Cook also writes as Mary Burchell and James Keene (with Will Cook).
Image credit: Ida Cook (aka Mary Burchell)
Series
Works by Mary Burchell
Safe Passage: The Remarkable True Story of Two Sisters Who Rescued Jews from the Nazis (1950) 192 copies, 9 reviews
Golden Harlequin Library, Volume XLIII: The Reluctant Guest / Nurse in Waiting / Away Went Love (1974) — Contributor — 4 copies
Golden Harlequin Library, Volume VIII: Choose the One You'll Marry / Sweet Barbary / Senior Surgeon at St. David's (1971) — Contributor — 4 copies
Harlequin Omnibus 37: The Other Linding Girl / Girl With a Challenge / My Sister Celia (1980) 3 copies
Harlequin Omnibus 04: The Heart Cannot Forget / Ward of Lucifer / A Home for Joy (1975) 3 copies, 1 review
Golden Harlequin Library, Volume XIII: Dear Sir / Nurse at Ryeminster / The Blue Caribbean (1971) — Contributor — 2 copies
Golden Harlequin Library, Volume XLV: On the Air / Doctor Benedict / The Black Cameron (1974) — Contributor — 2 copies
Harlequin Omnibus 77: It's Rumoured in the Village / Except My Love / Strangers May Marry (1977) 2 copies
Romance Treasury: Tell Me My Fortune / A Scent of Lemons / Country of the Wine (1979) — Contributor — 2 copies
Romance Treasury: Yours With Love / Man in the Shadows / The Everywhere Man (1987) — Contributor — 2 copies
Romance Treasury: The Guarded Gates / Pay Me Tomorrow / The Darling Pirate (1977) — Contributor — 2 copies
Pension op stelten 1 copy
Golden Harlequin Library, Volume XXXVII: Once You Have Found Him / Plantation Doctor / Paris- and My Love — Contributor — 1 copy
Golden Harlequin Library, Volume XVI: Portrait of Susan / Doctor's Orders / Love Him or Leave Him — Contributor — 1 copy
Golden Harlequin Library, Volume XXXI: Towards the Sun / The Wedding Dress / The House on Flamingo Cay (1973) 1 copy
Bosnimf 1 copy
Nata per la musica 1 copy
Romance Treasury: To Journey Together / I and My Heart / Windy Night, Rainy Morrow (1976) — Contributor — 1 copy
Liefde kent geen grenzen 1 copy
Tagged
Common Knowledge
- Legal name
- Cook, Ida
- Other names
- Burchell, Mary (pen name)
Keene, James (pen name) - Birthdate
- 1904-08-24
- Date of death
- 1986-12-22
- Gender
- female
- Education
- Duchess' School, Alnwick
- Occupations
- romance novelist
journalist
civil servant
autobiographer
Holocaust rescuer - Organizations
- Romantic Novelists' Association (president)
- Awards and honors
- Righteous among the Nations
Blue Plaque - Relationships
- Krauss, Clemens (friend)
- Short biography
- Ida Cook was born on 24 August 1904 at 37 Croft Avenue, Sunderland, England. With her elder sister Mary Louise Cook (1901), she attended the Duchess' School in Alnwick. Later the sisters took civil service jobs in London, and developed a passionate interest in opera.
A constant presence at Covent Garden, the pair became close to some of the greatest singers of the era; Amelia Galli-Curci, Rosa Ponselle, Tito Gobbi and Maria Callas. They also came to know the Austrian conductor Clemens Krauss, and it was through he that Cooks learned of the persecution of European Jews. In 1934, Krauss's wife asked the sisters to help a friend to leave Germany. Having accomplished this, the sisters continued the good work, pretending to be eccentric opera fanatics willing to go anywhere to hear a favourite artist. Krauss assisted them, even arranging to perform in cities they needed to visit. The sisters made repeated trips to Germany, bringing back jewellery and valuables belonging to Jewish families. This enabled Jews to satisfy British requirements as regards financial security - Jews were not allowed to leave Germany with their money. Using many techniques of evasion, including re-labelling furs with London labels, the sisters enabled 29 persons to escape from almost certain death.
The Cooks' own finances were little precarious, and when Ida obtained a contract with Mills and Boon to published her first novel in 1936, she left the Civil Service to write full time. As Mary Burchell, she became a prolific writer of romantic fiction. Her great popularity helped the success of Mills and Boon, and guaranteed substantial income after the war. For many decades, her writing supported her two passions: refugees and young opera singers. Her flat in Dolphin Square at various times housed homeless European families.
In 1950, Ida Cook wrote her autobiography: "We followed our stars", and in 1965, the Cook sisters were honoured as Righteous Gentiles by the Yad Vashem Martyrs and Heroes Remembrance Authority in Israel, thus joining Oskar Schindler among others.
She helped to found and was for many years president of the Romantic Novelist's Association. As Mary Burchell, she wrote over a hundred romance novels, many of which were translated, and her most famous work is "The Warrender Saga", a series about the opera world, full of real details. She also wrote as James Keene with William Everett Cook.
Ida Cook passed away on December 22, 1986 and her sister Louise in 1991. - Nationality
- UK
- Birthplace
- Sunderland, Durham, England, UK
- Places of residence
- Northumberland, England, UK
London, England, UK - Place of death
- London, England, UK
- Disambiguation notice
- Ida Cook also writes as Mary Burchell and James Keene (with Will Cook).
- Associated Place (for map)
- England, UK
Members
Reviews
Unusually for a Mary Burchell book, the heroine gets a man who is not a pleasant character and definitely a poor risk for marriage. There is a serious class difference, awful in-laws on both sides, and a truckload of unresolved issues. I foresee a bitter divorce before the fifth anniversary. On the bright side, the first glimmerings of 60s thinking have appeared on the horizon and the bride-to-be is planning to continue with her career after the wedding, so there might not be children to show more complicate the situation.
The plot is laudably unusual. Atypically for a formula romance, the book begins by depicting a horrible relationship and when they break up, soon into the story, it's a relief to the reader. What a shame that in the end the pair get back together.
It's not just that she turns down a rather good marriage prospect to go with this guy; this heroine is too immature to marry anyone. show less
The plot is laudably unusual. Atypically for a formula romance, the book begins by depicting a horrible relationship and when they break up, soon into the story, it's a relief to the reader. What a shame that in the end the pair get back together.
It's not just that she turns down a rather good marriage prospect to go with this guy; this heroine is too immature to marry anyone. show less
Hmm.
This book will most appeal to you if you have a toleration for the Mr. Rochesters and M. Paul Emanuels of the world of fiction.
In other words, a romantic interest who is a bit of a jerk. Indeed, Charlotte Bronte would have been all over this plot.
There's no getting away from it. There were multiple times in this book where I sighed a little bit and thought, "Ah. So we're doing this, are we?"
The autocratic man who's rather too old for the heroine. Who keeps her guessing the whole time as show more to whether he dislikes her or is just indifferent (hint: it's neither).
What can I say? Mary Burchell handled it with skill and thrill.
Plot summary: Anthea is on her own in Paris, jilted by her fiancé, and with dwindling finances. A chance meeting gets her an opportunity to model at a luxurious fashion show, where she meets Florian, a prestigious dress designer. The rest is moments of catty girl drama, enigmatic conversations with her employer, dinner dates with a "just a friend" who wants to be more, and very Jane-Eyre-like amounts of concealed longing for the inscrutable employer.
If it sounds like your thing, it probably is. Yes, I gave it 5 stars. Yes, even though I wouldn’t be on board with it in real life, I really liked it and was totally invested by the end. show less
This book will most appeal to you if you have a toleration for the Mr. Rochesters and M. Paul Emanuels of the world of fiction.
In other words, a romantic interest who is a bit of a jerk. Indeed, Charlotte Bronte would have been all over this plot.
There's no getting away from it. There were multiple times in this book where I sighed a little bit and thought, "Ah. So we're doing this, are we?"
The autocratic man who's rather too old for the heroine. Who keeps her guessing the whole time as show more to whether he dislikes her or is just indifferent (hint: it's neither).
What can I say? Mary Burchell handled it with skill and thrill.
Plot summary: Anthea is on her own in Paris, jilted by her fiancé, and with dwindling finances. A chance meeting gets her an opportunity to model at a luxurious fashion show, where she meets Florian, a prestigious dress designer. The rest is moments of catty girl drama, enigmatic conversations with her employer, dinner dates with a "just a friend" who wants to be more, and very Jane-Eyre-like amounts of concealed longing for the inscrutable employer.
If it sounds like your thing, it probably is. Yes, I gave it 5 stars. Yes, even though I wouldn’t be on board with it in real life, I really liked it and was totally invested by the end. show less
The third in Burchell's Warrender series and one of the best. This one nominally features a non-singing heroine and a conductor hero, but the real star of the book is Gina Torelli, a soprano in her prime who is the aunt of the heroine. Torelli is a marvelous character, a total prima donna but understandably so, an artist who is fully committed to developing and showcasing her gift. She is happily married to a businessman who is mostly off-page but who shows up at the end and provides an show more added dimension to Torelli's characterization.
The plot: our heroine was engaged to a violinist who died of pneumonia while on tour in Canada. She blames the conductor who insisted he travel. Said conductor, Julian, is the hero. They are brought together when he is chosen by Torelli and Oscar Warrender to conduct for the former. Nicola, our heroine, is acting as Torelli's assistant. There is much tension and angst between Nicola and Julian, and Nicola is frequently pretty horrible to Julian.
The world of opera comes through brilliantly in this installment of Burchell's series. You can tell how much she loves the world and the people, but also that she sees them somewhat clearly. show less
The plot: our heroine was engaged to a violinist who died of pneumonia while on tour in Canada. She blames the conductor who insisted he travel. Said conductor, Julian, is the hero. They are brought together when he is chosen by Torelli and Oscar Warrender to conduct for the former. Nicola, our heroine, is acting as Torelli's assistant. There is much tension and angst between Nicola and Julian, and Nicola is frequently pretty horrible to Julian.
The world of opera comes through brilliantly in this installment of Burchell's series. You can tell how much she loves the world and the people, but also that she sees them somewhat clearly. show less
Mary Burchell was a popular Mills & Boon/Harlequin author in the mid-20th century. Mary Burchell was the pseudonym for Ida Cook, whose own story proves the old adage “truth is stranger than fiction.” Ida and her sister, Louise, came of age between the wars. Working girl Louise's purchase of a gramophone and opera recordings led to the sisters' lifelong love of opera. Their lives revolved around opera season. Ida began collecting snapshots of opera stars as she and Louise queued for show more gallery seats. This led to acquaintances and then friendships with many of the major opera stars of the early to mid-twentieth century, including Amelita Galli-Curci, Rosa Ponselle, Ezio Pinza, Elisabeth Rethberg, Maria Callas, and conductor Clemens Krauss and his wife, soprano Viorica Ursuleac. It was their friendship with Krauss and Ursuleac that led to the defining period of their lives, when they aided refugees escaping from Nazi Germany and other countries under their control.
The British government accepted refugees under a guarantee system whereby accepted refugees would not be a financial burden to the social system. Ida and Louise raised funds to provide guarantees for refugees, many of whom were Jewish. The sisters also smuggled valuables belonging to refugees out of German controlled areas, since the refugees weren't allowed to leave with money or valuables. Their love of opera provided a perfect cover for their clandestine activities. The authorities viewed them as eccentric but harmless opera aficionados. Cook's writing career took off just as their rescue work commenced, and most of her new-found wealth went to the rescue efforts. Ida and Louise Cook were honored by Yad Vashem as Righteous among the Nations, and are credited with helping 29 Jews escape from Germany and Austria. show less
The British government accepted refugees under a guarantee system whereby accepted refugees would not be a financial burden to the social system. Ida and Louise raised funds to provide guarantees for refugees, many of whom were Jewish. The sisters also smuggled valuables belonging to refugees out of German controlled areas, since the refugees weren't allowed to leave with money or valuables. Their love of opera provided a perfect cover for their clandestine activities. The authorities viewed them as eccentric but harmless opera aficionados. Cook's writing career took off just as their rescue work commenced, and most of her new-found wealth went to the rescue efforts. Ida and Louise Cook were honored by Yad Vashem as Righteous among the Nations, and are credited with helping 29 Jews escape from Germany and Austria. show less
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Statistics
- Works
- 140
- Members
- 1,693
- Popularity
- #15,168
- Rating
- 3.3
- Reviews
- 76
- ISBNs
- 228
- Languages
- 4
- Favorited
- 3














