Picture of author.

Josef Čapek (1887–1945)

Author of R.U.R. and The Insect Play (Oxford Paperbacks)

58+ Works 406 Members 5 Reviews

About the Author

Image credit: Josef Capek

Works by Josef Čapek

Stín kapradiny (1998) 8 copies
Un gâteau 100 fois bon (1971) 5 copies
Lelio ; Pro delfína (1997) 3 copies
O sobě 2 copies
Gedichte aus dem KZ (2015) 2 copies
Rodné krajiny 2 copies
Beletrie 1 (2011) 1 copy
L'ombra della felce (2007) 1 copy
Husaion V. 1 copy
Modre Debe 1 copy
Le pantalon déchiré (1999) 1 copy
Histoire de la lettre (1999) 1 copy
Publicistika (2008) 1 copy

Associated Works

The Gardener's Year (1929) — Illustrator, some editions — 447 copies
Twenty best European plays on the American stage (1957) — Contributor — 28 copies
Open the Door (1965) — Contributor — 22 copies
Selected Czech Tales, (The World's Classics) (1977) — Contributor — 2 copies

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Common Knowledge

Canonical name
Čapek, Josef
Legal name
Čapek, Josef
Birthdate
1887-03-23
Date of death
1945-04
Burial location
Vyšehrad cemetery, Prague, Czech Republic (symbolic grave)
Gender
male
Nationality
Czech Republic
Birthplace
Hronov, Bohemia (Austria-Hungary, now Czech Republic)
Place of death
Bergen-Belsen concentration camp
Places of residence
Prague, Czechoslovakia
Paris, France
Education
Academie Colarossi, Paris
School of Applied Arts, Prague, Czech Republic
Occupations
painter
illustrator
essayist
playwright
novelist
translator (show all 10)
poet
graphic artist
children's book illustrator
children's book author
Relationships
Čapek, Karel (brother)
Čapek, Karel & Josef (gestalt entity)
Poláček, Karel (friend)
Short biography
Josef Čapek was born in Hronov, Bohemia, then in Austria-Hungary, later Czechoslovakia, now the Czech Republic. His younger brother was Karel Čapek. In 1890, the family moved to Úpice, where Josef was unsuccessful at school, although his artistic talent was noted. Later he went to a German-speaking vocational school for weaving in Vrchlabí. After graduating in 1903, he worked for a year in a factory. In 1904, he moved to Prague, where he studied at the School of Applied Arts and met his future wife, Jarmila Pospíšilová. He went to Paris in 1910 to attend the Colarossi Academy. When his brother came to visit, they wrote the first draft of the play Loupežník (The Robber) together. He collaborated with Karel on a number of other plays and short stories, the most famous of which was Ze života hmyzu (The World We Live In/The Insect Play), premiered in 1922. Independently, Josef wrote the utopian play Země mnoha jmen (Land of Many Names) and several novels, as well as essays. He was named by his brother as the true inventor of the term "robot." As a painter of the Cubist school, Josef Čapek developed his own playful, minimalist style. His illustrated collection of stories Povídání o Pejskovi a Kočičce (English translation, The Adventures of Puss and Pup, 1975), first published in 1927, is a beloved classic of Czech children's literature. He worked for 18 years as a cartoonist, editor, and art critic for Lidové noviny, a daily newspaper in Prague. Due to his pointed criticism of Nazism, Josef was arrested by the Gestapo after the German invasion of Czechoslovakia in 1939 and deported to the concentration camps at Dachau and Buchenwald, where he spent two and a half years. In 1942, he was transferred to Sachsenhausen, where he secretly wrote a long poem dedicated to Karel, translated English, Spanish, and Norwegian poetry, and made small pencil drawings. In February 1945, he was sent to Bergen-Belsen, where he wrote Poems from a Concentration Camp (published posthumously). He died during a typhus epidemic at the camp. In the decades since his death, several short films, television productions, and a feature film have been produced based on Josef Čapek's work. These include The Shadow of the Ferns (based on the novel Stín kapradiny), released in 1986.

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Reviews

A dog and a cat live together and have silly adventures. Cute stories and the illustrations are nice.
 
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electrascaife | 1 other review | Nov 1, 2018 |
It seems particularily powerful to me that Josef Čapek died in the concentration camp of Bergen-Belsen. One of the only voices we can hear of the millions silenced in those camp.
 
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pifthemighty | 1 other review | Sep 13, 2006 |
R.U.R. (Rossum's Universal Robots) was written in 1920, premiered in Prague early in 1921, was performed in New York in 1922, and published in English translation in 1923. Virtually every encyclopedia or textbook etymology of the word "robot" mentions the play R.U.R. Although the immediate worldwide success of the play immediately popularized the word (supplanting the earlier "automaton"), it was actually not Karel Capek but his brother Josef, also a respected Czech writer, who coined the word. The Czech word robota means "drudgery" or "servitude"; a robotnik is a peasant or serf. Although the term today conjures up images of clanking metal contraptions, Capek's Robots (always capitalized) are more accurately the product of what we would now call genetic engineering.
The translator (Paul Selver) changed the play quite a bit while preparing the English version, combining two Robot characters into one, and considerably toning down the ending. If you're interested in reading the play as it was originally presented to American audiences, read the 1920s version (most university libraries will have a copy -- it was tremendously popular in its day).
In the 1990s, a new translation, with much better dialogue and a chilling new final speech (new to English audiences, anyway) by the Robot Damon, was published in a Capek reader called Toward the Radical Center (with a short introduction by Arthur Miller).
[http://jerz.setonhill.edu/resources/RUR/]
Written just before WWII the Insect Play is a wonderful fantasy full of political allegory and social commentary. It is important to keep in mind when reading the Insect Play that Josef Capek died in a Nazi concentration camp.
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mmckay | 1 other review | Aug 11, 2006 |
Karel and Josef Capek’s The Insect Play is one of the pair’s best known and well-received collaborations. Also known as The Insect Comedy, The World We Live In, and From Insect Life, the play was published in its original Czech in 1921 as Ze zivota hmyzu. The play was first performed at the National Theatre in Brno, Czechoslovakia, on March 8, 1922 (some sources say February), running for about one hundred nights. The Insect Play made its American debut later in 1922, and its London premiere the following year. The play has been performed only intermittently since that time because of the demanding staging it requires.

The brothers Capek began work on the play in 1920. Their first collaboration after an eight-year hiatus, it would also be one of their last. The Insect Play was a combination of many forms, including fable, revue, and satire. All but a few of the characters are insects that are anthropomorphized (given human qualities). The brothers commented on human society in their place and time period (Czechoslovakia in the post-World War I era) via these insects. Many critics believe that the Capeks were inspired by other animal plays and short stories, including Jean Henri Fabré’s La vie des insects (The life of insects) and Souvenirs entomologiques, and a story by Russian author Vsevolod Garsin, What Never Happened. Though The Insect Play has been problematic for critics from the beginning, many have found much to praise over the years. As Lucia Mauro of the Chicago Sun-Times wrote, when commenting on a 1999 production of the play, ‘‘their keen observations of the life cycle and poignant visions of war’s futility remain relevant to this day.
[http://www.enotes.com/insect-play/]
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mmckay | Aug 11, 2006 |

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