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Dola de Jong (1911–2003)

Author of The Tree and the Vine

19 Works 219 Members 3 Reviews

About the Author

Includes the names: Dola De Jong, Dola de Jong

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Works by Dola de Jong

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Common Knowledge

Canonical name
Jong, Dola de
Other names
Jong, Dorothea Rosalie de (birth)
Birthdate
1911-10-10
Date of death
2003-11-19
Gender
female
Nationality
Netherlands (birth)
USA (1947-2003)
Birthplace
Arnhem, Gelderland, the Netherlands
Place of death
Laguna Woods, California, USA
Places of residence
Arnhem, Gelderland, the Netherlands
North Africa (1940)
USA (1941)
New York, USA
California, USA
Education
Empire State College (1983)
Occupations
author
dancer (8 years with the Royal Dutch Ballet)
teacher (creative writing | Empire State College)
linguist
journalist
Relationships
Hoowij, Jan (husband)
Joseph, Robert H. (husband)
Joseph, Ian (son)
Organizations
Royal Dutch Ballet
Awards and honors
Literature Prize of Holland (1947)
Dutch Academy of Letters (1955)
Short biography
Dorothea Rosalie "Dola" de Jong was born to a prosperous Jewish family in Arnhem, The Netherlands. Her parents were Salomon Louis de Jong and his wife Lotte Rosalie Benjamin, who was German by birth. She had two brothers. Her mother died when Dola was five years old.
She showed a talent for writing from a young age. Growing up, she decided to become a ballet dancer, but her conservative father opposed this idea and wanted to send her to finishing school instead. After graduating from high school, as a compromise, she became an apprentice journalist at the Nieuwe Arnhemsche Courant. Around 1930, she she moved to Amsterdam. She took advanced ballet lessons there and in the UK and became a member of the Royal Dutch Ballet. She toured with the Yvonne Georgi Ballet. To fund her dance lessons, De Jong worked as a freelance journalist, writing under the pseudonym Sourit Ballon, and also wrote some children's books.
She published her first literary novel, Dans om het hart (Dance Around the Heart), in 1939. De Jong recognized the signs that the Netherlands was no longer safe for Jews. She fled to Tangier, Morocco in April 1940, just a few weeks before Nazi Germany invaded her country. Her father, stepmother, and one brother were killed by the Nazis.
In 1941, De Jong married Jan Hoowij, a painter, and the couple moved to New York City. In New York, De Jong sold the rights to her children's book Knikkernik, Knakkernak, and Knokkernok (1942), and soon afterwards received an advance from Scribner's editor Maxwell Perkins to write a novel. That became the critically acclaimed En de akker is de wereld (English title: And the Field Is the World, 1945), which was awarded the City of Amsterdam Literature Prize in 1947. She continued to dance with Bernard van Leer's Circus Kavaljos. She won the Edgar Allan Poe Award for her 1964 mystery novel The Whirligig of Time. She was divorced from Jan Hoowij and later remarried to Robert Joseph.
After another divorce, in 1970 she moved back to the Netherlands, where she wrote for Dutch magazines and radio and published more novels. In 1978, she returned to New York, where she completed a bachelor's degree in literature at Empire State College at SUNY. After graduating at age 72, De Jong became a teacher at the university.

In the late 1980s, she started painting, and wrote for De Nieuwe Amsterdammer.
Her controversial novel
De thuiswacht, originally published in 1954, was not translated into English (as The Tree and the Vine) until 1961. It was reissued by The Feminist Press at CUNY in 1996.

Members

Reviews

At root (no pun intended), The Tree and the Vine is an exceptionally told story of repression and regret. It tells the story of the erratic Erica as seen through the eyes of Bea, the friend who grows increasingly obsessed with Erica but refuses to makes sense of what she feels. The story is told in retrospect by Bea after she has come to realize that Erica was the event of her life and the most poignant emotional opportunity that she missed.

As a Jew living in the occupied Netherlands during WWII, Erica comes to a predictably bad end, but Bea's end, though she lives, is certainly nothing less than tragic as well. The novel is exceptional in the way in which Bea is able to tell of her refusal to participate in a life that obviously obsessed her from the perspective of an older woman for whom the past has now come into focus. Or has it? The psychological nuances of the story are both complex and perplexing. A good read, though highly depressing and somewhat slow for such a short book.… (more)
1 vote
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mambo_taxi | 1 other review | Sep 7, 2009 |

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Statistics

Works
19
Members
219
Popularity
#102,099
Rating
½ 3.6
Reviews
3
ISBNs
24
Languages
8

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