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Johan Huizinga (1872–1945)

Author of The Autumn of the Middle Ages

81+ Works 6,404 Members 71 Reviews 15 Favorited

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Image credit: http://www.davidlavery.net/barfield/ (Owen Barfield)

Works by Johan Huizinga

The Autumn of the Middle Ages (1975) 1,890 copies, 26 reviews
The Waning of the Middle Ages (1924) 1,759 copies, 14 reviews
Erasmus and the Age of Reformation (1924) 612 copies, 9 reviews
In the shadow of to-morrow (1935) 96 copies, 3 reviews
Dutch Civilization in the 17th Century (1933) 79 copies, 1 review
La scienza storica (2018) — Author — 16 copies
HISTORIAN OLEMUS (2015) 12 copies
Erasmo. Vol. 2 (1988) 11 copies, 1 review
Nederland's geestesmerk (1934) 9 copies
Erasmo. Vol. 1 (1987) 8 copies, 1 review
Verzamelde werken (1949) 7 copies
Tien studiën 3 copies
El concepto de la historia 3 copies, 1 review

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Erasmus according to Huizinga in Reformation Era: History and Literature (March 2023)

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81 reviews
Summary: An elegantly written biography of Desiderius Erasmus describing his life, thought and character as a scholar who hoped to awaken "good learning" and to bring about a purified Catholic church, and the tensions resulting from being caught between Reformers and Catholic hierarchy.

It is surprising to me how few biographies I can find of Desiderius Erasmus in online searches, and most of these older works. The good news is that Huizinga's very readable account of Erasmus' life is show more available in either low cost reprints or for free digitally due to its passing into the public domain. There are also free versions of many of Erasmus' works in various digital formats. I found the edition that was the basis of this review in the bargain shelves of my local used book store. If you want to readable introduction to the life of Erasmus, this is a great place to start to understand the life of this humanist scholar overshadowed in some ways by the Reformers.
We learn about the early life of this out-of-wedlock son of a Catholic priest, forced by poverty to take monastic vows. Yet from early on it was clear that Erasmus was a scholar, not a monk, who found a way through the Bishop of Cambrai for whom he served as secretary, to pursue theological studies at the University of Paris in 1495. Huizinga portrays a man who was something of a rolling stone, moving between England, Paris, Louvain, Italy, and Basle in search of patrons, peace, and publishers. He would be a restless man all his life. He works for a time with the famed Aldus Manutius (after whom the Aldus font is named) and later collaborates with Johan Froben in the publication of a number of his later works including his Greek and Latin version of the New Testament. During one of his travels, he pens In Praise of Folly, the work for which he is most famous. He also assembles a collection of adages in Latin (Adagia) that serves as a compendium of the best of the ancient classics.

Huizinga shows us a scholar deeply committed to the value of "good learning", believing the recovery of the classic texts along with careful biblical scholarship would result in a Catholic church purified from the accretions of the centuries. There is a brief, shining moment, around 1517, where profits from publications, renown of scholarship, and sympathies with many other reformers brought him into the limelight at the same time as he is finally released from his monastic vows. All too briefly does he enjoy the life of scholarship, pleasant conversation, and freedom from want.

Soon he is chased from Louvain by those objecting to his efforts toward a purified church. He is courted by Luther and the Reformers only to keep his distance and eventually and reluctantly engage Luther in a dispute over the freedom versus bondage of the will. As he grows older he writes against the excesses of both the humanists (in Ciceronianus) and against the Reformers.

As I commented in my post on "The Challenge of the 'Third Way,' " Erasmus fault was that he was a moderate, who preferred quiet to a fight. He was not an ideologue, but one who cared for clarity in expression, careful scholarship, and purity of morality. Huizinga traces this out in successive chapters on Erasmus' thought and character. For many years, Catholics thought he had given too much aid and comfort to the Reformers. Protestants thought him a sell out, who remained loyal to the church he never wanted to leave. Yet to the last he was a scholar, returning to Basle to wrap up his affairs, entrusting his scholarly legacy to the house of Froben to publish his complete works. And it is as a scholar in the humanist tradition that he is most remembered.

More recent scholarship has raised questions about Erasmus sexuality, particularly his relationship with Servatius and his dismissal as tutor of Thomas Gray. Huizinga, a scholar in an age less concerned with matters sexual and more open to the expressions of spiritual friendship in letters, raises no questions about such things.

Huizinga also provides us with a selection of his letters. Two stand out. One is his letter to Servatius, arguing for why he should not return to the monastic length at such length that I suspect Servatius gave in to gain relief. The second is a finely drawn verbal portrait of Thomas More. We see his early correspondence with Luther, and the later deterioration of the relationship.

So, for both style and substance, I would highly recommend this biography. It leaves one wondering about the might-have-beens of what would have occurred had Erasmus not been overshadowed by Luther, Calvin, and others. My own hunch is that in the end, he would have been opposed and simply withdraw as was his want, and little would be changed. As it was, he refused to "lead the charge", leaving this to Luther and the Catholic hierarchy in turn. If he had influence at all, it was through his translation of the New Testament, used by Luther for a vernacular translation and through his other scholarly works, works that enriched individual minds rather than galvanized movements.
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I’m glad I went back and picked up Huizinga’s, Erasmus and the Age of Reformation. This popular biography was originally written in 1924, so it’s very old. I read a reissued edition of 2002 which also includes some letters of Erasmus. Huizinga died in 1945.

Huizinga is more critical of Erasmus than Augustijn (the other biography I read, Erasmus: His Life, Works, and Influence), and he offers some cutting criticism. For one, he calls Erasmus “weak” and talks of his “weakness”. show more While Luther obviously confronted the powers-that-be of his time, and did that quite vigorously, Erasmus kept aloof. Huizinga thinks Erasmus’ weakness was “… the study of a recluse bending over his books,” which, “did more than anything else to prevent Erasmus from understanding the true nature and purport of the Reformation.” (p. 138). It may be that Erasmus did not even read Luther’s most important writings until well after they were published. According to Huizinga, Erasmus thought the conservative reaction to the Reformation was about resistance to learning. There was much more to it than that, and Erasmus never faced up to the singular issues of his day.

Having said that though, I have some reservations about getting rid of Erasmus so easily. Not everyone has the ability, as Luther certainly did, of calling forth inner powers and confronting all the evil of one’s own age. Erasmus did confront evil, but when he did so it was as if behind a veil of language and learning. In fact, this is another of Huizinga’s criticisms of Erasmus. (p. 43) But must Erasmus be judged solely by this standard? Erasmus towards the latter part of his life says, “The essentials of our religion are peace and equanimity. These can hardly exist unless we make definitions about as few points as possible and leave many questions to individual judgement.” (p. 116) Elsewhere he says, “Let us resist not by taunts and threats, not by force of arms and injustice, but by simple discretion, by benefits, by gentleness and tolerance.” (p.152) This almost turns Huizinga’s criticism on its head. In my view, “gentleness” is not always the same thing as “weakness”. Erasmus and Luther were likely after two different things.

In the end, Erasmus remained a Catholic while Luther did not. Erasmus writes to Luther during the freedom of the will controversy in 1526, “I have never been an apostate from the Catholic Church. I know that in this Church, which you call the Papist Church, there are many who displease me, but such I also see in your Church. One bears more easily the evils to which one is accustomed. Therefore I bear with this Church, until I shall see a better, and it cannot help bearing with me, until I shall myself be better. And he does not sail badly who steers a middle course between two several evils.” (p. 165)

There is more criticism of Erasmus here in Huizinga, as well as more insights. I was glad to read this book because it gave me a feeling for the reality of Erasmus, the man. Even the criticism of Erasmus’ weakness has its place, if taken as part of a more holistic view of him.
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Huizinga writes vividly and with a keen eye for an engaging anecdote, but overall I found The Waning of the Middle Ages (also translated into English as The Autumn or The Decline of the Middle Ages) to be more useful as a source for early twentieth-century understandings of the Middle Ages, and indeed for then contemporary culture, than for the medieval period itself. The particular topics on which Huizinga chooses to write are interesting, and indeed presage many of the studies which later show more cultural historians and historians of mentalité, would produce—feuds and hairstyles, colour symbolism and pageantry.

But the tone and measure of the judgement which Huizinga passes on fourteenth and fifteenth-century western Europe was a turn-off to me. One of the tricky balancing acts which historians must of course perform is to pass judgment without being judgemental; to recognise their own roles in constructing historical narratives without letting their own particular presence warp that narrative. It's not an act which Huizinga pulls off; he is too convinced of the inherent superiority of his own period of history. He condescends to the Middle Ages as a period of childishness, of "superficiality, inexactness, and credulity"; Huizinga repeatedly informs the reader that medieval people said or did or believed things which "we" would of course disdain. I can see why this is a minor classic in the field, but it's not one which I found inspirational.
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Erasmus loved books, he collected them, he wrote them, he printed them and he doodled in them. His interest and fascination with the early printing process enabled him to take control of the publication of his books to such an extent that for Latin readers (he wrote in Latin) he became influential in shaping intellectual opinions in Europe. Those opinions were in tune with the humanist movement and the Italian renaissance: Erasmus seemed to want to bring about a perfect fusion between show more antiquity and Christianity, he wanted to take the Christian church back to its roots. He believed that a wilful and at times ignorant misreading of the scriptures had resulted in a catholic church that relied on ceremony, fasting, indulgences, pilgrimages and a veneration of saints and their relics which was full of superstition and foolishness. He was attacked by conservative churchmen, but always managed to find favour with the Pope, however when Luther burst onto the scene heralding the Reformation, which challenged the church in the very areas that Erasmus had highlighted, Erasmus could not support the protestant movement and ended his life opposed to the new church. Huizinga's biography carefully explores the character and mind of one of the most eloquent writers of the renaissance, to present us with a study that explains and at times excuses Erasmus's actions.

The book is first and foremost a biography of Erasmus and only delves into the Reformation movement as it affected Erasmus himself and as he spent his latter years ducking and diving from the controversy it largely takes place in the background. The biography falls into four distinct parts. Firstly Huizinga examines Erasmus early life, his credentials as a humanist, his desire to be free of the monastery to which he was attached, his need to earn money to make himself independent so that he could devote more time to his studies and his writing. The Colloquies and In Praise of Folly were published at this time and Huizinga teases out their flavour and importance, giving a fine sketch of their content. Their follows three chapters on the character and mind of Erasmus and the man himself is brought vividly to life by some excellent and thoughtful writing. It is no surprise that this man who ranked peace and harmony above all other considerations and used these as guiding principles should be the man sitting on the fence when the storm of the Reformation broke around him.

Erasmus story is taken up again with his sojourn at Louvain where he again came under attack from the conservative's, this was at a time when Erasmus was hard at work correcting the misinterpretations he discovered in the New Testament, making his version which he believed was error free and which could be understood by all learned men ready for publication. He travelled to Basle to the printing works where he stayed to oversee the publication, he was in his element making corrections surrounded by printers and books. Now however the first waves of the reformation broke around him, he was badgered by both sides for his support and his letter to Luther is a typical example of Erasmus's position, begging him not to include him as one of his supporters, yet not condemning his stance. You can almost hear him saying "for goodness sake leave me alone to write my books" Huizinga also points to a more fundamental difference between the two men, saying that Erasmus did not understand the depth of Luther's faith he was unaware of the deeper mysteries that fuelled the movement. As he came towards the end of his life Erasmus finally lent his support to the catholic church, but by this time the world had moved on and he was yesterdays man. Huizinga concluded this section with a chapter on Erasmus's influence on the period of enlightenment in the 17th and 18th centuries.

The final section is a selection of letters written by Erasmus. These letters were written in the foreknowledge that they would be collected and published and in themselves are fine pieces of literature. There is a long panegyric on Erasmus's friend Sir Thomas Moore, there is his famous correspondence with Luther. There is a letter to the head of the monastery to which he was trying to extricate himself explaining just why he was not suited to monastic life. There is also a long letter explaining the vicissitudes of travelling in the early sixteenth century as Erasmus journeys from Basle to Louvain almost convinced that a sickness that develops is the plague. Everything that Erasmus writes seems wonderfully convincing, full of gentle humour and written by a man who cares for others as much as himself. The letters alone are more than enough to lead me to read [In praise of Folly] and [The Colloquies].

Huizinga's biography published in English in 1924 does not have the advantage of modern scholarship, but that hardly seems to matter as his portrait of Erasmus is so convincing and well written that I do not feel the need to read another. A Five Star Read.
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Corpus Barga Contributor
F. Scheminzky Contributor
Hans Thirring Contributor
Fernando Vela Contributor
Benjamín Jarnés Contributor
Antonio Marichalar Contributor
D. H. Lawrence Contributor
Luis. AMADO BLANCO Contributor
Guillermo de Torre Contributor
J. Huizinga Contributor
Carlos Antoni Contributor
María Zambrano Contributor
Karl Vossler Contributor
F. Hopman Translator
Rodney J. Payton Translator
Gisela Pferdmenges Cover designer
Karl Gröning, jr. Cover designer
Umberto Eco Introduction
H. Nachod Translator
C. Reedijk Foreword
Eino E. Suolahti Translator
Elaine Lustig Cover designer
Hans van Marle Translator
James S. Holmes Translator
María Mallo Cover artist
Ovidio Capitani Introduction

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