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232+ Works 11,452 Members 88 Reviews 8 Favorited

About the Author

Georges Duby was a member of the Academie Francaise, and taught for many years at the College de France

Series

Works by Georges Duby

A History of Private Life, Volume 1: From Pagan Rome to Byzantium (1985) — General Editor; Editor — 1,768 copies, 13 reviews
A History of Private Life, Volume 2: Revelations of the Medieval World (1985) — Editor; Editor; General Editor — 1,706 copies, 6 reviews
William Marshal: The Flower of Chivalry (1984) 592 copies, 6 reviews
A History of Women in the West, Volume I: From Ancient Goddesses to Christian Saints (1992) — Editor; Series Editor — 431 copies, 3 reviews
A History of Private Life (1985) — General editor — 319 copies, 1 review
The Three Orders: Feudal Society Imagined (1978) 295 copies, 1 review
A History of Women in the West, Volume IV: Emerging Feminism from Revolution to World War (1993) — Editor; Series Editor — 247 copies, 2 reviews
Love and Marriage in the Middle Ages (1988) 153 copies, 3 reviews
The Chivalrous Society (1977) 150 copies
Het jaar duizend (1967) — Author — 117 copies, 3 reviews
Medieval Marriage: Two Models from Twelfth-Century France (1978) — Author — 107 copies, 1 review
Art and Society in the Middle Ages (1995) 80 copies, 1 review
History Continues (1991) 78 copies, 3 reviews
L'Europe au Moyen Age (1955) 75 copies
A History of Women in the West (5 volume set) (1997) — Series Editor — 71 copies
Histoire de la France (1963) 61 copies, 1 review
Féodalité (1996) 38 copies
Historia De La Privada 2 (La Alta Edad Media, 2) (1985) — Director — 29 copies
La chevalerie (1993) 28 copies
Les procès de Jeanne d'Arc (1973) 28 copies, 2 reviews
Atlas historique Duby (2007) 25 copies, 1 review
Power and Beauty: Images of Women in Art (1992) — Author — 20 copies
HIST CIVILISATION FRANCAISE T1 (1984) — Author — 20 copies
Figuren van de moderne tijd (1992) 15 copies
Œuvres (2019) 12 copies
La Ville en France au Moyen Âge (1981) — Director — 11 copies
Essais d'ego-histoire (1987) 10 copies, 1 review
Histoire de la France urbaine, tome 1 : La Ville antique (1980) — Director; Contributor; Editor — 9 copies
Mille e non piu mille (1994) 8 copies
L'Europa nel Medioevo (1984) — Author — 8 copies
Civilisation latine (1986) 8 copies
Le Moyen Age (1994) 7 copies
Dialogues (1980) 7 copies
Histoire du monde, tome 2 (1993) — Editor; Preface — 6 copies
Storia della Francia (1997) 6 copies
Battistero di Parma (1992) 5 copies
Histoire de la France rurale (1982) — Director — 4 copies
Atlas historique Larousse (1978) 4 copies
MES ÉGO-HISTOIRES (2015) — Author — 3 copies
Sociedades Medievais (1999) 3 copies
Le società medievali (1985) 3 copies
Storia della Francia (1998) 3 copies
A sociedade cavaleiresca (1990) 2 copies
Senhores e Camponeses (1990) 2 copies
Historical World Atlas (2006) 2 copies
Intérieurs. Nuits (2008) 2 copies
Le Moyen Age (Coffret Contenant les 3 Volumes) (1967) — Editor — 2 copies
Anul 1000 1 copy

Associated Works

A History of Private Life, Volume 3: Passions of the Renaissance (1985) — General editor — 864 copies, 2 reviews
A History of Women in the West, Volume II: Silences of the Middle Ages (1992) — Series Editor — 394 copies, 3 reviews
The Medieval Kitchen: Recipes from France and Italy (1991) — Foreword — 374 copies, 4 reviews
Medieval Prostitution (1988) — Foreword, some editions — 116 copies, 1 review
Das Weltbild des mittelalterlichen Menschen (1972) — Foreword, some editions — 48 copies
Faire de l'histoire, tome 1 : Nouveaux problèmes (1974) — Contributor — 31 copies
Robert of Arbrissel: Sex, Sin, And Salvation in the Middle Ages (1985) — Preface, some editions — 30 copies
L'Etat royal : de Louis XI à Henri IV, 1460-1610 (1987) — Director — 11 copies
The Palace of the Popes (Special Issue of Beaux Arts Magazine) (2006) — Preface, some editions — 10 copies
La memoria de los feudales (1984) — Preface, some editions — 8 copies

Tagged

12th century (47) ancient history (92) anthropology (43) architecture (57) art (236) art history (116) biography (85) Byzantium (55) cultural history (105) culture (63) Europe (188) European History (171) family (63) France (203) French (43) French History (88) history (2,307) marriage (61) medieval (472) medieval history (394) Middle Ages (535) non-fiction (419) private life (58) Rome (72) sculpture (65) social history (225) sociology (84) to-read (240) women (81) world history (48)

Common Knowledge

Canonical name
Duby, Georges
Legal name
Duby, Georges Michel Claude
Birthdate
1919-10-07
Date of death
1996-12-03
Gender
male
Education
University of Lyon (BA|1942)
The Sorbonne, Paris (Ph.D|1952)
Occupations
historian
medievalist
Chair of the History of Medieval Society, Collège de France, Paris(1970-93)
professor
Organizations
Collège de France
École des Annales
University of Aix-en-Provence
Awards and honors
Académie française (1987)
Ordre national du Mérite (Grand Officier, 1995)
Palmes Académiques (Commandeur)
Ordre des Arts et des Lettres (Commandeur)
Ordre du Mérite Agricole (Chevalier)
American Philosophical Society (International Member, 1977) (show all 22)
Medieval Academy of America (Corresponding Fellow, 1970)
British Academy (Corresponding Fellow, 1970)
Royal Historical Society
Grand Prix Gobert (1977)
Prix des Ambassadeurs (1973)
Institute de France (1974)
Légion d'Honneur (Commandeur)
Lauréat du concours général
Conseil superieur de la langue francaise (1989)
Académie des Inscriptions et Belles-Lettres (1974)
Academie Royale de Langue et de littérature Françaises (1986)
Acadèmia de Bones Lletres de Barcelona
Hungarian Academy of Sciences
Lincean Academy
Order of Orange-Nassau (Officer)
Gobert Prize (1954, 1963)
Relationships
Perrin, Charles-Edmond (Directeur de thèse)
Le Roy Ladurie, Emmanuel
Goubert, Pierre
Le Goff, Jacques
Le Blevec, Daniel (Doctorant)
Duby, Andrée (Epouse) (show all 7)
Braudel, Fernand
Short biography
Prof. Duby was born into a Provençal family in Paris. He became one of the 20th century’s most prolific and influential historians of the Middle Ages. He held the chair in medieval history at the Collège de France from 1970 to 1993, and was elected to the French Academy. He is considered a member of the Annales school of history, which emphasized the importance of the daily lives of people in historical inquiry.
Cause of death
cancer
Nationality
France
Birthplace
Paris, Île-de-France, France
Places of residence
Paris, France
Le Tholonet, Bouches-du-Rhône, Provence-Alpes-Côte d'Azur, France
Place of death
Le Tholonet, Bouches-du-Rhône, Provence-Alpes-Côte d'Azur, France
Burial location
Cimetière communal, Le Tholonet, Bouches-du Rhône, Provence-Alpes-Côte d'Azur, France
Associated Place (for map)
Provence-Alpes-Côte d'Azur, France

Members

Reviews

116 reviews
I found the chapters on Rome enlightening and fascinating. This book brings home the brutality of daily Roman life, especially with its descriptions of abandoned infants left to die by the side of the road. It is important when looking at the merits of the Greek and Roman cultures whose heritage we have inherited to take off our rose-colored glasses and see the flip-side as well. This book reveals a lot of history overlooked elsewhere.
½
Who is ever alone at the beginning of the thirteenth century but the mad, the possessed--marginal figures who are hunted down? An orderly world requires that each man remains swathed in a fabric of solidarities, of friendships, in a corps.

A few detractors of this text cite that Duby appears more concerned with "the age of chivalry" rather than the specifics of Marshall's life. I suppose you can't please everyone. This is an astonishing portrait of the intensely intricate and complex set of show more social relations in the late 1200/early 1300s. As society became more complex, a fixed monetary system apparently flourished and social mobility became an increasing reality. This wasn't an option for most folks in this milieu. Thus the code of knightly honor and courtly love. Each is actually a sober response to set of unfair circumstances. William Marshall embodied this code to a fanatical end, despite ongoing menace he maintained an unyielding loyalty and was actually rewarded. Yes, he was an exceptional warrior. He was also rather lucky, not least by a healthy constitution which allowed him to outlive most of his royals, especially those sporting crowns.

This dovetailed nicely with the Plantagenets book I'm reading, and it wasn't a bad way to spend a frozen Sunday. Despite being 153 pages, the text does require concentration as well as an awareness of the various royal houses of the time.
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Sometimes the source material is so strong and moving, that only a bit of editing is sufficient to present a great narrative and highlight the miscarriage of justice. Joan of Arc was clearly framed in a show trial process on extremely weak charges and after the church trial burned without a necessary civil judgment. The local bishop as well as the university of Paris were willing tools in the hands of the oppressors. The obsession of the judges and prosecutors with Joan's wearing of male show more dress is puzzling. Now, the cross-dresser is an official saint of the Catholic church!

"La passion de Jeanne d'Arc" (1928) is a moving must watch with outstanding b/w cinematography. I also like Milla Jovovich/Luc Besson's 1999 version "The Messenger".
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Georges Duby provided a charming yet scholarly account of his career as a historian. He generously shared important and insightful details of his professional life while remaining totally reticent on any personal points that were not germane to his being an academic.

Duby outlined his career in a chronological order, with occasional glimpses ahead or back to draw a parallel or make a point. He began with what he apparently considered his first major work, a detailed study of documents of the show more monastery at Cluny. He told how he came to choose the subject, how he narrowed and refined his scope, how he explored the information to elicit various kinds of questions to be answered. This narration of his approach to the material became a framework on which he draped his views on how one should approach history. Ever modest, he never blatantly extolled the virtues of his work; nor was he particularly critical of the shortcomings of others. He merely expressed what he did, what he liked about his work, where he felt he did an adequate job and what parts he would do differently if he were pursuing that study at the time of writing this memoir.

In chapters titled, “Treatment€?, “Readingâ€?, and “Constructionâ€? he elaborated on how he mined the Cluny documents for information. He showed that the historian is part detective, part logician and all-around student of human nature. He illustrated how the historian must often use educated inference to extract those elusive fragments of data lying beneath the surface of the obvious. The data must be connected, related and matched, then examined for what it does and does not reveal. From there, extrapolations may be proffered while being cautious to remain close to the sources. Duby did not suggest speculation for its own sake served any good purpose.
After the rather close examination of his earlier work, Duby moved on to touch on the high points of his career; he consistently presented the events of his life not so much as to commend what he accomplished rather to use the experience as a jumping off point to discuss some topic. For example, he referred to his work in television primarily to discuss his thoughts on how the medium can be used to further the study and pursuit of history. Similarly he mentioned his travels; but what he was most excited about was how he felt travel could expose the student of history to opportunities to expand his or her grasp of times past.

As he approached the end of his memoir and concentrated on recent or current projects, he revealed what he saw as his faults or omissions. He believed that women had been short-changed in their treatment by historians; he felt he should have observed that earlier and would strive to redeem this oversight in future work. Duby implied his current students would not be allowed to neglect disenfranchised groups or write the same type of Euro-centric history that he and his generation had done.
Duby avoided bragging and ostentation about his personal achievements yet his pride and loyalty to his country’s band of scholars and their reputations was unequivocal. He admired the work of his earlier countrymen and yearned for French historians to retain or regain their place among the premiere practitioners in the field. He had no illusions about that place being taken for granted; he appeared to feel some vicarious embarrassment on behalf of some of his colleagues who behaved as if French historians held the top honors exclusively. One has the feeling that Duby was being very generous in refusing to abandon his countrymen, since there seemed to be no reason why he personally should not be held in the highest regard.

In this same gracious tone, he concluded by passing the torch to a younger generation of scholars. After surveying topics still to be explored and mistakes to be rectified, Duby remarked that it was more likely that they, not he, would be the ones to continue the challenge. Duby left one hoping that future historians can equal him, not only in scholarship, but in style and grace as well.

Alex Hunnicutt
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Associated Authors

Michelle Perrot Author, Series Editor
Phillippe Ariès Editor, General Editor, General editor
Philippe Ariès General Editor
Jacques Le Goff Contributor, Editor
Armand Wallon Director
Marcel Roncayolo Contributor, Editor
Maurice Agulhon Contributor, Editor
Emmanuel Le Roy Ladurie Contributor, Editor
Pierre Nora Préface, Editor, Preface
Roger Chartier Contributor
Yvon Thébert Contributor
Peter Brown Contributor
Michel Rouche Contributor
Evelyne Patlagean Contributor
Philippe Contamine Contributor
Anne Higonnet Contributor
Lynn Hunt Contributor
Alain Corbin Contributor
Anne Martin-Fugier Contributor
Catherine Hall Contributor
Lou Andreas-Salome Contributor
Marina Mayoral Contributor
Stéphane Michaud Contributor
Germaine de Staël Contributor
Joan W. Scott Contributor
Yvonne Knibiebler Contributor
Mary Nash Contributor
Nicole Arnaud-duc Contributor
Annelise Maugue Contributor
Cécile Dauphin Contributor
Judith Walkowotz Contributor
Horacio Gutiérrez Contributor
Graciela Malgesini Contributor
Geneviève Fraisse Contributor
Dominique Godineau Contributor
Nancy L. Green Contributor
Françoise Mayeur Contributor
Jean Baubérot Contributor
Nadine Lefaucheur Contributor
Mariette Sineau Contributor
Yolande Cohen Contributor
Françoise Navailh Contributor
Marcelle Marini Contributor
Anne-Marie Sohn Contributor
Rose-Marie Lagrave Contributor
Hélène Eck Contributor
Christa Wolf Contributor
Gisela Bock Contributor
Françoise Collin Contributor
Victoria De Grazia Contributor
Nancy Cott Contributor
Luisa Passerini Contributor
Yasmine Ergas Contributor
Nelly Kaplan Contributor
André Chédeville Contributor
Jacques Rossiaud Contributor
Françoise Choay Contributor
Maurice Crubellier Contributor
Hugues Neveux Contributor
Guy Burgel Contributor
Jacques Brun Contributor
Venceslas Kruta Contributor
Michel Fixot Contributor
Bernard Quillet Collaboration
kneibandr Contributor
Marianne Picard Contributor
Delphine Roger Contributor
Michel Kaplan Contributor
Michel Zimmermann Contributor
Paul Balta Contributor
Denise Basdevant Contributor
Catherine Salles Contributor
Yves Lequin Contributor
Francine Hérail Contributor
Flora Blanchon Contributor
Martine Azoulai Contributor
Guy Fourquin Contributor
Marcel Le Glay Contributor
Gérard Bailloud Contributor
Georges Bertrand Contributor
Philippe Sainteny Collaborateur
Collectif Contributor
Richard Howard Translator
Janet Wooley Cover artist
Ger Groot Translator
Barbara Thompson Translator
Eleanor Levieux Translator
Joan Bond Sax Translator
Jan Stolpe Translator
Maria Garín Translator
Ida Magli Introduction
Maria Heurtaux Translator
Liliana Zella Translator
Martina Meister Translator

Statistics

Works
232
Also by
25
Members
11,452
Popularity
#2,051
Rating
3.9
Reviews
88
ISBNs
686
Languages
21
Favorited
8

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