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Jana Prikryl

Author of The After Party: Poems

3+ Works 139 Members 51 Reviews

About the Author

Jana Prikryl is the author of The After Party, which was one of The New York Times's Best Poetry Books of the Year. Her poems have appeared in The New Yorker, the London Review of Books, The Paris Review, and The New York Review of Books, where she is a senior editor and the poetry editor.

Works by Jana Prikryl

The After Party: Poems (2016) 106 copies
No Matter: Poems (2019) 29 copies
Midwood: Poems (2022) 4 copies

Associated Works

Granta 145: Ghosts (2018) — Contributor — 50 copies
The Best American Poetry 2020 (2020) — Contributor — 42 copies

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Gender
female

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Reviews

This review was written for LibraryThing Early Reviewers.
The collection is described as a sensory autobiography, examining tragic material with a friendly scrutiny. Prikryl's adeptness at weaving together personal and historical narratives is evident in poems like 'A Package Tour,' where she engages in a temporal loop-de-loop, offering a unique and evocative reading experience.
 
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MartaLashawn | 49 other reviews | Jan 11, 2024 |

“Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet.”
― Virginia Woolf, The Waves


No Matter by Jana Prikryl is the poet's second full-length collection of poetry. Prikryl earned her BA from the University of Toronto and her MA from New York University. Her poetry and criticism have been published in a variety of publications and journals. Currently, she is a senior editor at the New York Review of Books.

Prikryl combines the new and the old. Rich history meets with contemporary reason and artifacts. Sibyl claims she is no messenger but speaks cryptically in the poems. Historically, how much different would things have been for Dido if she could have followed Aeneas' social media accounts when he left for Sicily.

Aeneas left by sea, and throughout the collection, the sea or the effects of the sea display themselves in many forms. The poems mention green oxygen, patina, Ishmel, and verdigris as visual indicators. The feeling of the sea is present in the repetition of the poem titles; reinforced by the poems titled "Waves." Repetition also exists in the repeating of phrases and clever wording that creates soft redundancy.

There is almost a Woolfish feeling to the poetry that goes beyond waves and whitecaps. There is the tide and the in and out movements that create the cyclic image of waves. Cities alluded to by landmarks rather than names are all places with rivers and tides. In the flow and rhythm of No Matter, the poet leaves small obstacles that challenge one's smooth sailing. Uncommon words represent hazards on a nautical chart that need addressing before passing, an unexpected break in the flow.

No Matter presents an enjoyable poetry experience that tends to a more traditional form and feeling — the words and repetition play on the reader's mind. No Matter may have a connection to the poetry beyond its more common connotation of unimportant. It may mean the absence of matter -- nothingness:

“I see nothing. We may sink and settle on the waves. The sea will drum in my ears. The white petals will be darkened with sea water. They will float for a moment and then sink. Rolling over the waves will shoulder me under. Everything falls in a tremendous shower, dissolving me.”
Virginia Woolf, The Waves.

Unfortunately, not available until July 23, 2019
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evil_cyclist | Mar 16, 2020 |
Nothing mind-blowing, Prikryl does use language well but worth the hype? Me not think so.
 
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kvschnitzer | 49 other reviews | Dec 8, 2019 |
This review was written for LibraryThing Early Reviewers.
Prikryl has some beautiful poems in this collection and some that leave the reader feeling a little "meh" about them. The first half of the collection contains those poems that are well-worded, thoughtful, and allow the reader to revel in Prikryl's imagery and phrasing. I have high hopes for this poet after reading those poems. The second half of the book, a stream of consciousness that is supposed to be connected, feels disjointed and underwhelming.
 
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kjmcpheeters | 49 other reviews | Apr 5, 2018 |

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Works
3
Also by
2
Members
139
Popularity
#147,351
Rating
3.2
Reviews
51
ISBNs
6

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