Poetry as a Clarification of Something or Other

TalkLe Salon Littéraire du Peuple pour le Peuple

Join LibraryThing to post.

Poetry as a Clarification of Something or Other

This topic is currently marked as "dormant"—the last message is more than 90 days old. You can revive it by posting a reply.

1polutropos
Dec 8, 2009, 11:58 am

I don't think this fits into any of the other wonderful threads we already have, but I thought this needs to be shared.

There is a poet out there, in the USA of today, WHO MAKES MONEY WRITING POETRY and whose poems seem to be read!

Perhaps I should not be astounded but I am. I have just picked up a collection of his purely by accident in a thrift store, read a few of the poems just now, and while I am not going to claim he is a reincarnation of Dylan Thomas or Robert Frost, I think he is worth reading. Perhaps this august group knows him already.

A poem and a profile follow:

Forgetfulness
by Billy Collins

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read, never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue
or even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall

on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.

William “Billy” Collins (born March 22, 1941) is an American poet. He served two terms as the Poet Laureate of the United States from 2001 to 2003. In his home state, Collins has been recognized as a Literary Lion of the New York Public Library (1992) and selected as the New York State Poet for 2004-2006. He was recently appointed the Irving Bacheller Chair of Creative Writing at Rollins College in Winter Park, Florida, and is a Visiting Scholar with the Winter Park Institute. He remains a Distinguished Professor at Lehman College of the City University of New York.

Collins was born in New York City to William and Katherine Collins. Katherine Collins was a nurse who stopped working to raise the couple's only child. Mrs. Collins had the ability to recite verses on almost any subject, which she often did, and cultivated in her young son the love of words, both written and spoken. Billy Collins attended Archbishop Stepinac High School in White Plains and received an A.B. (English) from the College of the Holy Cross in 1963 and received his M.A. and Ph.D in English from the University of California, Riverside. His professors at Riverside included Victorian scholar and poet Robert Peters. In 1975 Collins founded The Mid Atlantic Review with his good friend and co-editor, Michael Shannon.

Collins is a distinguished professor of English at Lehman College in the Bronx, where he joined the faculty in 1968 and has taught for over thirty years. Additionally, he is a founding Advisory Board member of the CUNY Institute for Irish-American Studies at Lehman College. He also has taught and served as a visiting writer at Sarah Lawrence College in Bronxville, New York as well as teaching workshops across the U.S. and in Ireland. Collins is a member of the faculty of SUNY Stonybrook Southampton College, where he teaches poetry workshops. Collins was named U.S. Poet Laureate in 2001 and held the title until 2003. Collins served as Poet Laureate for the State of New York from 2004 until 2006.

As U.S. Poet Laureate, Collins read his poem "The Names" at a special joint session of the United States Congress on September 6, 2002, held to remember the victims of the 9/11 attacks. As Poet Laureate, Collins instituted the program, "Poetry 180," for high schools. Collins chose 180 poems for the program and the accompanying book, Poetry 180: A Turning Back to Poetry-- one for each day of the school year. Collins edited a second anthology, 180 More Extraordinary Poems for Every Day to refresh the supply of available poems. The program is online, and poems are available there for no charge.

In 1997, Collins recorded The Best Cigarette, a collection of 34 of his poems that would become a bestseller. In 2005, the CD was re-released under a Creative Commons license, allowing free, non-commercial distribution of the recording. He also recorded two of his poems for the audio versions of Garrison Keillor's collection Good Poems. Collins has appeared on Keillor's radio show, A Prairie Home Companion, numerous times, where he gained a portion of his large following. In 2005, Collins recorded "Billy Collins Live: A Performance at the Peter Norton Symphony Space" in New York City. Collins was introduced by his friend, actor Bill Murray.

Billy Collins has been called "The most popular poet in America" by the New York Times. When he moved from the University of Pittsburgh Press to Random House, the advance he received shocked the poetry world-- a six-figure sum for a three-book deal, virtually unheard of in poetry The deal secured for Collins through his literary agent, Chris Calhoun of Sterling Lord Literistic, with the editor Daniel Menaker remained the talk of the poetry world, and indeed the literary world, for quite some time.

Over the years, Poetry has awarded Collins several prizes in recognition of poems they publish. During the 1990s, Collins won five such prizes. The magazine also selected him as "Poet of the Year" in 1994. In 2005 Collins was the first annual recipient of the Mark Twain Prize for Humor in Poetry, bestowed by the Poetry Foundation (Poetry Magazine). He has received fellowships from the National Endowment for the Arts, the John Simon Guggenheim Foundation in 1993, and the New York Foundation for the Arts.

2absurdeist
Dec 8, 2009, 10:03 pm

Wow! It's about time poets got paid for their poetry!

Thanks for that polutropos!

3Mr.Durick
Dec 8, 2009, 10:18 pm

Why should they be?

Robert

4absurdeist
Dec 8, 2009, 10:28 pm

What?! Why should they be paid? Why not?

Brent

5Mr.Durick
Dec 8, 2009, 11:00 pm

Oh.

Robert

PS Even the bad ones?

R

6absurdeist
Dec 8, 2009, 11:03 pm

Yes. Even the bad ones.

B

(You're a crackup Mr.Durick!)

7QuentinTom
Dec 11, 2009, 5:02 am

Fuck fame. I want money.

Pushkin. I kid you not.

8arubabookwoman
Dec 21, 2009, 2:28 pm

Thank you for the poem. Now, what was the name of the poet again? I want to read more. :)