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"a new supernatural-whodunit-polyphonic thriller for those not of the faint of heart" --Fort Worth Telegram "Pinborough's fiction moves at a breakneck pace. Once you start, you can't stop." --Sarah Langan, author of The Keeper and The Missing Already frustrated in their attempts to capture serial murderer Jack the Ripper, the detectives of Scotland Yard are suddenly confronted with a new monster, dubbed the Torso Killer for his habit of leaving behind neatly wrapped parcels of his victims' show more body parts, minus the heads. With the terrible increase in mutilated corpses to examine, the highly regarded police surgeon Dr. Thomas Bond has lost the ability to sleep. True, a growing dependency on opium affords him some solace in his loneliest and most desperate hours, but he also fears the grip of the drug. During Dr. Bond's nightly tours of London's underbelly in search of pharmaceutical respite from the horrors that plague him by day, he encounters a mysterious Jesuit priest scouring the opium dens himself, clearly in search of someone--or something. The doctor at first rejects the strange priest's unnatural theories about the Torso Killer as an affront to scientific thought. But over time Dr. Bond's opium-addled mind begins to crumble under the growing impression that there might be some awful truth to the Jesuit's ideas. As the police struggle to capture two serial killers, the troubled forensics expert begins to suspect that he may actually know the Torso Killer personally. If he is right, Dr. Bond will need all the strength he can muster to save his small circle of loved ones from falling victim to the bloody depravities of this twisted creature. show less

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31 reviews
I was excited to read this and Pinborough did not disappoint. I loved that it is written around the infamous Jack the Ripper and Thames torso murders. Factual cases and legit historical elements make up the heart of this story. Pinborough displays incredible investigative research, about not only the murders that took place, but the environment, city, people, issues, etc for the period in which this is set. The fictional elements and characters Pinborough added, blend seamlessly with the reality to create a wonderfully frightening story.

The sequel is just as delightful and reads as a singular story, so this review will serve for both.

I highly recommend this duo, Mayhem and Murder, for anyone who loves this genre, especially those fond show more of historical reads. show less
With her novel, Mayhem, Sarah Pinborough pens an interesting look at the Torso Killer who was murdering and dismembering women in London during the late 1880's. He was committing these murders when London was already reeling from the fear instilled by Jack the Ripper. And so, the grotesque murders committed by these two killers created "Mayhem" for the city of London.

Pinborough does an excellent job of setting the scene for the murders with the descriptions of the dark streets and the opium dens. The unease with which the main characters go through their daily lives adds to the sense of darkness and urgency. Her use of reprints of newspaper articles from the time period helps to lend authenticity to the book.

The facts of the Torso show more Killer case are nicely blended with the supernatural to create a tale that is both fact and fiction. This combination sparked both my interest in not only finishing the book quickly but in finding out more about the actual events of this time period. show less
In the summer and fall of 1888, Doctor Thomas Bond is assisting the police with their investigations into two murderers running loose in London - Jack the Ripper and, more chillingly, a killer whose victims turn up in pieces and missing their heads. Something not entirely human seems to be behind the epidemic of violence, and the answers are closer than anyone is comfortable with. I loved this horror-thriller based around the true story of a lesser-known Victorian serial killer (although Jack still features prominently in the background), and I was pleasantly surprised by Dr. Bond's characterization. He self-medicates for his anxiety with opium and laudanum, he convinces himself that the supernatural is real and fake and real again, but show more he holds firm to his moral compass all the way through. Thoroughly enjoyable, and I'm excited to read the sequel. show less
Interestingly enough, well before this book came into my life, I'd happened to be browsing through the many publishing-related newsletters in my email inbox one day when a deliciously creepy animated gif banner in one of them caught my eye. In fact, it was an announcement for this very title, bearing the tag line:

"Jack the Ripper is terrorizing London. Now a new killer is stalking the streets, the victims' bodies are dismembered and their heads are missing...the killer likes to keep them."

It gets even more intriguing than that. The book's blurb also describes it as a supernatural thriller, and given my penchant for historical horror novels (particularly those featuring a paranormal angle) I just couldn't resist. So you can imagine my show more excitement when I received Mayhem for review from Jo Fletcher Books, and remembering that banner with its promise of a hunt for a serial killer in Victorian London, I needed little convincing to start this right away.

Still, Mayhem isn't really a story about Jack the Ripper. Between 1888 and 1891 there were a series of murders in or around the Whitechapel area, and the modus operandi of some of these were different enough that investigators theorized that they could have been committed by another person other than Jack. The idea of a separate "Torso Killer" in these "Thames Mysteries" is what forms the basis for this book, and in Sarah Pinborough's version of the events, he takes his victims' heads as trophies.

Though Jack the Ripper doesn't take center stage in Mayhem, his name and his crimes are referred to frequently, and his terrifying hold over East London is part and parcel to the creation of the setting. Establishing that there's the possibility of not just one but two killers stalking the streets creates this sense of dread that is pervasive throughout the novel. Because of the way the plot is set up, even when nothing suspenseful was happening on the page, the book always had me steeling myself in apprehension for something horrible to come along -- that's what a good horror novel does to me.

The supernatural aspect also helps in this regard; as I've said before in my past reviews, I like a touch of that in my horror. In Mayhem, it adds a whole new dimension to the story, making it a lot better than if this had been just a straight-up hunt for an ordinary mundane killer.

In spite of this, much in this book is rooted in reality. The author did her research, and even included the true instance of a reporter's dog used in finding a severed leg during the Whitehall Mystery. Also, a couple of the book's chief characters, like those involved with the investigations, were actual historical figures -- the police detective Henry Moore and the British physician Thomas Bond, for example. The latter comes closest to being our main protagonist, with his chapters being the only ones written in the first person, while the others are in the third person. Initially, I found this point-of-view switching to be quite bizarre, but ultimately it worked for me.

Reports from news articles about the killings are also interspersed between the narratives, which not only establishes the timeline but also provides historical context. A work of fiction this may be, but the book never lets you forget that the Whitechapel murders and their grisly circumstances (especially in the case of Mary Jane Kelly) had really occurred, that at least one insane and very real killer had actually once terrorized London's East End, and I think that's what unsettled me the most as I was reading.

This was a very dark tale, chilling and disturbing without being overblown or excessive. The atmosphere of tension is subtle and builds gradually, but things peaked for me during that terrible scene at the dinner table involving Dr. Bond's revelation. I didn't realize until then that I was just like him -- bracing myself for the inevitable macabre conclusion. This is highly recommended for those who like historical mysteries and crime fiction, particularly if you don't mind a little paranormal thrown into the mix.

Note: I received a review copy of this book compliments of the publisher, in exchange for my honest opinions. My thanks to Jo Fletcher Books!
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½
There are almost two stories at play in Mayhem – one about the chaos caused by the Ripper murders, and one about Dr. Bond. The Torso Killer simply connects the two stories with a mixture of supernatural creepiness and unbelievable factuality. Unfortunately, Ms. Pinborough spends too little time on the Ripper murders, too much time on the Torso Killer, and even more time on Bond’s afterwork activities. Just when momentum builds for either murder investigation, the action shifts to Bond’s side inquiries, something made less than exciting by the fact that they involve an obsessed cleric, a mentally unstable immigrant, and heavy reliance on a strong psychotropic drug. The dream-like quality of these portions of the story fails to show more complement the gruesome truth behind the other probes.

Saving Mayhem from becoming a complete disaster is Ms. Pinborough’s excellent prose. She excels at bringing to life all of the filthy, odorific elements of Victorian London. This serves to heighten the grimness of life on the streets and the challenges faced by the investigators as well as offset the flights of fancy brought about by the mysterious evil entity at work in London.

In Mayhem, the combination of fact and supernatural fantasy does not coalesce into a seamless, interesting story. There is too large a gap between the two, requiring a bit more suspension of disbelief than readers will be willing to expend. Bond is at first a sympathetic figure in all of his exhaustion but quickly turns into a tragic figure as his reliance on self-administered opium increases. So much time is spent on Bond’s visits to the opium dens that they seem to become the focal point of the narrative rather than the two murder investigations. The narrative suffers as a result, and the entire story remains a mish-mash of genres that never joins into a story that fully captures a reader’s imagination and attention.
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Great research, fascinating setting. Very solid writing, even wonderful in certain sections. But I didn't care for the narrator, who had his head down a hole for eighty percent of the book. Also there was a disturbing lack of women who were not a) doomed or b) pedestal perfect. Mixed feelings.
3.5 out of 5 stars. There are many Jack the Ripper and Jack the Ripper-era novels, and I hoped this one would have something that would make it stand out from the others. For the first third or so of the book, there was nothing exceptional. Then it started getting more into the supernatural, creepier stuff (not that J-t-R type crimes are not creepy enough).

This novel was inspired by actual murders during the period, something too awful to bear much thinking about. The first part of the book, although not exceptional, moved along and entertained me. It did bother me that there was poor grammar in the book, and I don't think it had to do with dialogue true to the character. At least twice, a character who is a doctor used “I” when it show more should have been “me.” Mistakes like that jar me out of the story, and too many of them make me appreciate the story less.

There was a little more than I would have liked about drug use, not because it offends me but because it got repetitious. The ending was unsettling to me, but I can't put my finger on exactly why. Of course, it wasn't completely believable, but I didn't expect it to be. Overall, this one was entertaining but could have been better than it was.

I was given an advance reader's copy of the book for review.
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½

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Meierding, Allison (Cover designer)
Shamwana, Chris (Cover designer)

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Series

Common Knowledge

Canonical title*
Whitechapel
Original title
Mayhem
Alternate titles
Whitechapel
Original publication date
2013
People/Characters
Thomas Bond; Charles Hebbert; Juliana Hebbert; James Harrington; Frederick Moore; Walter Andrews (show all 9); George Bagster Philips; Aaron Kosminski; Elizabeth Jackson
Important places
London, England, UK; Whitechapel, London, England, UK; Paris, France
Important events
Whitechapel Murders; Torso Murders
Epigraph
"The only difference between me and madman is that I am not mad."

- Salvador Dali
Dedication
For all the writeres who have entertained me, taught me and inspired me; some who are still among us, and some who are long gone.  The words live on.
First words
He was quite handsome.
Last words
(Click to show. Warning: May contain spoilers.)It was over.  It was truly over.
Publisher's editor
Fletcher, Jo
Blurbers
Alexander, Niall; Langan, Sarah
Original language
English
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
Fiction and Literature, Horror, Mystery, Historical Fiction, Fantasy
DDC/MDS
823.92Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-2000-
LCC
PR6116 .I665 .M39Language and LiteratureEnglishEnglish Literature2001-
BISAC

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410
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Reviews
28
Rating
½ (3.52)
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Paper, Audiobook, Ebook
ISBNs
18
ASINs
7