Encore for Murder (The New Adventures of Mickey Spillane's Mike Hammer, Vol. 3)

by Mickey Spillane

Mike Hammer (Audiobooks — vol 3)

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Mike Hammer, the toughest PI of all, draws a seemingly routine assignment—playing bodyguard to diva Rita Vance on the eve of her big Broadway comeback. But Rita is an old flame of Hammer's, and when their romance is rekindled, the detective finds the actress facing death threats and himself the target of one hit man after another. When the actress disappears, the show must go on, which with Mike Hammer means swift, violent retaliation. While the cops and feds go down a false trail, Hammer show more seeks to make a rescue before Rita's curtain comes down. But first he must make sense of a mystery that takes him from a Soho art gallery to a mountain lodge, from Little Italy to a waterfront confrontation that is way, way off Broadway.

Working from the plot for an unwritten novel found in the files of the late Mickey Spillane, Max Allan Collins (Road to Perdition) has fashioned a compelling noir thriller that is vintage Mike Hammer all the way.

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[This was from back in 2013, but for some reason I never posted my review anywhere other than my blog.]

Encore for Murder is a noir thriller that is, from my understanding, based on Mickey Spillane's notes for an unwritten novel. I had never read/listened to anything by Mickey Spillane before, but the audio sample sounded interesting, so I gave it a shot.

The story: Mike Hammer is hired to act as Rita Vance's bodyguard. Rita, a old flame of Hammer's, is making an acting comeback and has been receiving death threats. Hammer sticks close by her, but Rita doesn't seem to be taking the situation seriously. Then things get a little more complicated, Rita disappears, and Hammer has to find and rescue her.

This did not turn out to be a good pick show more for me. The best thing I can say is that the story was sort of interesting and I enjoyed the full-cast, radio drama feel of it. Otherwise, though, I kind of hated Mike Hammer.

I don't think I've read a lot of noir fiction at all, nor watched many noir movies. It may just be that the genre isn't for me. Although some attempts were made to update this story (mentions of cell phones, the sex offender registry, and the reluctance of restaurants to serve meat cooked rare), it still felt pretty old school. Nearly every woman Hammer encountered was an enormous flirt – the only exception was maybe Velda, Hammer's secretary and partner, but even she had moments when she acted liked Hammer's girlfriend-in-waiting.

I might just have rolled my eyes at Hammer's very male gaze when it came to women, until I got to the torture scene.Rita was tied naked to a chair and was being threatened with a blow torch. I was a little uncomfortable with some of the almost sexual phrasing used in this scene, such as the description of the blowtorch as “a terrible flame ready to lick her flesh.” Also, post-torture, there was this from Hammer: “I've had a better time with a naked woman.” His lover had been stripped naked, beaten, and almost burned, and his first thought after rescuing her was about sex? Eww. Just eww. Other than feeling a little shaky, Rita barely seemed affected her own kidnapping and torture, which bothered me, too.

Prior to listening to this, I checked out a few reviews and noticed at least one mention of Hammer killing a lot of people. I read and listen to a lot of things with violence in them, so I just noted this and moved on. He really does kill a lot of people, though, and sometimes he kills them very violently. If I remember correctly, at one point he almost decapitated a guy with a car trunk door. I think it was his reaction, or non-reaction, to killing people that bothered me the most. At least one of the other characters even commented on the amount of killing he did, and he just brushed them off.

It was short and most of the acting was okay, but if this is what Mike Hammer stories are generally like, they are very much not for me. It's funny, I can root for and even kind of like characters like Jeff Lindsay's Dexter, and yet Mike Hammer just made me feel kind of icky. Maybe it's because Dexter makes it very clear that he is a sociopath, while Hammer seems to have zero recognition of the fact that some of the things he does are not okay?

(Original review posted on A Library Girl's Familiar Diversions.)
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An ok radio play where the performance of Stacy Keach keeps a mediocre mafia story together. It's still jarring to listen to the dissonance of a 1950s guy in a modern day environment, Mike might as well be a time traveler.

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172+ Works 8,001 Members
Mickey Spillane was born Frank Morrison Spillane in Brooklyn, New York on March 9, 1918. He briefly attended Fort Hays State College in Kansas, but dropped out, moved back to New York, and began his writing career in the mid-1930s. His first stories were published mostly in comic books and pulp magazines. He created Mike Danger, a private show more detective, and also wrote for Captain America, Captain Marvel, and The Human Torch. During World War II, he worked as a flying instructor for the U.S. Army Air Force. His first novel, I, the Jury, featured Mike Hammer and was published in 1947. His other novels include Vengeance Is Mine; My Gun Is Quick; The Big Kill; Kiss Me, Deadly; The Long Wait; and The Deep. Between 1952 and 1961 Spillane stopped writing full-length novels after converting to a Jehovah's Witness. In 1962, he brought Hammer back with The Girl Hunters, which was followed by Day of the Guns, The Death Dealers, The Twisted Thing, and Body Lovers. He also wrote two children's books, The Day the Sea Rolled Back, which won a prize from the Junior Literary Guild, and The Ship That Never Was. In 1995, he received the Grand Master award from the Mystery Writers of America. In the mid-1990s, he returned to comic books, by co-creating a futuristic Mike Danger. He died following a long illness on July 17, 2006 at the age of 88. (Bowker Author Biography) show less

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Alternate titles
Mike Hammer: Encore for Murder

Classifications

Genres
Fiction and Literature, Mystery
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PS3537 .P652 .N4923Language and LiteratureAmerican literatureAmerican literatureIndividual authors1900-1960
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Rating
½ (2.67)
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English
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Audiobook, Ebook
ISBNs
5
ASINs
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