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Ready For a Brand New Beat: How "Dancing in the Street" Became the Anthem for a Changing America (2013)

by Mark Kurlansky

Other authors: See the other authors section.

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14417192,177 (3.63)19
Can a song change a nation? In 1964, Marvin Gaye, record producer William "Mickey" Stevenson, and Motown songwriter Ivy Jo Hunter wrote "Dancing in the Street." The song was recorded at Motown's Hitsville USA Studio by Martha and the Vandellas. Released on July 31, the song was supposed to be an upbeat dance recording--a precursor to disco, a song about the joyousness of dance, the song of a summer. But events overtook it, and the song became one of the anthems of American pop culture. The Beatles had landed in the U.S. in early 1964. By that summer, the '60s were in full swing. 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the Vietnam War, the Civil Rights Act, and the lead-up to a dramatic election that completely changed American politics. As the country grew more radicalized in those few months, "Dancing in the Street" gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all altered as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in our nation's history.--Publisher's description.… (more)
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English (18)  Dutch (1)  All languages (19)
Showing 1-5 of 18 (next | show all)
In this book, Kurlansky explores the phenomenon of how Motown and the song “Dancing in the Street” changed music in a turbulent time in the US in the 1960’s. Kurlansky also explores the events of the time period including the rise of the Beatles, Vietnam, the Civil Rights Act and changes in politics. Kurlansky is never boring to me and I enjoy his unusual book topics! ( )
  JulieLill | Oct 9, 2020 |
One of the most enduring songs of 1966 was Martha Reeves and the Vandellas: dancing in the street, an anthem for America. It is about the song of course but really much larger than that since the author describes the era of the 1960s, the place of black power politics, and the influence that this song has had on an international basis and during the rise of the Beatles and the British invasion.
  gmicksmith | May 10, 2018 |
my full review at http://smokingmule.blogspot.com ( )
  VGAHarris | Jan 19, 2015 |
This review was written for LibraryThing Early Reviewers.
Mark Kurlansky's book is a good introduction to the civil rights movement and understanding why hundreds of thousands of people took to the streets in an effort to end segregation during the March on Washington.

In 1963, America was "a-changin" and Kurlansky condenses the political and social attitudes of the era to the sound of Martha and the Vandellas', "Dancing in the Street."

He champions the song as an anthem about integration while filling out the rest of his book by documenting black music culture and its influence on Rock 'n' Roll. He also discusses Motown Records' impact on breaking down racial barriers, but sadly, there are only brief snippets of Martha Reeves' own story, as well as other soulful singers who were part of the Motown Sound.

With well-informed speculation, Kurlansky tries to unmask the political interpretations which may or may not be the song's original intent. He then wedges the track between the nonviolent civil rights movement and the more aggressive Black Power ideology, arguing its importance as an integral part of the social freedoms gained during the 1960s.

Kurlansky's thesis might read more persuasive if it was a shorter magazine article. Nonetheless, his premise is still a good call out to Martin Luther King Jr.'s "I Have a Dream Speech," reminding everyone that there's still an invitation across the nation, a chance for the folks to meet, dance and realize that change is possible when locked hand in hand with fellow believers. ( )
  jazznoir | Aug 28, 2013 |
This review was written for LibraryThing Early Reviewers.
This book discusses the influence of music, especially Motown and particularly the song of the title upon the civil rights movement of the 1960's. A lot of the history and facts presented are interesting and especially fun if you lived during that era. Unfortunately, the writing is not up to par: many sentences are not well constructed, grammatical errors abound and the structure is often clumsy and disjointed. As I received this as a pre-pub edition, I am hoping that an editor still has a shot at it. It could be condensed into a great magazine article that would be especially timely with the 50th anniversary of the March on Washington for Jobs and Freedom being celebrated this year. ( )
  LoisCK | Aug 24, 2013 |
Showing 1-5 of 18 (next | show all)
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Author nameRoleType of authorWork?Status
Mark Kurlanskyprimary authorall editionscalculated
Herron, MattCover photosecondary authorsome editionsconfirmed
Yentus, HelenCover designersecondary authorsome editionsconfirmed
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Then Creole stepped forward to remind them that what they were playing was the blues. He hit something in all of them, he hit something in me, myself, and the music tightened and deepened, apprehension began to beat the air. Creole began to tell us what the blues were all about. They were not about anything very new. He and his boys up there were keeping it new, at the risk of ruin, destruction, madness, and death, in order to find new ways to make us listen. For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness.

--JAMES BALDWIN, "Sonny's Blues," 1948
Perhaps in the swift change of American society in which the meanings of one's origins are so quickly lost, one of the chief values of living with music lies in its power to give us an orientation in time. In doing so, it gives significance to all those indefinable aspects of experience which nevertheless help to make us what we are. In the swift whirl of time music is a constant, reminding us of what we were and of that toward which we aspire.

--RALPH ELLISON, Shadow & Act, 1964
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To Talia, my girl, in the hope that her life is inspired by great music.
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Can a song change a nation? In 1964, Marvin Gaye, record producer William "Mickey" Stevenson, and Motown songwriter Ivy Jo Hunter wrote "Dancing in the Street." The song was recorded at Motown's Hitsville USA Studio by Martha and the Vandellas. Released on July 31, the song was supposed to be an upbeat dance recording--a precursor to disco, a song about the joyousness of dance, the song of a summer. But events overtook it, and the song became one of the anthems of American pop culture. The Beatles had landed in the U.S. in early 1964. By that summer, the '60s were in full swing. 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the Vietnam War, the Civil Rights Act, and the lead-up to a dramatic election that completely changed American politics. As the country grew more radicalized in those few months, "Dancing in the Street" gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all altered as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in our nation's history.--Publisher's description.

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