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The Mercenaries (1960)

by Donald E. Westlake

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2871492,253 (3.58)5
Mavis St. Paul had been a rich man's mistress. Now she was a corpse. And every cop in New York City was hunting for the two-bit punk accused of putting a knife in her. But the punk was innocent. He'd been set up to take the fall by some cutie who was too clever by half. My job? Find that cutie--before the cutie found me.… (more)
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» See also 5 mentions

Showing 1-5 of 14 (next | show all)
A fun, old-fashioned noir about s guy who works for the organization, know what I mean? The audio version on Hoopla is very good. ( )
  Stubb | Aug 28, 2018 |
A book that fits into the same world of the Starke/Parker books, since the main character in this book is part of the syndicate/organization as mentioned in those books. Love the cover, but it had absolutely nothing to do with the plot of the book. The other thing I really liked was the ambiguity of the plot at the end. It let's the reader make up his/her own mind what it going to happen. ( )
  bjkelley | Aug 17, 2017 |
Westlake is just a master of the double cross. This work leaves us with more questions than answers. Gripping. Exciting. Characters we care about. Great writing. Practically perfect. 4.5 stars ( )
  BookConcierge | Feb 29, 2016 |
A great read! Nice, crisp writing and quickly paced! Clay is the right hand man for crime boss, Ed Ganolese. He has to find out who killed Mavis St. Paul and who set up Billy-Billy Cantell to take the rap! And he has to do it now! And he must navigate his relationship with his gal Ella, and decide how much she should know about the kind of work he does. It is a hard boiled story with all the right amounts of sleeze, guns, and dames. Bravo Mr. Westlake, bravo! ( )
  Stahl-Ricco | Jan 23, 2016 |
The Cutie is early Westlake, and the name has been inexplicably changed from The Mercenaries, perhaps as a fig-leaf justification (not that any was needed) for the lovely cover, which unashamedly bears no resemblance to anything in the book, where a red-headed in a short dress notably fails to turn up and start loading a gun while standing athwart an open briefcase stuffed with cash. Never apologise, never explain.

Clay is a highly-placed enforcer for the local crime organisation in New York. One night a strung-out junkie turns up on his doorstep with a story of a murdered woman and a set-up. Clay's first impulse is for the junkie to meet with an accident, but it turns out he has just one influential friend somewhere, so he has to be protected. The police turn up, the junkie vanishes and the cops begin to tear things up, forcing Clay to embark on a hunt for the real murderer, dodging bullets and frame-ups and trying to keep his love-life going.

It's a fast, smooth, easy and satisfying read, though not as singular as books like Killy or 361. There are flashes of wit, but this isn't a comic crime caper, this is a twisted detective story with a criminal playing detective against his natural inclinations and better judgment. I enjoyed it a lot. ( )
  Nigel_Quinlan | Oct 21, 2015 |
Showing 1-5 of 14 (next | show all)
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Author nameRoleType of authorWork?Status
Donald E. Westlakeprimary authorall editionscalculated
Berni, OlivieroCover artistsecondary authorsome editionsconfirmed
Brinis, HiliaTranslatorsecondary authorsome editionsconfirmed
Laager, KenCover artistsecondary authorsome editionsconfirmed
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Ella and I went to bed at two-thirty.
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also published as "The Smashers";
also published by Hard Case Crime as "The Cutie"
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Mavis St. Paul had been a rich man's mistress. Now she was a corpse. And every cop in New York City was hunting for the two-bit punk accused of putting a knife in her. But the punk was innocent. He'd been set up to take the fall by some cutie who was too clever by half. My job? Find that cutie--before the cutie found me.

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