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Victorian ghost stories : an Oxford…
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Victorian ghost stories : an Oxford anthology (original 1976; edition 1991)

by Michael Cox

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523546,926 (4.04)2
"'I think it must have been two o'clock at least when I thought I heard a sound in that--that odious dark recess at the far end of the bedroom....Without at first a suspicion of anything supernatural, on a sudden I saw an old man, rather stout and square, in a sort of roan-red dressing-gown, and with a black cap on his head, moving stiffly and slowly in a diagonal direction, from the recess, across the floor of the bedroom, passing my bed at the foot, and entering the lumber-closet at the left. He had something under his arm; his head hung a little at one side; and, merciful God! when I saw his face....'" There's nothing like a good ghost story. And in Victorian Ghost Stories, Michael Cox and R.A. Gilbert bring together thirty-five well wrought tales of haunted houses, vengeful spirits, spectral warnings, invisible antagonists, and motiveless malignity from beyond the grave. The Victorians excelled at the ghost story, it was as much a part of their literary culture as the realistic novel, and it was practiced by almost all the great writers of the age. Cox and Gilbert here provide samples from Charles Dickens, Robert Louis Stevenson, Rudyard Kipling, Sir Arthur Conan Doyle, Henry James, and Wilkie Collins, as well as such classic ghost-story specialists as M.R. James and J.S. Le Fanu (whose "Account of Some Strange Disturbances in Aungier Street," considered one of the best haunted-house story ever written, is excerpted above), plus one or two genuine rarities for the supernatural fiction enthusiast to savor. The editors also reveal the key role played by women in the growth of the genre, including stories by Elizabeth Gaskell, Mrs. Craik, Mrs. Henry Wood, Amelia B. Edwards, Charlotte Riddell, and many others. Finally, they offer an informative introduction, detailed source notes, and an extensive survey of ghost-story collections from 1850 to 1910. Traditional in its forms, but energetically inventive and infused with a relish of the supernatural, these classic ghost stories still retain their original power to unsettle and surprise. Every one is guaranteed to satisfy what Virginia Woolf called "that strange human craving for the pleasure of feeling afraid."… (more)
Member:heinemusik
Title:Victorian ghost stories : an Oxford anthology
Authors:Michael Cox
Info:Oxford ; New York : Oxford University Press, 1991.
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The Oxford Book of Victorian Ghost Stories by Michael COX (1976)

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Showing 5 of 5
I always wondered why "A Christmas Carol" was a Christmas story with such dark and spooky elements. It seems much more suited to Halloween than more modern sugar-coated Christmas tales. Now, from the introduction to this book I know: it was a common tradition in England in the past (I can’t say for the present) to tell ghost stories on Christmas Eve! The introduction is informative and puts the reader in the right frame of mind to read the stories.
This is not a collection of ghost stories if you want to be scared, though there are a few with elements that raise goosebumps. I found it more valuable as a window into the Victorian Era. The details that the authors add to make the story more lifelike, and thus add to scariness, are also the details most interesting about the period. When they describe the scenery—often detailed descriptions of the rooms where the horrors take place, it also takes the reader back into the past.
On a different note, I love when they describe the when a building was built or last updated not in years, but by what monarch was on the throne at the time. It’s a very charming collection. ( )
  renardkitsune | Sep 9, 2018 |
Wonderfully creepy collection with a wide variety of the more high quality Victorian ghost stories. Particularly enjoyed "At Chrighton Abbey" by [a:Mary Elizabeth Braddon|45896|Mary Elizabeth Braddon|http://d.gr-assets.com/authors/1202597702p2/45896.jpg] and "An Account of Some Strange Disturbances in Aungier Street" by [a:J.S. Le Fanu|5784865|J.S. Le Fanu|http://www.goodreads.com/assets/nophoto/nophoto-U-50x66-251a730d696018971ef4a443cdeaae05.jpg]. It's a really good book for its representation of many female authors. ( )
  likecymbeline | Apr 1, 2017 |
A marvelous collection of ghost stories specifically gathered to illustrate the way Victorian people viewed these tales. The editors chose stories over the entire Victorian period and they are in chronological order. It's very interesting to see how the tenor of the stories changes over times, towards the end of the period, they're more sinister and less fun. Great book! ( )
  Oodles | Feb 16, 2016 |
Review from Badelynge.
Excellent selection of 35 ghost stories from the Victorian age, chronologically compiled here dating from 1852-1908. The stories included have been selected as much for aspects of innovation or for the part they played in influencing stylistic developments within the genre than their actual quality. Though there are some great ghost stories here and barring three or four stories are generally of very good quality.
Along with the stories are a comprehensive list of all ghost story collections published during the half century of years following 1840, full source details for the 35 stories and an introduction by editor Michael Cox.
Highlights for me include:
The Old Nurse's Story by Elizabeth Gaskell. It's probably the best written ghost story here with superb characterisation, lush prose and as a ghost story endlessly imitated even today.
An Account Of Some Strange Disturbances In Aungier Street by J.S.Le Fanu. One of his best and the veteran of countless anthologies.
The Open Door by Charlotte Riddell. Not particularly scary but a well written example of its type and introducing a rare detective element.
The Captain of the Pole-star by Sir Arthur Conan Doyle. Eery arctic tale coloured by Doyle's own experience of life on a steam-whaler.
The Kit-bag by Algernon Blackwood. Only Blackwood could imbue such an innocent inanimate object with such a deep sense of malevolent dread.
The only ones I'd have left out would be:
An Eddy On The Floor by Bernard Capes which although suitably macabre is also a shade too long compared to the other entries and probably the least accessible due to its convoluted syntax.
Miss Jeromette And The Clergyman - a very weak effort by Wilkie Collins.
The Tomb of Sarah by F.G.Loring - Nice story but very much a vampire tale.
Reading these in order shows how the genre developed. It's a genre that in the Victorian era was very much designed to be read aloud at the fireside after dinner and ever associated with mid winter and Christmas. It goes through phases of doomed love triangles, vengeful victims, tragic victims of accident defeating mortality to see their loved ones a final time, portentous warnings, cursed objects and places, spiritualism, tragic reenactments etc.
There will probably never be a definitive collection of ghost stories. The editor could easily have selected 35 alternate stories and still pleased this reader as much. I wouldn't have it any other way. ( )
  Finxy | Jul 25, 2011 |
Ghost stories were ludicrously popular during the Victorian period -- a time of huge transition, an age shaped more than any other by change, mostly industrial, but with the final consequences of these changes remaining unclear. With this shadow of change falling across life in general culminating, no doubt, in anxiety, the ghost story not only gave the Victorian reader an outlet for this anxiety but the ghosts themselves anchored a stable past in an unstable present.

Having said all this I was quite disappointed with this anthology. Some of the stories are brilliant; those by Dickens, Wilkie Collins, Jerome K Jerome, RLStevenson and Conan Doyle stand out particularly of course (although Kipling's offering is poor in the extreme); but most of them are formulaic, haunted house stories, which perhaps in the context of the time, read once a week in a magazine or so forth, were entertaining but when read one after another are a little tiresome.

My favourite was that by Elizabeth Gaskell. However, I'm not entirely sure if this is because it's any better than the others or because it was the first one and therefore still maintained an element of surprise! ( )
  ishtahar | Apr 6, 2008 |
Showing 5 of 5
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» Add other authors

Author nameRoleType of authorWork?Status
COX, Michaelprimary authorall editionsconfirmed
Gilbert, R.A.Editormain authorall editionsconfirmed
Akerman, John YoungContributorsecondary authorall editionsconfirmed
Benson, Robert HughContributorsecondary authorall editionsconfirmed
Blackwood, AlgernonContributorsecondary authorall editionsconfirmed
Braddon, Mary ElizabethContributorsecondary authorall editionsconfirmed
Broughton, RhodaContributorsecondary authorall editionsconfirmed
Capes, BernardContributorsecondary authorall editionsconfirmed
Collins, WilkieContributorsecondary authorall editionsconfirmed
Croker, B. M.Contributorsecondary authorall editionsconfirmed
Dickens, CharlesContributorsecondary authorall editionsconfirmed
Doyle, Arthur ConanContributorsecondary authorall editionsconfirmed
Edwards, Amelia B.Contributorsecondary authorall editionsconfirmed
Gaskell, ElizabethContributorsecondary authorall editionsconfirmed
Hawker, R. S.Contributorsecondary authorall editionsconfirmed
Hood, TomContributorsecondary authorall editionsconfirmed
Jacobs, W. W.Contributorsecondary authorall editionsconfirmed
James, HenryContributorsecondary authorall editionsconfirmed
James, M. R.Contributorsecondary authorall editionsconfirmed
Jerome, Jerome K.Contributorsecondary authorall editionsconfirmed
Kipling, RudyardContributorsecondary authorall editionsconfirmed
Landon, PercevalContributorsecondary authorall editionsconfirmed
Le Fanu, Joseph SheridanContributorsecondary authorall editionsconfirmed
Loring, F. G.Contributorsecondary authorall editionsconfirmed
Macdonald, GeorgeContributorsecondary authorall editionsconfirmed
Millington, Thomas StreetContributorsecondary authorall editionsconfirmed
Molesworth, Mary LouisaContributorsecondary authorall editionsconfirmed
Mulholland, RosaContributorsecondary authorall editionsconfirmed
Mulock, DinahContributorsecondary authorall editionsconfirmed
Nesbit, E.Contributorsecondary authorall editionsconfirmed
Pain, BarryContributorsecondary authorall editionsconfirmed
Riddell, CharlotteContributorsecondary authorall editionsconfirmed
Stevenson, Robert LouisContributorsecondary authorall editionsconfirmed
Wilkins, Mary E.Contributorsecondary authorall editionsconfirmed
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Do not combine "Victorian Ghost Stories" with "Victorian Tales of Mystery and Detection." Both are Oxford Anthologies edited by Michael Cox and R. A. Gilbert. These are two different books. "Victorian Ghost Stories" and "The Oxford Book of Victorian Ghost Stories" are the same book.
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"'I think it must have been two o'clock at least when I thought I heard a sound in that--that odious dark recess at the far end of the bedroom....Without at first a suspicion of anything supernatural, on a sudden I saw an old man, rather stout and square, in a sort of roan-red dressing-gown, and with a black cap on his head, moving stiffly and slowly in a diagonal direction, from the recess, across the floor of the bedroom, passing my bed at the foot, and entering the lumber-closet at the left. He had something under his arm; his head hung a little at one side; and, merciful God! when I saw his face....'" There's nothing like a good ghost story. And in Victorian Ghost Stories, Michael Cox and R.A. Gilbert bring together thirty-five well wrought tales of haunted houses, vengeful spirits, spectral warnings, invisible antagonists, and motiveless malignity from beyond the grave. The Victorians excelled at the ghost story, it was as much a part of their literary culture as the realistic novel, and it was practiced by almost all the great writers of the age. Cox and Gilbert here provide samples from Charles Dickens, Robert Louis Stevenson, Rudyard Kipling, Sir Arthur Conan Doyle, Henry James, and Wilkie Collins, as well as such classic ghost-story specialists as M.R. James and J.S. Le Fanu (whose "Account of Some Strange Disturbances in Aungier Street," considered one of the best haunted-house story ever written, is excerpted above), plus one or two genuine rarities for the supernatural fiction enthusiast to savor. The editors also reveal the key role played by women in the growth of the genre, including stories by Elizabeth Gaskell, Mrs. Craik, Mrs. Henry Wood, Amelia B. Edwards, Charlotte Riddell, and many others. Finally, they offer an informative introduction, detailed source notes, and an extensive survey of ghost-story collections from 1850 to 1910. Traditional in its forms, but energetically inventive and infused with a relish of the supernatural, these classic ghost stories still retain their original power to unsettle and surprise. Every one is guaranteed to satisfy what Virginia Woolf called "that strange human craving for the pleasure of feeling afraid."

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Contents:
The Old Nurse's Story (Elizabeth Gaskell) / An Account of Some Strange Disturbances in Aungier Street (J. S. Le Fanu) / The Miniature (J. Y. Akerman)
/ The Last House in C— Street (Dinah Mulock) / To Be Taken with a Grain of Salt (Charles Dickens) /
The Botathen Ghost (R. S. Hawker)
/ The Truth, the Whole Truth, and Nothing But the Truth (Rhoda Broughton) /
The Romance of Certain Old Clothes (Henry James)
/ Pichon & Sons, of the Croix Rousse (Anonymous)
/ Reality or Delusion? (Mrs. Henry Wood) /
Uncle Cornelius His Story (George MacDonald)
/ The Shadow of a Shade (Tom Hood) /
At Chrighton Abbey (Mary Elizabeth Braddon)
/ No Living Voice (Thomas Street Millington) /
Miss Jéromette and the Clergyman (Wilkie Collins) /
The Story of Clifford House (Anonymous) /
Was it an Illusion? (Amelia B. Edwards) / The Open Door (Charlotte Riddell) /
The Captain of the "Pole-Star" (Sir Arthur Conan Doyle) / The Body-Snatcher (R. L. Stevenson) / The Story of the Rippling Train (Mary Louisa Molesworth) /
At the End of the Passage (Rudyard Kipling)
/ "To Let" (B. M. Croker) /
John Charrington's Wedding (E. Nesbit) /
The Haunted Organist of Hurly Burly (Rosa Mulholland)
/ The Man of Science (Jerome K. Jerome)
/ Canon Alberic's Scrapbook (M. R. James?
/ Jerry Bundler (W. W. Jacobs)
/ An Eddy on the Floor (Bernard Capes)
/ The Tomb of Sarah (F. G. Loring) /
The Case of Vincent Pyrwhit (Barry Pain) /
The Shadows on the Wall (Mary E. Wilkins) /
Father Macclesfield's Tale (R. H. Benson) /
Thurnley Abbey (Perceval Landon) /
The Kit-Bag (Algernon Blackwood)
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