The Oxford Book of Victorian Ghost Stories

Review from Badelynge.
Excellent selection of 35 ghost stories from the Victorian age, chronologically compiled here dating from 1852-1908. The stories included have been selected as much for aspects of innovation or for the part they played in influencing stylistic developments within the genre than their actual quality. Though there are some great ghost stories here and barring three or four stories are generally of very good quality.
Along with the stories are a comprehensive list of all ghost story collections published during the half century of years following 1840, full source details for the 35 stories and an introduction by editor Michael Cox.
Highlights for me include:
The Old Nurse's Story by Elizabeth Gaskell. It's probably the show more best written ghost story here with superb characterisation, lush prose and as a ghost story endlessly imitated even today.
An Account Of Some Strange Disturbances In Aungier Street by J.S.Le Fanu. One of his best and the veteran of countless anthologies.
The Open Door by Charlotte Riddell. Not particularly scary but a well written example of its type and introducing a rare detective element.
The Captain of the Pole-star by Sir Arthur Conan Doyle. Eery arctic tale coloured by Doyle's own experience of life on a steam-whaler.
The Kit-bag by Algernon Blackwood. Only Blackwood could imbue such an innocent inanimate object with such a deep sense of malevolent dread.
The only ones I'd have left out would be:
An Eddy On The Floor by Bernard Capes which although suitably macabre is also a shade too long compared to the other entries and probably the least accessible due to its convoluted syntax.
Miss Jeromette And The Clergyman - a very weak effort by Wilkie Collins.
The Tomb of Sarah by F.G.Loring - Nice story but very much a vampire tale.
Reading these in order shows how the genre developed. It's a genre that in the Victorian era was very much designed to be read aloud at the fireside after dinner and ever associated with mid winter and Christmas. It goes through phases of doomed love triangles, vengeful victims, tragic victims of accident defeating mortality to see their loved ones a final time, portentous warnings, cursed objects and places, spiritualism, tragic reenactments etc.
There will probably never be a definitive collection of ghost stories. The editor could easily have selected 35 alternate stories and still pleased this reader as much. I wouldn't have it any other way. show less

I always wondered why "A Christmas Carol" was a Christmas story with such dark and spooky elements. It seems much more suited to Halloween than more modern sugar-coated Christmas tales. Now, from the introduction to this book I know: it was a common tradition in England in the past (I can’t say for the present) to tell ghost stories on Christmas Eve! The introduction is informative and puts the reader in the right frame of mind to read the stories.
This is not a collection of ghost stories if you want to be scared, though there are a few with elements that raise goosebumps. I found it more valuable as a window into the Victorian Era. The details that the authors add to make the story more lifelike, and thus add to scariness, are also show more the details most interesting about the period. When they describe the scenery—often detailed descriptions of the rooms where the horrors take place, it also takes the reader back into the past.
On a different note, I love when they describe the when a building was built or last updated not in years, but by what monarch was on the throne at the time. It’s a very charming collection. show less

Ghost stories were ludicrously popular during the Victorian period -- a time of huge transition, an age shaped more than any other by change, mostly industrial, but with the final consequences of these changes remaining unclear. With this shadow of change falling across life in general culminating, no doubt, in anxiety, the ghost story not only gave the Victorian reader an outlet for this anxiety but the ghosts themselves anchored a stable past in an unstable present.

Having said all this I was quite disappointed with this anthology. Some of the stories are brilliant; those by Dickens, Wilkie Collins, Jerome K Jerome, RLStevenson and Conan Doyle stand out particularly of course (although Kipling's offering is poor in the extreme); but show more most of them are formulaic, haunted house stories, which perhaps in the context of the time, read once a week in a magazine or so forth, were entertaining but when read one after another are a little tiresome.

My favourite was that by Elizabeth Gaskell. However, I'm not entirely sure if this is because it's any better than the others or because it was the first one and therefore still maintained an element of surprise! show less

Wonderfully creepy collection with a wide variety of the more high quality Victorian ghost stories. Particularly enjoyed "At Chrighton Abbey" by [a:Mary Elizabeth Braddon|45896|Mary Elizabeth Braddon|http://d.gr-assets.com/authors/1202597702p2/45896.jpg] and "An Account of Some Strange Disturbances in Aungier Street" by [a:J.S. Le Fanu|5784865|J.S. Le Fanu|http://www.goodreads.com/assets/nophoto/nophoto-U-50x66-251a730d696018971ef4a443cdeaae05.jpg]. It's a really good book for its representation of many female authors.

A marvelous collection of ghost stories specifically gathered to illustrate the way Victorian people viewed these tales. The editors chose stories over the entire Victorian period and they are in chronological order. It's very interesting to see how the tenor of the stories changes over times, towards the end of the period, they're more sinister and less fun. Great book!