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Amelia B. Edwards (1831–1892)

Author of A Thousand Miles up the Nile

52+ Works 609 Members 18 Reviews 1 Favorited

About the Author

Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Works by Amelia B. Edwards

A Thousand Miles up the Nile (1877) 244 copies, 6 reviews
All Saints' Eve (2008) 63 copies, 3 reviews
The Phantom Coach: Collected Ghost Stories (1864) 31 copies, 1 review
The Phantom Coach [short story] (1864) 13 copies, 1 review
Monsieur Maurice (1873) 12 copies
Was It An Illusion? A Parson's Story (2004) 7 copies, 1 review
Barbara's History (1864) 6 copies
Galería de espectros (1995) 5 copies
In The Days Of My Youth (2004) 5 copies
The Four-Fifteen Express (1867) 5 copies
A Service Of Danger (2004) 4 copies
The Story Of Salome (2004) 3 copies
Debenham's vow 2 copies
Miss Carew 1 copy
Ballads 1 copy
The Engineer 1 copy

Associated Works

The Oxford Book of English Ghost Stories (1986) — Contributor — 615 copies, 8 reviews
The Oxford Book of Victorian Ghost Stories (1991) — Contributor — 584 copies, 5 reviews
Great Ghost Stories (1985) — Contributor — 435 copies, 8 reviews
Ghosts: A Treasury of Chilling Tales Old & New (1981) — Contributor — 367 copies, 2 reviews
Classic Victorian & Edwardian Ghost Stories (1996) 345 copies, 2 reviews
Ghostly Tales: Spine-Chilling Stories of the Victorian Age (2017) — Contributor — 262 copies, 15 reviews
Maiden Voyages: Writings of Women Travelers (1993) — Contributor — 208 copies, 1 review
Victorian Tales of Mystery and Detection (1991) — Contributor — 190 copies, 2 reviews
The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) — Contributor — 185 copies, 4 reviews
Classic Ghost Stories (1998) — Contributor — 178 copies, 1 review
The Mammoth Book of Victorian and Edwardian Ghost Stories (1995) — Contributor — 174 copies, 4 reviews
101 Chilling Tales Great Horror Stories (2016) — Contributor — 170 copies
Mugby Junction (1866) — Contributor — 162 copies, 5 reviews
Great Ghost Stories: 101 Terrifying Tales (2016) — Contributor — 160 copies
Five Victorian Ghost Novels (1971) — Contributor — 157 copies, 1 review
The Supernatural Omnibus (1931) — Contributor — 155 copies, 2 reviews
The Virago Book of Victorian Ghost Stories (1988) — Contributor — 152 copies
The Virago Book of Ghost Stories (2006) — Contributor — 150 copies, 2 reviews
Into the Mummy's Tomb (2001) — Contributor — 127 copies
The Mammoth Book of Ghost Stories (1990) — Contributor — 123 copies
Spirits of the Season: Christmas Hauntings (2018) — Contributor — 122 copies, 1 review
Great Supernatural Stories: 101 Horrifying Tales (2017) — Contributor — 118 copies
The Virago Book of Ghost Stories, Volume 2 (1991) — Contributor — 107 copies, 3 reviews
Delphi Complete Works of Charles Dickens (Illustrated) (2012) — Contributor, some editions — 96 copies
Famous Ghost Stories (1980) — Contributor — 89 copies
The Mammoth Book of Ghost Stories by Women (2012) — Contributor — 81 copies, 3 reviews
Rod Serling’s Devils and Demons (1967) — Contributor — 71 copies
65 Great Tales of the Supernatural (1979) — Contributor — 68 copies, 4 reviews
Haunters at the Hearth: Eerie Tales for Christmas Nights (2022) — Contributor — 64 copies, 1 review
The Giant Book of Ghost Stories (2006) — Contributor — 64 copies, 1 review
The Phantom Coach: A Connoisseur's Collection of Victorian Ghost Stories (2014) — Contributor — 63 copies, 1 review
Holy Ghosts: Classic Tales of the Ecclesiastical Uncanny (2023) — Contributor — 58 copies
Classic Tales of Supernatural (2000) — Contributor — 56 copies, 1 review
Great Ghost Stories: Tales of Mystery and Madness (2004) — Contributor — 56 copies
Terrifying Ghosts Short Stories (Gothic Fantasy) (2021) — Contributor — 54 copies
Victorian Love Stories: An Oxford Anthology (1996) — Contributor — 54 copies, 1 review
Chillers for Christmas (1989) — Contributor — 49 copies
Realms of Darkness (1985) — Contributor — 49 copies, 1 review
Murder Most Foul : A Collection of Great Crime Stories (1984) — Contributor — 42 copies
Minor Hauntings: Chilling Tales of Spectral Youth (2021) — Contributor — 42 copies, 2 reviews
The Ninth Fontana Book of Great Ghost Stories (1973) — Contributor — 30 copies
Twelve Victorian Ghost Stories (1997) — Contributor — 29 copies
Shivers for Christmas (1995) — Contributor — 29 copies
Great Short Stories Volume 2: Ghost Stories (2009) — Contributor — 26 copies
The Broadview Anthology of Victorian Short Stories (2004) — Contributor — 20 copies
The Cold Embrace: Weird Stories by Women (2016) — Contributor — 18 copies, 1 review
Lost Souls Short Stories (Gothic Fantasy) (2018) — Contributor — 18 copies
Stories by English Authors (2013) — Contributor — 17 copies, 1 review
The Wimbourne Book of Victorian Ghost Stories: Volume 1 (2018) — Contributor — 17 copies
Tales to Freeze the Blood: More Great Ghost Stories (2006) — Contributor — 17 copies
Stories by English Authors: England (2012) — Contributor — 14 copies
The Wimbourne Book of Victorian Ghost Stories: Volume 2 (2018) — Contributor — 12 copies
Avenging Angels: Ghost Stories by Victorian Women Writers (2018) — Contributor — 11 copies
Classic Tales of Ghosts and Vampires (2004) — Contributor — 7 copies, 1 review
The Wimbourne Book of Victorian Ghost Stories: Volume 6 (2020) — Contributor — 7 copies
Spookbeeld vijf Victoriaanse vertellingen (1980) — Contributor — 5 copies
Murder by Gaslight: Victorian Tales — Contributor — 4 copies
The Chillers Illustrated (1943) — Contributor — 3 copies
Classic Tales of Ghosts and Vampires, Volume 2 (2007) — Contributor — 2 copies
Short Ghost and Horror Collection 026 — Contributor — 1 copy

Tagged

19th century (26) Africa (6) Ancient Egypt (11) ancient history (5) anthology (8) Dolomites (7) ebook (5) Egypt (61) Egyptology (13) exploration (9) fiction (20) ghost stories (9) ghosts (11) HB (5) history (32) horror (20) Italy (7) Kindle (6) memoir (14) mystery (22) Nile (15) non-fiction (21) PB (7) read-in-english (6) S (9) short stories (27) to-read (28) travel (66) travelogue (8) Victorian (16)

Common Knowledge

Legal name
Edwards, Amelia Ann Blanford
Other names
アメリア・B.エドワーズ
Birthdate
1831-06-07
Date of death
1892-04-15
Gender
female
Education
at home
Occupations
journalist
novelist
Egyptologist
Travel Writer
short story writer
ghost story writer
Organizations
Egypt Exploration Society (co-founder, 1882)
Edwards Chair of Egyptology, University College London (bequest)
Relationships
Betham-Edwards, Matilda (cousin)
Short biography
Amelia B. Edwards was born in London and educated at home by her mother. She began to write at a young age, publishing her first poem at age 7 and her first story at 12. She went on to publish a variety of poetry, stories, and articles in a large number of British magazines and newspapers. She published her first novel, My Brother's Wife, in 1855, but it was Barbara's History (1864), a novel about bigamy, that made her famous. She also wrote ghost stories, including the often-anthologized "The Phantom Coach" (1864). In the winter of 1873–74, accompanied by several friends, Edwards visited Egypt, where she developed a fascination with the country and its cultures, both ancient and modern. After returning home, she wrote a travelogue with hand-drawn illustrations called A Thousand Miles up the Nile (1877), which became an immediate bestseller. Edwards now became a devoted advocate for research and preservation of the ancient Egyptian monuments and, in 1882, co-founded the Egypt Exploration Fund (now the Egypt Exploration Society) with Reginald Stuart Poole of the British Museum. Following the publication of her hit novel, Lord Brackenbury (1880), she abandoned her other literary work to concentrate solely on Egyptology. Edwards contributed entries to the 9th edition of the Encyclopædia Britannica, to the American supplement of that work, and to the Standard Dictionary. She went on a lecture tour of the USA in 1889–90, and these lectures were later published under the title Pharaohs, Fellahs, and Explorers (1891). On her death, Edwards bequeathed her valuable collection of Egyptian antiquities and her library to University College London, together with a sum of £2,500 to found an Edwards Chair of Egyptology.
Nationality
UK
Birthplace
London, England, UK
Places of residence
Westbury-on-Trym, Bristol, England, UK
Place of death
Weston-super-Mare, Somerset, England, UK
Burial location
St Mary's Church, Henbury, Bristol, England, UK
Associated Place (for map)
England, UK

Members

Reviews

20 reviews
Hay autores que no necesitan recurrir al sobresalto para inquietar. Amelia B. Edwards es una de ellos. En "El carruaje fantasma y otros cuentos góticos", su colección completa de relatos fantásticos, la autora inglesa demuestra que el misterio puede ser elegante, humano y hasta compasivo.

Edwards, admirada por Dickens y colaboradora habitual de All the Year Round, escribe con una precisión victoriana que no excluye la emoción. Sus historias se mueven entre lo sobrenatural y lo cotidiano, show more entre el gesto científico y el temblor íntimo. En sus páginas hay trenes que llegan desde el más allá, ingenieros perseguidos por su conciencia, confesores que se debaten entre el deber y el deseo, y mujeres que, incluso muertas, conservan la última palabra.

Uno de los aciertos más notables del libro es su variedad de escenarios. Junto a los clásicos templos, cementerios o caminos solitarios, aparecen fábricas, ferrocarriles y oficinas: el gótico adaptado al siglo industrial. Edwards entendió antes que nadie que el miedo no se extinguía con el progreso; solo cambiaba de forma.

Sus fantasmas rara vez buscan venganza. Suelen venir a recordar, a advertir o a reparar una pérdida. Y en eso radica su modernidad: la autora se interesa menos por el espanto que por la impresión, por ese instante en que la razón se suspende y el alma percibe algo que no puede explicar.

La traducción de Daniel de la Rubia conserva esa claridad británica, esa contención que multiplica el efecto del misterio. Es un volumen que se lee con placer lento, con esa mezcla de curiosidad y respeto que provocan los secretos bien contados.

En conjunto, esta antología devuelve a Edwards el lugar que merece: una voz delicada, lúcida y precisa dentro del gótico inglés, capaz de mirar a los muertos sin teatralidad y a los vivos sin condescendencia.

La historia de fantasmas de mi hermano (My Brother’s Ghost Story, 1860): Un viajero alpino se ve envuelto en un encuentro imposible que une amistad, presagio y muerte, en uno de los relatos más melancólicos y logrados del libro.

Cuatro historias (Four Stories, 1861): Cuatro breves piezas que giran en torno a apariciones y promesas más allá del tiempo; la autora juega con lo testimonial y lo legendario con sobria eficacia.

11 de marzo (The Eleventh of March, 1863): Un recuerdo anotado en un cuaderno antiguo se convierte en una reflexión sobre la fiabilidad de los sentidos y el peso de lo vivido.

Número tres (Number Three / How the Third Floor Knew the Potteries, 1863): Un relato urbano con tintes casi detectivescos, donde la intuición femenina y lo sobrenatural se cruzan en un edificio cargado de ecos.

El descubrimiento de las islas del Tesoro (The Discovery of the Treasure Isles, 1864): Aventura y misterio se combinan en esta historia de exploración juvenil y hallazgos que exceden lo material.

El carruaje fantasma (The Phantom Coach, 1864): Un hombre extraviado en la nieve encuentra refugio en un lugar que no pertenece del todo al mundo de los vivos. Clásico absoluto del relato victoriano de fantasmas.

Historia de un ingeniero (An Engineer’s Story, 1866): Un narrador técnico relata una cadena de hechos inexplicables que ponen a prueba la lógica y la fe en la maquinaria moderna.

El expreso de las cuatro y cuarto (The Four-Fifteen Express, 1866): En una estación solitaria, un tren nocturno se convierte en el escenario de un crimen y una aparición que se resiste a desaparecer.

La historia de Salomé (The Story of Salome, 1867): Ambientada en una Venecia sensual y decadente, un hombre recuerda a una joven judía cuyo destino queda marcado por la fatalidad y la memoria.

Una misión peligrosa (A Service of Danger, 1869): Un relato de espionaje y valentía donde el suspense racional se mezcla con un presentimiento que lo trastoca todo.

El paso nuevo (The New Pass, 1870): Un abogado relata una excursión a través de los Alpes para abrir un paso nuevo. El relato combina la tensión de la montaña, un accidente inesperado y la inmediatez de la camaradería; lo sobrenatural se insinúa como explicación posible de una supervivencia sorprendente.

En el confesionario (In the Confessional, 1871): Un viajero inglés, recorriendo el Alto Rin en busca de soledad, llega a la pequeña ciudad suiza de Rheinfelden durante los preparativos de una feria. En una iglesia tranquila, entra al confesionario y se topa con un sacerdote demacrado cuya mirada intensa lo perturba, impulsándolo a indagar sobre su historia.

La historia de la hermana Johanna (Sister Johanna’s Story, 1872): En el valle tirolés de Grödner Thal, la narradora Johanna Röederer vive con su familia de tallistas y su hermana Katrine, prometida del escultor Ulrich Finazzer. La llegada del pintor Alois altera la armonía del taller y anticipa tensiones entre amor, arte y tradición.

Monsieur Maurice (Monsieur Maurice, 1873): Durante la agitación política del siglo XIX, un inglés expatriado recuerda a un hombre extraordinario cuya generosidad y silencio encierran una tragedia. Ambientado entre la guerra y la amistad, este relato largo —el más complejo de la colección— aborda con hondura el tema del honor, la memoria y el sacrificio personal. Edwards alcanza aquí su punto más humano y narrativamente maduro.

¿Fue una alucinación? (Was It an Illusion? / Thirteen to Dinner, 1881): Un inspector de educación rememora un extraño episodio —una visión compartida, una conducta inexplicable— que desemboca en un suceso trágico y en una pregunta que no encuentra respuesta. El relato gira en torno a la certeza y la duda: ¿cómo distinguir lo real de lo que la mente inventa?
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This is a book that I have encountered in quotations and excerpts over the years and always intended to read; now I have. Edwards was an influential figure in nineteenth-century British Egyptology and A Thousand Miles Up the Nile is probably the best known British travel book on Egypt. She wrote less than fifty years after Champollion, a decade before Gordon died at Khartoum; she was acquainted with most of the Egyptologists of her time and was a friend of Flinders Petrie.

Some GR reviewers show more have been offended by things in the book. Edwards was a woman of her time, a Victorian and a daughter of empire. A Thousand Miles Up the Nile reflects that; if you can't deal with it, this book is not for you.

The book has two great strengths. The first is that it describes, often in detail, the archaeological remains as they were in 1873-74; many have been subsequently damaged, destroyed, or relocated (e.g. Philae and Abu Simbel in 1968 because of the Aswan Dam). While written descriptions can become tedious, most of Edwards' are quite vivid. Even when she fails (on the hall of Seti I at Karnak), she is eloquent:

"To describe it, in the sense of building up a recognizable image by means of words, is impossible. The scale is too vast; the effect too tremendous; the sense of one's own dumbness, and littleness, and incapacity, too complete and crushing. It is a place that strikes you into silence; that empties you, as it were, not only of words but ideas."

The book's second strength is Edwards' lively narrative of life on the Nile. There is much everyday life as well as Egyptian history.

On riding a camel:
"His paces, however, are more complicated than his joints and more trying than his temper. He has four: a short walk, like the rolling of a small boat in a chopping sea; a long walk, which dislocates every bone in your body; a trot that reduces you to imbecility; and a gallop that is sudden death. One tries in vain to imagine a crime for which the peine forte et dure of sixteen hours on camelback would not be a full and sufficient expiation. It is a punishment to which one would not willingly be the means of condemning any human being--not even a reviewer."

On a water-wheel in action:
"A creaking sakkieh is at work yonder, turned by a couple of red cows with mild Hathor-like faces. The old man who drives them sits in the middle cog of the wheel, and slowly goes around as if he was being roasted."

On tourists' acquisitiveness:
"There is, in fact, a growing passion for mummies among Nile travelers. Unfortunately, the price rises with demand; and although the mine is nearly inexhaustible, a mummy nowadays becomes not only a prohibited but a costly luxury."

These are only a few small examples. Edwards shows us a world long gone (and parts of it not missed) with inimitable style.
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Mrs. Edwards has a fine collection here of Victorian spook and mystery. The supernatural is barely visible here except as a plot device but there are still enough atmospherics to make for a pleasant diversion. Edwards' forte is a sense of place and her locations and scenes are particularly vivid and expressive. The stories are blessedly free of the sameness that mars so many Victorian ghost collections.

Solid three stars for this slim volume.
I greatly enjoyed this haunting tale about a mysterious schoolmaster and a boy with a fishing rod. Dark, atmospheric, memorable. I liked that there are elements to the mystery that are decidedly human in origin, and the ghostly aspects are built on this solid foundation. A sad story, but quite satisfying.

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Statistics

Works
52
Also by
80
Members
609
Popularity
#41,275
Rating
3.8
Reviews
18
ISBNs
109
Languages
5
Favorited
1

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