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The Suppliants

by Aeschylus

Other authors: See the other authors section.

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1524180,510 (3.22)1
Many of the themes of Aeschylus' Suppliants - the treatment of refugees, forced marriage, ethnic and cultural clashes, decisions on war and peace, political deception - resonate strongly in the world of today. The play was, however, for many years neglected in comparison to Aeschylus' other works, probably in part because it was wrongly believed to be very early and hence 'primitive', and this edition, aimed primarily at advanced undergraduates and graduate students, is the first since 1889 to offer an accessible English commentary based on the Greek text. This provides particular help with the peculiarities of tragic, especially Aeschylean, Greek. An extensive introduction discusses the Danaid myth and its many variations, the four-play production (tetralogy) of which Suppliants formed part, the underlying social and religious issues and presuppositions, the conditions of performance, and the place of Suppliants in Aeschylus' work, among other topics.… (more)
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Showing 4 of 4
Hard to understand without an excellent translation :) ( )
  MamaBearBooks | Apr 12, 2022 |
Not bad. ( )
  DanielSTJ | Dec 18, 2018 |
This isn’t an easy play. It’s quite brief, and touches on issues of migration and asylum that are extremely topical. But little actually happens - there’s no resolution of the asylum-seeker’s situation. They remain in a kind of limbo, protected but apart, and denying to the last that they will integrate with their new home. Their tormentors likewise have no closure, no revenge is taken, and the threatened war remains a threat. One can only imagine what this play might have been when whole. ( )
  NKarman | Feb 26, 2018 |
Tucker's is an intelligent late Victorian commentary (1889).
I read this play with Herwig Maehler a few years back, and the only other commentary available was Frijs Johanssen (sp?) of which there was at the time one copy in London and one in Copenhagen! But one of our crew happened to be rebinding a Tucker for the British Library at the time, so we used him instead, and he was fine. Four stars may not be generous enough. ( )
  FuficiusFango | May 17, 2009 |
Showing 4 of 4
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» Add other authors (16 possible)

Author nameRoleType of authorWork?Status
AeschylusAuthorprimary authorall editionsconfirmed
Boutens, P.C.Translatorsecondary authorsome editionsconfirmed
Kraus, WaltherTranslatorsecondary authorsome editionsconfirmed
Morshead, E. D. A.Translatorsecondary authorsome editionsconfirmed
Murray, GilbertTranslatorsecondary authorsome editionsconfirmed
Roos, S.H. deTypographersecondary authorsome editionsconfirmed
Tucker, T. G.Translatorsecondary authorsome editionsconfirmed
Wecklein, NikolausEditorsecondary authorsome editionsconfirmed
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Epigraph
“The wide sky aches for sex with earth
The dark earth yearns for penetration
Wetness falls from sky’s wide fullness
Rain then impregnates the land.
The land gives birth to wheat, to barley
Fruit trees, grass to feed the beasts
This fecund marriage, moist, eternal
Brings to flower all things alive.
The maker of this match is me:
I’m sex. I’m love. I’m Aphrodite.

Fragment attributed to Aphrodite,
most probably from the third play
in the Danaïd trilogy”
Dedication
First words
Zeus Protector, protect us with care. - (tr. Benardete, 1956)
May Zeus, god of suppliants, look graciously upon
our band, which set forth by ship
from the fine sands at the mouth
of the Nile. (Sommerstein)
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(Click to show. Warning: May contain spoilers.)
(Click to show. Warning: May contain spoilers.)
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Wikipedia in English (1)

Many of the themes of Aeschylus' Suppliants - the treatment of refugees, forced marriage, ethnic and cultural clashes, decisions on war and peace, political deception - resonate strongly in the world of today. The play was, however, for many years neglected in comparison to Aeschylus' other works, probably in part because it was wrongly believed to be very early and hence 'primitive', and this edition, aimed primarily at advanced undergraduates and graduate students, is the first since 1889 to offer an accessible English commentary based on the Greek text. This provides particular help with the peculiarities of tragic, especially Aeschylean, Greek. An extensive introduction discusses the Danaid myth and its many variations, the four-play production (tetralogy) of which Suppliants formed part, the underlying social and religious issues and presuppositions, the conditions of performance, and the place of Suppliants in Aeschylus' work, among other topics.

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