The Five: The Untold Lives of the Women Killed by Jack the Ripper

by Hallie Rubenhold

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Five devastating human stories and a dark and moving portrait of Victorian London-the untold lives of the women killed by Jack the Ripper. Polly, Annie, Elizabeth, Catherine, and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden, and Wales. They wrote ballads, ran coffee houses, lived on country estates; they breathed ink-dust from printing presses and escaped people-traffickers. What they had in common was the show more year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. For more than a century, newspapers have been keen to tell us that "the Ripper" preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, but it has prevented the real stories of these fascinating women from being told. Now, in this devastating narrative of five lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness, and rampant misogyny. They died because they were in the wrong place at the wrong time-but their greatest misfortune was to be born a woman. show less

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83 reviews
Digital audiobook narrated by Louise Brealey

Subtitle: The Untold Lives of the Women Killed by Jack the Ripper

I’ve always been fascinated by crime and devoured many true-crime books. I’ve read several about the Jack the Ripper murders. Of course, they all focused on trying to figure out who Jack was. But Rubenhold takes a completely different path. She focuses on his victims – the women who were (mostly) mischaracterized as prostitutes.

The book is divided into five parts, each woman getting as full an accounting of her background and life as possible given the years that have passed since their deaths and their relative obscurity in society at the time. Rubenhold did extensive research and she really brings these women to life. We show more see that some were in solid relationships and enjoyed relative security before circumstances led to a downward turn in their situations. She makes a convincing argument that the women, far from being active sex workers, were more likely homeless and sleeping in alleyways or doorstops where they might find some shelter. For more than one, alcohol abuse played a key role.

Rather than victim-shaming, Rubenhold allows for compassion for the situations these women found themselves in. Even if they were prostitutes, they still deserved the full protection of the law, or at least the full efforts of law enforcement to find and punish the perpetrator of these heinous crimes.

What I found particularly touching was the very last chapter, where Rubenhold gives an inventory of the very meager belongings of each woman at her death.

Louise Brealey does a fine job of voicing the audio edition. This kind of narrative nonfiction works well on audio because the author made the effort of make the stories personal.
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The author's focus is firmly on the lives of the five canonical victims of Jack the Ripper, not their deaths and not the unknown man who killed them. The amount of research done and the skill with with the author was able to show that these women had families who loved them, had struggles to survive, relationships and hopes, and most of all, that not all of them were prostitutes but simply poor, often homeless women who were lumped in as prostitutes simply because the police saw nearly all the women they dealt with in the East End as "fallen" women.
If you're looking for information about the actual murders, you'll find very little here, except for the aftermath on the families.
½
What do we know about the victims of Jack the Ripper? Not much until now. Rubenhold has investigated the five canonical victims. Notably she ignores the various conspiracy theories and speculations about the identity of the killer. Instead she reveals the lives of women in the working class, the difficulty of maintaining self and children and the ease with which even a woman from a good background could slip into poverty, degradation and alcoholism. And once fallen, it was nearly impossible to rise.
The fibers that have clung to and defined the shape of Polly, Annie, Elisabeth,
Kate, and Mary Jane’s stories are the values of the Victorian world. They are male, authoritarian, and middle class. They were formed at a time when women had no voice, and few rights, and the poor were considered lazy and degenerate: to have been both of these things was one of the worst possible combinations.


Jack the Ripper murdered five London women in 1888, but was never identified or caught, and his gruesome story has fascinated people ever since. But the victims were summarily dismissed as “just prostitutes,” as if that were sufficient reason for them to lose their lives. The Five sets out to redress this wrong by piecing together public records, show more disparate news accounts, and other sources to tell the life stories of each victim. Hallie Rubenhold spends absolutely zero time on the details of each murder or the murderer himself. Instead, she tells us about the family each victim was born into, her adult life, and the circumstances which led to living in the Whitechapel area where the murders occurred. More often than not, the women's lives took a turn for the worse as the result of a marriage gone bad, widowhood, or being orphaned while still unmarried. A woman alone or with dependents would have found it nearly impossible to survive; there was no way for her to earn a living. In these circumstances it was imperative they become attached to another man who would provide for them, but decisions made in desperation rarely had positive outcomes. Add homelessness and alcohol to the mix and all hope of stability was lost. The five victims inevitably found themselves walking the streets of London, not as prostitutes but simply in search of one night’s food and shelter. When they ended up sleeping rough in a dark alleyway, their lives were even more at risk.

The low value placed on women’s lives means that sometimes details are scarce, and Rubenhold’s research often strayed into adjacent spaces in order to paint a picture of how the victim might have lived. The author is very clear about when she is reporting facts about the victim, and when she is connecting dots to reach a plausible conclusion. While the victims’ stories are sad, I was also left feeling angry at a society that placed women at such disadvantage, and often continues to do so today.
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The five in question are the five "canonical" victims of Jack the Ripper. The author looks at what is known or can be reconstructed (there is an awful lot of "would have" and "must have" involved) of their lives up until the night each of them met her end and how they came to be there, especially as none of them were native to Whitechapel. Nor, despite assumptions then and now, were they all prostitutes. Except for the last victim, Mary Jane Kelly, they were vulnerable because they were homeless.

A fascinating look at what the lives of the poor, particularly poor women, were like in Victorian Britain, what they could aspire to and what failure meant for them.
A fantastic piece of research, drawing together the details of the lives of five ordinary, all-too-typical working class women who, were it not for the terrible circumstances of their deaths at the hands of one of history’s most notorious killers, would have remained completely anonymous and lost to history.[return][return]Fascinating, even if you have no interest whatsoever in the … what can I call it, without being rude: “mythology”? …obsession? … of Jack the Ripper. This is a window into the downward spiral of the lives of five very different women of Victorian London, who illustrate all too painfully how most working class people of that era lived on the edge of an abyss, and how one life crisis -- illness, loss of show more employment, death of a parent or spouse, collapse of a relationship – could plunge them headlong into destitution, homelessness, and a life in the shadows, beyond the respectability and minimal comforts they had worked so hard to enjoy. [return][return]Sound familiar? What was just as shocking as the tragedies of these five women was how familiar it all seemed. They say that every American is only one serious illness away from bankruptcy. (And having experienced the American medical system, and the scam they call health insurance, I believe it.) Britain has a better safety net, with the NHS, but homelessness and sleeping rough, reliance on foodbanks and the existence of sub-par housing (Grenfell Tower, anyone?) is a blight on the whole country, not just the big cities. There was nothing quaint or historical about Rubenhold’s descriptions of pathetic figures, roaming the streets at all hours of the night, trying to beg, borrow or steal the price of a flea-infested bed in one of the doss houses in the East End of London, until they finally collapse in a doorway from exhaustion and cold, and probably a drink to dull the pain. Wearing every article of clothing they possess, pockets stuffed with the broken bits and pieces that either remind them of the lives they once had, or might come in useful, or might be pawned for a few coppers. That could be … that is … now.[return][return]In addition to that, Rubenhold’s main thesis, that four of the five were not prostitutes is important, and necessary, and if some reviewers seem to have become tired of her “banging on about it,” … well, all I can say is … y’know, tough. After 130 years, it is something that really needed to be said – the police and media and “respectable” public of 1888 took one look at the location of the murders, the degraded living conditions of the five victims, and their gender and gleefully declared PROSTITUTES. No better than they should be. Probably flouncing around in revealing outfits, tempting poor honest boys. Deserved whatever they got.[return][return]And they were wrong. One of the murdered women was a professional sex-worker, and probably would have made no bones about it. (Interestingly, she was the final victim, whose murder MO was very different from the previous four. Which makes me wonder …) The other four were middle-aged women from a variety of respectable, working poor backgrounds, whose lives had been torn apart by alcohol, the death of loved ones, and the breakdown of family ties. At they times of their deaths they were partnered up with men they would have described as regular common-law, if often unreliable, relationships. Not … prostitutes. [return][return]And (again, an example of history depressingly repeating itself) like the Yorkshire Ripper of the 1970s, the assumptions that the police, media and public jumped to in 1888 probably tainted the investigation of the murders, and the hunt for the identity of Jack the Ripper. Rubenhold makes a very convincing case that, far from targeting “ladies of the night” (with all of the sexist baggage of over-made up hotties, wearing scanty outfits and winking seductively under gaslight streetlamps), the Ripper was probably attacking vulnerable women, who were semi-comatose from drink in doorways and down dark alleys. [return][return](It seems that there has always been some debate in “Ripperology research” … can you believe there is such a thing? … as to whether one of the five, Elizabeth Stride, was really a victim of the Ripper, because the circumstances of her death were slightly different from the first three. But Rubenhold introduces some information about the final victim, Mary Jane Kelly -- whose death, as I said above, was very different from the MO of the other four – which suggests to me, at least, that her murder might not have been the work of Ripper either, but instead have been a copycat killing, in revenge for crossing a human trafficking network. Again, that is scarily modern. [return][return]I’ve said a lot more about this than I really meant to, but I think it has gotten under my skin – and that’s a very good thing for a book, I hope you will agree. Rubenhold’s research is amazing. Her writing is very readable. The subject – taking the spotlight from the homicidal maniac, and refocusing it on the victims, and their lives, rather than their gruesome deaths – in other words, giving them back their dignity, and their humanity -- is important. [return][return]HIGHLY recommended. show less
This is one of those books that is both surprising, and not surprising. Jack the Ripper is big in pop culture - the murdered of Women of the Night, prostitutes. However, the victims are women who are just trying to survive in a world that condemns women who are don't fit the norm. In almost all of the cases, the victims were poor, ill, abused, and often alcoholic. Victorian society (and even today) seem to blame the these ladies and consider them deserving of death for their situation. Which is awful considering that there is no help, no safety net, and getting drunk is the easiest way to escape from reality.

As for the book, the author has done her research. The London police did not have tools or resources that a modern police show more department has, nor was there much of an initiative to actually look into their deaths. Its not even clear if all the deaths were committed by the same person. I very much appreciate that the author had to speculate on what these women were feeling as they went about there day to day to life. Unfortunately, not much is known, and the newspapers of the day would add lurid details that weren't always true, just to sell a paper.

I also appreciated that these women's stories are about their lives, not their deaths. Their murder was only described in a few paragraphs, but chapters were given to each women on how they lived and who they loved. I think that the name "Jack the Ripper" was only mentioned in the introduction.

Which leaves this - these women were murdered by someone, probably a man, there names should be known, but only Jack the Ripper is remembered today. And, unfortunately, this is still happening - a prostitute is found murdered, but nobody cares, from the police to the media, to the middle class. There is something seriously wrong when a Killer (or killers) is more known than his victims.
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These were not the kinds of lives that leave an extensive record, yet Rubenhold is able to weave a vivid narrative of Victorian working-class life from small factual scraps that she unearthed in police records, government reports and church registers ...The specter of illicit sex still haunts the Ripper story, an unkillable ghost that makes the crimes seem more titillating and their victims show more more expendable. Rubenhold’s account, however, makes a compelling case that the real monster shadowing these women’s lives was alcoholism ... Though we know how these women’s stories play out, Rubenhold achieves much here by making us feel genuine sadness and anger at their loss. show less
Joanna Scutts, The Washington Post (pay site)
May 17, 2019
added by Lemeritus
This book is a poignant but absorbing exploration of the reality of working women’s lives in the late 19th century—and how perilously easy it was for married women with children to find themselves reduced to seeking shelter in the dank courts and alleyways around Spitalfields, where the Ripper operated. It is a book that brings a whole new meaning to the phrase 'Victorian values.'
Daisy Goodwin, The Sunday Times (pay site)
Feb 17, 2019
added by Lemeritus
If the Dickensian emphasis is a touch overdone, the point remains ... Allowing that the documentary record is incomplete—the case files on three of the five murders have gone missing—Rubenhold urges us to see the victims...not as the 'fallen women' of the received record. A lively if morbid exercise in Victorian social history essential to students of Ripperiana.
Feb 3, 2019
added by Lemeritus

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Author Information

Picture of author.
8+ Works 3,171 Members

Some Editions

Brealey, Louise (Narrator)
Fefè, Simona (Translator)
Thomson, Jo (Cover designer)

Awards and Honors

Common Knowledge

Canonical title
The Five: The Untold Lives of the Women Killed by Jack the Ripper
Original title
The Five: The Untold Lives of the Women Killed by Jack the Ripper
Alternate titles
The Five
Original publication date
2019-02-28
People/Characters
Mary Ann Nichols; Caroline Walker; Edward Walker; William Nichols; William Edward Walker Nichols; George Peabody (show all 55); Eliza Sarah Nichols; Henry Alfred Nichols; Rosetta Walls Nichols; George Crawshaw; Thomas Stuart Drew; William Morris; Sarah Cowdry; Ellen Holland; Inspector Abberline; George Smith; Ruth Chapman; Anne Eliza Smith; Roger William Henry Palmer; John Chapman; Francis Tress Barry; Emily Ruth Chapman; Jack Sievey; Amelia Palmer; George Bagster Philips; Edward Stanley; Miriam Smith; Fountaine Smith; Elisabeth Gustafsdotter; Maria Ingrid Wiesner; William Stride; John Thomas Stride; Daniel Stride; Michael Kidney; Elizabeth Bond; Mary Malcolm; Catherine Lane; Sven Olsson; George Eddowes; Catherine Evans Eddowes; Kate Eddowes; Edward Perry; William Eddowes; Elizabeth Eddowes; Tom Eddowes; Rosannah Eddowes; Thomas Conway Quinn; Charles Christopher Robinson; Emma Eddowes Jones; John Kelly; Annie Conway Philips; Mary Jane Kelly; Eliesbeth Boeku; Joseph Barnett; Jack the Ripper
Important places
Whitechapel, London, England, UK; St. Bride's Parish, London, England, UK; St. Andrew's Parish Church, Southport, England, UK; Lambeth Union Working House; Strand Union Workhouse; Holborn Union Workhouse (show all 11); Spelthorne Sanatorium, Feltham, England, UK; Gothenburg, Sweden; Torslanda, Västra Götaland County, Sweden; Hyde Park, London, England, UK; Stepney Sick Asylum, London, England, UK
Important events
Whitechapel Murders (1888 | 1891); Victorian Era (1837 | 1901); Vagrancy Act (1824); Matrimonial Causes Act (1857); Habitual Drunkards Act (1879); Contagious Diseases Act (1864) (show all 11); The Great Exhibition (1851); Sepoy Mutiny (1857); 19th century; 1880s; 1888
Epigraph
I write for those women who do not speak, for those who do not have a voice because they were so terrified, because we are taught to respect fear more than ourselves. We've been taught that silence would save us, but it won't... (show all). -Audre Lorde
Dedication
For May Ann "Polly" Nichols, Annie Chapman, Elisabeth Stride, Catherine Eddowes & Mary Jane Kelly
First words
The cylinders turned. The belts moved, and gears clicked and whirred, as type and ink pressed against paper.
There are two versions of the events of 1887. One is very well known, but the other is not. -Introduction
Quotations
When you enter the kitchen of a doss-'ouse, it would be a mistake to suppose that all the people you meet there are going to spend the night under its roof. Many of them are reg'lar'uns, who, in consideration of their constan... (show all)t patronage are permitted to spend the evening, or portion of it, before the blazing coke fire, for though the deputy will give no trust, he knows better than to offend a regular lodger. As the evening wears on, however, these poor wretches become restless and moody. They pace the floor with their hands in their otherwise empty pockets, glancing towards the door at each fresh arrival to see if a "pal" has come in from whom it may be possible to borrow the halfpence necessary to complete their doss money. At last, their final hope being gone, they shuffle out into the streets and prepare to spend the night with only the sky for a canopy." - Howard Goldsmid
Last words
(Click to show. Warning: May contain spoilers.)They were women. They were human beings, and surely that in itself is enough.
Original language
English, UK
Canonical DDC/MDS
362.88
Canonical LCC
HV6535.G6

Classifications

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General Nonfiction, History, Nonfiction, Biography & Memoir
DDC/MDS
362.88Society, government, & cultureSocial problems and social servicesSocial WelfareProblems of and services to other groupsPeople affected by criminal acts
LCC
HV6535 .G6Social sciencesSocial pathology. Social and public welfare. CriminologySocial pathology. Social and public welfare.CriminologyCrimes and offenses
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