Ashes in the Wind
by Kathleen E. Woodiwiss
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Alaina MacGaren is forced to flee the devastation of her homeland in the guise of a young boy, only to find sanctuary in the arms of an enemy. Cole Latimer is a dashing Yankee surgeon who has served the Union faithfully, and his tender heart compels him to help a ragged, innocent "lad" in need-never suspecting the rags conceal a bewitching belle suspected of being a rebel spy. But Alaina's masquerade does not fool Cole for long. And the strength, courage, and breathtaking sensuality of this show more woman whom it would be treasonous to love sets duty and desire at war within him. Yet Destiny has joined them for good or ill-and they both must follow where their hearts would lead them, if they are to build a glorious new life together out of the ashes of the old. show lessTags
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The first half of this long book, (which could have been a book all on its own) was probably 4 stars for me. It was interesting, and a bit different, there was some adventure surrounding the war that added something. The characters made some obvious mistakes and there were some very unlikely happenings, but overall I liked the main characters and was interested to see how things would play out for them. The second half was largely an exercise in poor decisions and frustration, and got even less believable. They kind of stopped seeming like part of a greater struggle (with the war and all) and focused almost entirely just on the ongoing drama of their own relationship. Which could have been almost entirely avoided any number of times by show more a single adult conversation. =/ All the characters are pretty solidly all good or all bad, which isn't quite as interesting to me, but it wasn't too bad. It ended up feeling quite Nancy Drew overall (especially the second half), with a long series of unlikely events each signaling future reveals, with a huge mystery/villain confrontation scene in the end. It wasn't really my thing, but I don't think I'll forget these two characters right away. I'm happy I read it, but I'm not likely to ever read it again. I would consider another from this author though. show less
I read a few of Kathleen Woodiwiss’s books years ago, and before picking up Ashes in the Wind, I couldn’t recall if it was one of them or not. After reading it, I’m still not entirely certain. The majority of the story seemed brand new to me, but there were a handful of times that I got a mild sense of deja vu. Whether that’s because I had read it before or perhaps because it was somehow similar to another book I might have read, I have no idea. So either way, in the end, it was basically new to me anyway.:-) In any case, this is an epic romance that takes place over the course of a few years in our protagonists lives. It’s so long, in fact, that it’s split into two parts that each have their own unique feel, as well as show more separate plot lines and settings. However, in addition to continuing Cole and Alaina’s story, the author manages to tie both sections together through the common thread of a mystery surrounding a missing Union payroll shipment that our intrepid heroine, Alaina, is initially blamed for stealing.
Part one of the story begins in 1863 in Union occupied New Orleans. Alaina has just fled Briar Hill, the only home she’s ever known. Following the deaths of her father and brother in the war and her mother’s subsequent demise from a broken heart, and with her only other brother still off fighting in the Confederate army, Alaina is alone. Union soldiers came to Briar Hill and abused her, creating trumped up charges against her when she wouldn’t cooperate with them. Fearing that she might end up in a Yankee prison, she disguises herself as a boy and travels to New Orleans, hoping that her uncle and aunt who live there will take her in. She no sooner gets off the riverboat, than she’s accosted by another group of Union soldiers who make sport of her, but a handsome Union officer comes to her aid. Cole then hires the lad “Al” to clean at the hospital where he works as an army surgeon. When he takes her to her uncle’s home, he also meets her beautiful – but shallow and vain – cousin, Roberta, who sets her sights on him. Over the coming months, Alaina dons more than one disguise to navigate the city as a wanted fugitive and manages to pull the wool over Cole’s eyes for quite some time. One night, though, she rescues a drunk and unconscious Cole, dressed in nothing but his skivvies, from the Mississippi River and takes him back to her uncle’s house, where in a drunken stupor, he thinks that she’s a prostitute and makes love to her, taking her virginity. But Roberta takes advantage of the situation, making him and her parents believe that she was the one in his bed that night, leading to a hasty wedding. Eventually Cole discovers Alaina’s hidden identity and realizes she was the one he made love to, but by then, he’s stuck in a loveless marriage. From there, the author pretty much throws everything but the kitchen sink at them for the next couple of years until the war is nearing its end. Numerous outside forces conspire to keep them apart, while they come together often enough to show that they’re developing feelings for one another.
Part two takes place after the war has ended. Alaina is still a fugitive, and now in addition to the original false charges, she’s also blamed for the Union payroll money that went missing the night she rescued Cole from the river. On top of that, a Cajun scoundrel she met her first day in New Orleans in her disguise as Al, has discovered her true identity and is using the information to blackmail her into becoming his mistress. Roberta has since passed away, leaving Cole a free man, so when mutual friends contact him about Alaina’s plight, he doesn’t hesitate to offer marriage to protect her. However, her vengeful uncle, who blames Cole for the loss of his only child, engineers a legal agreement that makes it look to both Cole and Alaina like the other wants nothing more than a marriage in name only. So even though Alaina becomes Cole’s wife via proxy and travels to Minnesota where he lives, the better part of this section is a will they or won’t they ever sleep together again scenario, turning the majority of the conflict inward. This did get a little tedious given that the misunderstanding keeping them apart could have been resolved with a good heart-to-heart conversation. But of course, that doesn’t take place until probably two-thirds of the way into this section. However, there is a somewhat Gothic feel to this part as Alaina keeps sensing someone is watching her in Cole’s huge mansion. It also has a rather creepy feeling bedroom, which Roberta previously occupied, and a few unexplained things occur as well, which lead to a tense conclusion.
I’d say that this book is primarily Alaina’s story and she’s a strong and interesting heroine. She begins the book hating all Union soldiers with a passion until she meets Cole who isn’t like the other Union soldiers she’s encountered before. He treats her with kindness and respect, although she continues to be prickly toward him. Then in the course of her work at the hospital, she meets a wounded Union soldier whose plight tugs at her heartstrings. It’s then that we begin to see the chinks in the armor she’s built up to protect herself. Even though she won’t admit it to herself, she clearly cares for Cole to have pulled him from the river and taken care of him. And even though she’s angry with herself and him afterward, she experienced a passion in his arms that night that she’d never expected and couldn’t help feeling a bit jealous of Roberta stealing Cole away. But that doesn’t stop her from helping save his life again later on. During her time masquerading as Al, she longs to be herself again so that she can wear feminine clothing and be treated like a lady once more. When that finally happens and Cole eventually marries her, Alaina has a stubborn streak a mile wide, refusing to allow him to bed her even though she feels a desire for him, too, all because she thinks he’s the one who engineered the terms of the marriage contract. But ultimately she ends up proving just how much she truly does love Cole. Alaina is a very feisty heroine who could have easily rubbed me the wrong way, and perhaps occasionally did, but somehow I felt like I understood her most of the time. She also vacillates between her obstinate, truculent moments and softer, gentler ones that keep her from becoming too harsh. So ultimately I would say that I liked her most of the time and thought she was a pretty good heroine.
We don’t get to know Cole with quite the same depth as Alaina, at least until the second half of the book, when we’re finally on his home turf in Minnesota. In New Orleans, though, he still manages to show exactly who he is as a person. He’s a talented surgeon who has progressive medical ideas and isn’t afraid to at least attempt to save even the most hopeless cases. Wounded soldiers from both the Union and Confederate sides are brought into his hospital for treatment, and he recognizes the humanity in all of them, treating them all equally and with respect, never withholding the best medical care possible even if a soldier happens to be on the opposing side. He’s also kind and generous with “Al.” Even when “the boy” is mouthing off and giving him grief, Cole often finds it amusing, or at the very least, shows compassion. He may not have known who he was making love to that fateful night, but he realizes pretty quickly that it wasn’t Roberta even though he doesn’t know exactly who it was at first. He’s always drawn to Alaina no matter what disguise she’s wearing, and when he finally discovers her true identity, he generously tries to do the right thing and take care of her even though she pretty much throws it back in his face. After they’re finally married, he exercises a great deal of restraint in waiting to bed her. Although he does get angry a few times, he doesn’t force her. So overall, I really liked Cole.
Given that Ashes in the Wind is a forty-year-old book, it does have some problematic content. Since half of it takes place in the Civil War era South, slavery is depicted. While Cole and Alaina are generally kind toward the black characters, not everyone in the story is, so there are occasionally some rather nasty things said. There is at least one utterance of the “n” word, and when the story shifts to Minnesota, there are a few instances of racially charged language regarding Native Americans even though none ever appear in the book. The black characters speak in I guess what could be described as an uneducated dialect, which could be viewed as offensive. However, what bothered me the most is that the author repeatedly refers to the African American characters as simply “the black,” which while perhaps not as bad as the “n” word, is still rather dehumanizing, especially given the frequency of its use. In addition to racial issues, there were a couple of instances where Cole mentions, or if I recall correctly, threatens to force Alaina when she’s stubbornly holding herself away from him. I mostly gave him a pass for this since it was only twice and he never followed through. In reading other readers’ reviews, though, I noticed some people taking issue with the first love scene and calling it rape or forced seduction. Admittedly Alaina does put up a token resistance, but finds enjoyment in it pretty quickly. Cole was so drunk, he genuinely thought she was a prostitute. I maybe felt a slight twinge while reading this scene, but even through I generally don’t care for even a whiff of non-consent in my romances, I wasn’t quite as bothered by it as I have been when reading similar scenes in other romances. However, I thought it worth mentioning for those who might be.
Overall, despite my few misgivings, Ashes in the Wind was a pretty good read. Nowadays a romance this epic probably would never be published – or would be seriously pared down or broken into a series – so it hearkens back to a more nostalgic time. As a romance author myself, I think it can be interesting to revisit some of these older books for the sake of educating oneself on the origins of the modern romance, while also acknowledging that some of the content is problematic at best and outright offensive at worst. However, if the reader can weed through these parts, there is a good story here about two people on opposites sides of a war who have every reason to hate each other and yet find common ground and a grand love that manages to survive in spite of all the many obstacles, both internal and external, that intersect their paths. Was it a bit too long? Yeah, probably. There were times I felt like the narrative was dragging and wondered when it might end, but then I would turn a corner and Cole and Alaina would be facing some new roadblock to overcome that re-engaged me. So overall, it was a good read for the epic love story if one can get past a few issues regarding the dated content. show less
Part one of the story begins in 1863 in Union occupied New Orleans. Alaina has just fled Briar Hill, the only home she’s ever known. Following the deaths of her father and brother in the war and her mother’s subsequent demise from a broken heart, and with her only other brother still off fighting in the Confederate army, Alaina is alone. Union soldiers came to Briar Hill and abused her, creating trumped up charges against her when she wouldn’t cooperate with them. Fearing that she might end up in a Yankee prison, she disguises herself as a boy and travels to New Orleans, hoping that her uncle and aunt who live there will take her in. She no sooner gets off the riverboat, than she’s accosted by another group of Union soldiers who make sport of her, but a handsome Union officer comes to her aid. Cole then hires the lad “Al” to clean at the hospital where he works as an army surgeon. When he takes her to her uncle’s home, he also meets her beautiful – but shallow and vain – cousin, Roberta, who sets her sights on him. Over the coming months, Alaina dons more than one disguise to navigate the city as a wanted fugitive and manages to pull the wool over Cole’s eyes for quite some time. One night, though, she rescues a drunk and unconscious Cole, dressed in nothing but his skivvies, from the Mississippi River and takes him back to her uncle’s house, where in a drunken stupor, he thinks that she’s a prostitute and makes love to her, taking her virginity. But Roberta takes advantage of the situation, making him and her parents believe that she was the one in his bed that night, leading to a hasty wedding. Eventually Cole discovers Alaina’s hidden identity and realizes she was the one he made love to, but by then, he’s stuck in a loveless marriage. From there, the author pretty much throws everything but the kitchen sink at them for the next couple of years until the war is nearing its end. Numerous outside forces conspire to keep them apart, while they come together often enough to show that they’re developing feelings for one another.
Part two takes place after the war has ended. Alaina is still a fugitive, and now in addition to the original false charges, she’s also blamed for the Union payroll money that went missing the night she rescued Cole from the river. On top of that, a Cajun scoundrel she met her first day in New Orleans in her disguise as Al, has discovered her true identity and is using the information to blackmail her into becoming his mistress. Roberta has since passed away, leaving Cole a free man, so when mutual friends contact him about Alaina’s plight, he doesn’t hesitate to offer marriage to protect her. However, her vengeful uncle, who blames Cole for the loss of his only child, engineers a legal agreement that makes it look to both Cole and Alaina like the other wants nothing more than a marriage in name only. So even though Alaina becomes Cole’s wife via proxy and travels to Minnesota where he lives, the better part of this section is a will they or won’t they ever sleep together again scenario, turning the majority of the conflict inward. This did get a little tedious given that the misunderstanding keeping them apart could have been resolved with a good heart-to-heart conversation. But of course, that doesn’t take place until probably two-thirds of the way into this section. However, there is a somewhat Gothic feel to this part as Alaina keeps sensing someone is watching her in Cole’s huge mansion. It also has a rather creepy feeling bedroom, which Roberta previously occupied, and a few unexplained things occur as well, which lead to a tense conclusion.
I’d say that this book is primarily Alaina’s story and she’s a strong and interesting heroine. She begins the book hating all Union soldiers with a passion until she meets Cole who isn’t like the other Union soldiers she’s encountered before. He treats her with kindness and respect, although she continues to be prickly toward him. Then in the course of her work at the hospital, she meets a wounded Union soldier whose plight tugs at her heartstrings. It’s then that we begin to see the chinks in the armor she’s built up to protect herself. Even though she won’t admit it to herself, she clearly cares for Cole to have pulled him from the river and taken care of him. And even though she’s angry with herself and him afterward, she experienced a passion in his arms that night that she’d never expected and couldn’t help feeling a bit jealous of Roberta stealing Cole away. But that doesn’t stop her from helping save his life again later on. During her time masquerading as Al, she longs to be herself again so that she can wear feminine clothing and be treated like a lady once more. When that finally happens and Cole eventually marries her, Alaina has a stubborn streak a mile wide, refusing to allow him to bed her even though she feels a desire for him, too, all because she thinks he’s the one who engineered the terms of the marriage contract. But ultimately she ends up proving just how much she truly does love Cole. Alaina is a very feisty heroine who could have easily rubbed me the wrong way, and perhaps occasionally did, but somehow I felt like I understood her most of the time. She also vacillates between her obstinate, truculent moments and softer, gentler ones that keep her from becoming too harsh. So ultimately I would say that I liked her most of the time and thought she was a pretty good heroine.
We don’t get to know Cole with quite the same depth as Alaina, at least until the second half of the book, when we’re finally on his home turf in Minnesota. In New Orleans, though, he still manages to show exactly who he is as a person. He’s a talented surgeon who has progressive medical ideas and isn’t afraid to at least attempt to save even the most hopeless cases. Wounded soldiers from both the Union and Confederate sides are brought into his hospital for treatment, and he recognizes the humanity in all of them, treating them all equally and with respect, never withholding the best medical care possible even if a soldier happens to be on the opposing side. He’s also kind and generous with “Al.” Even when “the boy” is mouthing off and giving him grief, Cole often finds it amusing, or at the very least, shows compassion. He may not have known who he was making love to that fateful night, but he realizes pretty quickly that it wasn’t Roberta even though he doesn’t know exactly who it was at first. He’s always drawn to Alaina no matter what disguise she’s wearing, and when he finally discovers her true identity, he generously tries to do the right thing and take care of her even though she pretty much throws it back in his face. After they’re finally married, he exercises a great deal of restraint in waiting to bed her. Although he does get angry a few times, he doesn’t force her. So overall, I really liked Cole.
Given that Ashes in the Wind is a forty-year-old book, it does have some problematic content. Since half of it takes place in the Civil War era South, slavery is depicted. While Cole and Alaina are generally kind toward the black characters, not everyone in the story is, so there are occasionally some rather nasty things said. There is at least one utterance of the “n” word, and when the story shifts to Minnesota, there are a few instances of racially charged language regarding Native Americans even though none ever appear in the book. The black characters speak in I guess what could be described as an uneducated dialect, which could be viewed as offensive. However, what bothered me the most is that the author repeatedly refers to the African American characters as simply “the black,” which while perhaps not as bad as the “n” word, is still rather dehumanizing, especially given the frequency of its use. In addition to racial issues, there were a couple of instances where Cole mentions, or if I recall correctly, threatens to force Alaina when she’s stubbornly holding herself away from him. I mostly gave him a pass for this since it was only twice and he never followed through. In reading other readers’ reviews, though, I noticed some people taking issue with the first love scene and calling it rape or forced seduction. Admittedly Alaina does put up a token resistance, but finds enjoyment in it pretty quickly. Cole was so drunk, he genuinely thought she was a prostitute. I maybe felt a slight twinge while reading this scene, but even through I generally don’t care for even a whiff of non-consent in my romances, I wasn’t quite as bothered by it as I have been when reading similar scenes in other romances. However, I thought it worth mentioning for those who might be.
Overall, despite my few misgivings, Ashes in the Wind was a pretty good read. Nowadays a romance this epic probably would never be published – or would be seriously pared down or broken into a series – so it hearkens back to a more nostalgic time. As a romance author myself, I think it can be interesting to revisit some of these older books for the sake of educating oneself on the origins of the modern romance, while also acknowledging that some of the content is problematic at best and outright offensive at worst. However, if the reader can weed through these parts, there is a good story here about two people on opposites sides of a war who have every reason to hate each other and yet find common ground and a grand love that manages to survive in spite of all the many obstacles, both internal and external, that intersect their paths. Was it a bit too long? Yeah, probably. There were times I felt like the narrative was dragging and wondered when it might end, but then I would turn a corner and Cole and Alaina would be facing some new roadblock to overcome that re-engaged me. So overall, it was a good read for the epic love story if one can get past a few issues regarding the dated content. show less
In a sweeping romantic tale set in Minnesota and New Orleans during the Civil War, Woodiwiss delivers heartache, laughter, and poignancy.
Even though this story is riddled with implausibility, frustrating misunderstandings, and plain fool-headedness, it's entertaining to read and I couldn't put it down. However, I am glad that I never attempted to read it as a teenager, when I was reading romance novels mostly for the steamy bits, because the book is practically devoid of them.
Even though this story is riddled with implausibility, frustrating misunderstandings, and plain fool-headedness, it's entertaining to read and I couldn't put it down. However, I am glad that I never attempted to read it as a teenager, when I was reading romance novels mostly for the steamy bits, because the book is practically devoid of them.
I read this first when I was a young teenager (maybe 1997ish), and I loved it. I remember reading it three or four times before I lent it to a friend who promptly lost it. Out of nowhere, I remembered the title recently, and I bought an eBook of the title.
Boy, how times have changed.
Where I once loved the dialogue and the buildup in the romance, as an adult, I find it extremely difficult to find anything positive about the relationship between the main characters. After she saves his life, he drunkenly rapes her (though the author clearly doesn't think he's committed rape). Then, they bicker for several hundred pages without ever really establishing a connection.
I really do like belligerent sexual tension, but jeez, talk about show more melodrama. If you're looking for a 70s/80s Romance novel, I suppose I'd recommend it. The social mores definitely belong in a bygone age. If you're looking for a classic Romance? Just go ahead and read Gone with the Wind. You'll thank yourself. show less
Boy, how times have changed.
Where I once loved the dialogue and the buildup in the romance, as an adult, I find it extremely difficult to find anything positive about the relationship between the main characters. After she saves his life, he drunkenly rapes her (though the author clearly doesn't think he's committed rape). Then, they bicker for several hundred pages without ever really establishing a connection.
I really do like belligerent sexual tension, but jeez, talk about show more melodrama. If you're looking for a 70s/80s Romance novel, I suppose I'd recommend it. The social mores definitely belong in a bygone age. If you're looking for a classic Romance? Just go ahead and read Gone with the Wind. You'll thank yourself. show less
Ashes in the Wind is the fourth book by Woodiwiss that I have read. This is the first book by her that I have rated five stars. Although she was an amazing writer, I could not stand the jerky a-hole heroes that were in two of the other books and the awful heroine in Shanna and the fact that that hero was attracted to someone like her!
There is much to admire in the hero and heroine in Ai/tW. The beginning and ending were definitely five star, the middle did lag a little but I still did not want to put the book down! Great read.
There is much to admire in the hero and heroine in Ai/tW. The beginning and ending were definitely five star, the middle did lag a little but I still did not want to put the book down! Great read.
The first half of this long book, (which could have been a book all on its own) was probably 4 stars for me. It was interesting, and a bit different, there was some adventure surrounding the war that added something. The characters made some obvious mistakes and there were some very unlikely happenings, but overall I liked the main characters and was interested to see how things would play out for them. The second half was largely an exercise in poor decisions and frustration, and got even less believable. They kind of stopped seeming like part of a greater struggle (with the war and all) and focused almost entirely just on the ongoing drama of their own relationship. Which could have been almost entirely avoided any number of times by show more a single adult conversation. =/ All the characters are pretty solidly all good or all bad, which isn't quite as interesting to me, but it wasn't too bad. It ended up feeling quite Nancy Drew overall (especially the second half), with a long series of unlikely events each signaling future reveals, with a huge mystery/villain confrontation scene in the end. It wasn't really my thing, but I don't think I'll forget these two characters right away. I'm happy I read it, but I'm not likely to ever read it again. I would consider another from this author though. show less
This story is in the epic scope of Gone with the Wind. In fact there is one character that reminds me very much of Scarlet O'Hara. Luckily she isn't the female lead. When I originally read this book I formed a deep abiding loathing for Roberta Craighugh. She is a self-center, whiny, spoiled young woman that wouldn’t know the meaning of sacrifice if it stood up and bit her. She reminds me a lot of the younger generations of today. Her sense of entitlement is staggering considering the devastation that is all around her. I was sorry to see her get so much of this story and must of her interactions with the plot I sped through. She sets my teeth on edge and it is hard to read about her. Other than this blight on humanity the rest of the show more story is a sweeping tale of the hardships of war and what some must do to survive the hatred and anger on both side of the conflict.
Alaina "Al" McGaren is a young girl, just coming upon her eighteenth birthday; since the war started she has buried a father and brother and finally her mother. When she is accused of spying by a thwarted beau she dons the disguise of a boy and heads for her uncle house in New Orleans. You have to admire a person that would degrade themselves in order to survive. Alaina put dirt on her face and in her hair. She finds ragged men’s clothing and shoes and dresses in them. She straps down her breasts and cut her hair so she will not be noticed. It doesn’t end there though. When she reaches her uncle’s house she realizes that she is going to have to work in order to help with expenses. She takes a job cleaning the Yankee hospital, a job that no woman of breeding would take at the time. Her time at the hospital teaches her that the Yankees and the Confederates are both just people doing what they think is right. She never backs down from the hard work however. It takes almost two thirds of the book for her to find any real happiness. She is pursued by a criminal intent on making her his mistress. She is wrongly accused of murder and robbery. One of her flaws is that her pride is much bigger than she is and there are times that she cuts her nose off to spite her face.
Cole Latimer is an officer in the Union Army. He is a doctor and surgeon and he rescues the young boy named Al. I am not sure why it takes him so long to see past the disguise of Al and notice the woman Alaina. Cole is dedicated to his craft and he is very good at healing. He is a compassionate man that has a temper and need to be love although he doesn’t know in the earlier parts of the story. He hates the war and the all the carnage that it has caused. In many ways he suffers as much as Alaina does. He is forced into a marriage that is miserable and filled with hate and lies. I felt sorry for him having to deal with Roberta luckily the marriage doesn’t last long. Roberta dies from a botched abortion because she refused to have her body marred by a child. Cole is also stubborn and more than a little set in his ways. It takes Alaina to set back on the proper course.
As with any of Ms. Woodiwiss's books there are a large number of secondary characters that make the story very enjoyable. There are also several villains that require being disposed of to finally be free of their malice. There is also lots of adventures for the pair as they come to love each other. There aren’t as many steamy love scenes in this book as there were in the first few. I think anyone that liked Gone with the Wind will enjoy this story as well. show less
Alaina "Al" McGaren is a young girl, just coming upon her eighteenth birthday; since the war started she has buried a father and brother and finally her mother. When she is accused of spying by a thwarted beau she dons the disguise of a boy and heads for her uncle house in New Orleans. You have to admire a person that would degrade themselves in order to survive. Alaina put dirt on her face and in her hair. She finds ragged men’s clothing and shoes and dresses in them. She straps down her breasts and cut her hair so she will not be noticed. It doesn’t end there though. When she reaches her uncle’s house she realizes that she is going to have to work in order to help with expenses. She takes a job cleaning the Yankee hospital, a job that no woman of breeding would take at the time. Her time at the hospital teaches her that the Yankees and the Confederates are both just people doing what they think is right. She never backs down from the hard work however. It takes almost two thirds of the book for her to find any real happiness. She is pursued by a criminal intent on making her his mistress. She is wrongly accused of murder and robbery. One of her flaws is that her pride is much bigger than she is and there are times that she cuts her nose off to spite her face.
Cole Latimer is an officer in the Union Army. He is a doctor and surgeon and he rescues the young boy named Al. I am not sure why it takes him so long to see past the disguise of Al and notice the woman Alaina. Cole is dedicated to his craft and he is very good at healing. He is a compassionate man that has a temper and need to be love although he doesn’t know in the earlier parts of the story. He hates the war and the all the carnage that it has caused. In many ways he suffers as much as Alaina does. He is forced into a marriage that is miserable and filled with hate and lies. I felt sorry for him having to deal with Roberta luckily the marriage doesn’t last long. Roberta dies from a botched abortion because she refused to have her body marred by a child. Cole is also stubborn and more than a little set in his ways. It takes Alaina to set back on the proper course.
As with any of Ms. Woodiwiss's books there are a large number of secondary characters that make the story very enjoyable. There are also several villains that require being disposed of to finally be free of their malice. There is also lots of adventures for the pair as they come to love each other. There aren’t as many steamy love scenes in this book as there were in the first few. I think anyone that liked Gone with the Wind will enjoy this story as well. show less
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Kathleen E. Woodiwiss was born in Alexandria, Louisiana on June 3, 1939. Her first novel, The Flame and the Flower, was published in 1972. She wrote 13 historical romance novels during her lifetime including Shanna, A Rose in Winter, Come Love a Stranger, The Reluctant Suitor, and Everlasting. She died from cancer on July 6, 2007 at the age of 68. show more (Bowker Author Biography) show less
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Common Knowledge
- Canonical title*
- Als Stof op de Wind
- Original title
- Ashes in the Wind
- Original publication date
- 1979-09-20
- People/Characters
- Jacques DuBonne; Captain Cole Lattimer; Roberta Craighugh; Alaina MacGaren; Dulcie; Angus Craighugh (show all 17); Leala Craighugh; Gilda; Mindy; Braegar Darvey; Xanthia; Olie; Gunn; Saul; Tamara; Mrs Hawthorne; Jason MacGaren
- Important places
- New Orleans, Louisiana, USA; Minnesota, USA
- Epigraph
- Lament
Oh, my home!
My land of sunshine,
Of loving folk and
Gently passing days.
You are gone!
Gone beneath the booted
Heel of WAR;
The million-legged worm
That crawls mindlessly across
My... (show all) land and leaves behind
A tangled waste of broken lives
And lifeless bodies.
You have left me! Alone! Forlorn!
A toss like a leaf upon the flood.
Wherever I would set my feet and rest,
I find -- Despair.
You have rent the very fabric
Of my soul with your going.
You have fled my grasp,
And everywhere I turn, I find--
The hated smell of WAR,
That acrid scent of
Ashes! Ashes!
Ashes in the wind!
KEW - Dedication
- Dedicated to the memory of my parents--
Gladys and Charles--
In love--
KEW - First words
- Chapter 1
September 23, 1863
New Orleans
The wide, muddy river lapped with deceptive laziness at the foot of the levee, while a heavily laden riverboat ponderously picked a path through a bevy of Union warship... (show all)s. - Last words
- (Click to show. Warning: May contain spoilers.)No choice at all.
- Original language
- English
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