Then he decided he should be taking pictures - except that he swiftly realized he had no camera. So he went to his dealer, a man name Kahn on Montgomery Street, and asked to borrow one. Kahn was only too well aware of the fires licking hungrily toward him, so told Genthe to take anything he wanted - anyway, it would all be molten scrap in a few hours at best. And so Genthe took a 3A Kodak Special, hurried off up the hills that looked down on the city-center destruction, and began to work. Later he wrote of the one picture taken from the upper end of Sacramento Street, close to where his house would soon be consumed by fire. He was peculiarly fond of it: There is particularly the one scene that I recorded the first morning of the first day of the fire (on Sacramento Street, looking toward the Bay) which shows, in a pictorially effective composition, the results of the earthquake, the beginning of the fire and the attitude of the people. On the right is a house, the front of which had collapsed onto the street. The occupants are sitting on chairs calmly watching the approach of the fire. Groups of people are standing in the street, motionless, gazing at the clouds of smoke. It is hard to believe that such a scene actually occurred in the way the photograph represents it. Several people upon seeing it have exclaimed, "Oh, is that a still from a Cecil DeMille picture?" To which the answer has been" "No, the director of this scene was the Lord himself."