Drowned Ammet

As we follow another protagonist through South Dalemark, readers are exposed to the freedom fighting efforts of the Southern people. Clearly the crowd feeling is of discontent towards the current ruling class of Earls, but actual movement towards social change has stagnated. Wynne explores themes of social unrest through the journey of teenager Mitt. His father was a freedom fighter before he disappeared (or died), and Mitt was raised to believe in the same social values. Yet when Mitt's chance to assassinate the Earl (and to take revenge on the men who informed on his father) goes awry he falls into the company of the runaway grandchildren of the Earl. Mitt begins to question his cause, the people he knows best (or thinks he knows), show more and his future choices as this chance interaction broadens his horizons on their journey North. A well thought-out second book in the quartet, and clearly a precursor for an eventful future! show less

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It’s really very good. We’re in the time before Cart and Cwidder when the tyrannical and brutal earls of the South are fomenting social discontent and revolutionary action. As is usual with this writer, she tells the story of a fermenting society with magical underpinnings through three children, one of them the abandoned son of a radical activitst and the other two being grandchildren of the ruling Earl; they end up together in a quest narrative on a small boat escaping from the South to the North, where tangled personal politics and primal mythical forces await them.

A key part of the book is the role played by the demigods Old Ammet and Libby Beer, who start as show more historical figures in a poorly understood but faithfully executed annual ceremony, and end as enforcers of order and social justice when correctly invoked. A lot of Diana Wynne Jones’ books involve a journey to achieve enlightenment by the protagonists, and I think it’s really well realised here. show less

Drowned Ammet is a challenging, interesting, disturbing, and very subversive children's book (which I heartily approve of). As the second book in The Dalemark Quartet, its story is jarring - especially if you didn't realize that each book focuses on a different character - and especially if you thought you were gonna read a cute children's story. DWJ isn't afraid to craft a dark tale about revenge, self-imposed exile, and the sins of our fore-bearers.

For Drowned Ammet, we are focused on Mitt. Born and bred in Holand, one of the South Dales, in the world of Dalemark. Mitt grows up with a mission (encouraged by his mother) to assassinate the cruel Earl Hadd, and implicate the Free Holanders who he believes caused his father’s death ( show more It’s an interesting story in the way it details a group rebelling against a tyrannical overlord–a device which has certainly been overused, especially in fantasy–but in an unconventional way). When the attempt goes awry, he ends up on the run, eventually stowing away aboard the Wind’s Road. There he meets Ynen and Hildy, Earl Hadd’s grandchildren, who have their own reasons for fleeing. It all gets more engaging when they cross paths with a stranger named Al AND super mystical when the ship comes under the protection of the local deities, Old Ammet and Libby Beer.

The book itself was a bit of a slog at times but the ending was shocking, mystical, and dark! But also very powerful. While violent, I loved the ending. Mitt is a character who is a product of his upbringing, his environment, and his time, one that happened to be a violent time. He needed for this connection to be destroyed. DJW message is about nature vs. nurture and the influence that parents have on their kids. It is also about free will. She shows that kids do not have to follow the direction they may be heading towards. If their parents are bad, they can be good. She shows that people can change; that they aren't destined to repeat the sins of their fathers (this is especially evident when Mitt finally admits to the error of ways regarding the attempted assassination). DJW also shows that parents must allow children to be responsible for their own lives, instead of telling them what they must become. Parents can either sow evil or peace into the hearts of their young but ultimately, it is also up to the child who they become.

"Again Old Ammet's young face laughed. "We are not the stuff of enemies or friends, Alhammit. Shall I ask this way: Will you come as conqueror or in peace?"

Will you be a conqueror or a peace maker? It's up to you to decide. show less

Drowned Ammet is the second book in the Dalemark Quartet, and is currently vying with the third to be my favorite. It follows the story of Mitt, a young boy who lives in Holand, a province in the southern half of Dalemark. The South is very militaristic and its earls are cruel. Mitt's father Alhammitt is part of a resistance group called the Free Holanders, and one night their attack on the Earl's warehouses goes very wrong. Mitt and his mother believe that Alhammitt was killed because there were traitors among the other Free Holanders. From that moment on, Mitt and Milda start planning their revenge on the other freedom-fighters.

But there are things about that night that no one knows, and Mitt finds himself confused and alone after show more his revenge is foiled. He hijacks a small pleasure boat floating in the harbor and manned by two children around his age — who just happen to be part of the ruling family. Their adventures together and the way that the old folktales suddenly come to life make for a wonderful read.

Mitt is a great character. His mother has built him up for years, telling him that he's a "free soul who doesn't know what fear is" because of his sturdy defiance toward any kind of authority. But Mitt finds out that he is not impervious to fear when it really comes home to him that the Earl's men are chasing him. He undergoes a painful self-reflection when the boat is hijacked again and he sees himself in the odious man who holds the gun.

As he matures, Mitt is able to see the flaws of others more clearly, especially those of his mother. But with his stepfather, it takes maturity for him to appreciate the man's honest integrity. Motivations and events are presented very realistically throughout. I especially enjoyed Hildy's relationship with her brother Ynen, and Ynen's love for the boat, Wind's Road.

The culture reminded me somewhat of Lloyd Alexander's Westmark trilogy with its guns and the political intrigue. But Westmark does not have the supernatural element that forms a big part of the plot of this book. Though I liked the first book, this one just had that extra something that made me prefer it. Recommended. show less

Oh, yes! Cart and Cwidder was a pleasant read, but Drowned Ammet is much more complex in both plot and characterization, and I was very impressed. This is the kind of book that puts Diana Wynne Jones in the first rank of children's fantasists. The main characters - Mitt, a teenaged urchin on the fringe of a brewing peasants' revolt, and the two aristocrats with whom he unexpectedly becomes tangled - are well worked out, and the way in which the characters' assumptions are questioned or even overturned is repeatedly telling. The only thing which takes a bit of work on the part of the reader is coming to terms with the character of Mitt's father, who is seen through the distorting prism of Mitt's viewpoint, as he moves from hero-worship show more through long-hatched vengeance to disillusion and identity crisis. The overlapping chronology with respect to the earlier tale, though not important, is neatly done. MB 1-ii-2010 show less

Prickly, would-be bomber-assassin protagonist!

Yes, you read that right. Even in perhaps her most typical young-adult high fantasy series, Diana Wynne Jones still has her touches of subversion. But I'm getting ahead of myself.

Drowned Ammet shifts the action to the port city of Holand, where young Mitt joins the secret resistance in hope of avenging his father's death. He shares the focus with Ynen and Hilda, who as high-born grandchildren of Earl Hadd suffer less but at closer range from his dictatorial rule.

With escape, secrets, sailing(!), the story happens to be a lot of fun. Additionally however, Drowned Ammet doesn't shy away from some hard questions for rebel Mitt: is he a fearless hero or a selfish terrorist? And although show more aristocrat Hilda and Ynen's journey doesn't quite have the same momentum until they inevitably collide with Mitt, the dual viewpoints* provide a much clearer look at the troubles in Dalemark than we got in the first book.

Where Cart ended merely with a question mark, Drowned ends with a question mark, the shadow of a 'to be continued', and the distinct whiff of deus ex machina-- which prevents me from endorsing it fully. In a finished series, I really appreciate closure at the end of every individual book. But it's not entirely damning to leave loose ends in the middle to be tied up at the end, so I'll reserve my judgment for when I finish up with The Spellcoats and The Crown of Dalemark.

*Mitt and Hilda's conflict-ful air don't quite measure up to Jones's benchmark (Charles and Nan from Witch Week), but they come awfully close, much to my enjoyment. show less

Mitt, harboring deep resentment after his father’s mysterious death, joins the Free Holanders to assassinate the cruel Earl Hadd. During a festival where the Earl carries a straw figure of the demigod Drowned Ammet, Mitt attempts to bomb the tyrant. The plan backfires, and the Earl is mysteriously killed by an unknown gunman.

Fleeing for his life, Mitt stows away on a boat. Unbeknownst to him, Hildy and Ynen, the Earl's grandchildren, have fled the castle to escape their family's cruelty.

The three unlikely companions are thrust together during a massive, magical storm, pushing them to survive and question everything they believe about oppression and revenge.