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Loading... Musicophilia: Tales of Music and the Brain (2007)by Oliver Sacks
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Favourite Books (540) » 4 more No current Talk conversations about this book. ![]() ![]() “Racconto sulla musica e il cervello” dice il sottotitolo, particolarmente azzeccato. Sacks, fra capitoli lunghi e brevi, costruisce un affascinante caleidoscopio che getta luce su una conoscenza tanto approssimativa quanto affascinante, quella delle relazioni fra il nostro cervello e la musica, pratica di nessuna utilità pratica e al tempo stesso di innegabile indispensabilità per la nostra esistenza. Fascinating and very engaging anecdotes of how musical abilities and appreciation have been influenced by brain changes such as concussion, alzheimers and even being struck by lightning. The author's storytelling expresses wonder in humanity and our relationship to music. (I listened to the audio version in the car and, despite the reader's excellent reviews, had a hard time hearing the ends of many of his sentences.) I always enjoy Sack's stories, they make me dive into the reality of neural malfunctions with an intrigued eye rather than a terrified one. This one's about music and its impact on the human brain. It is liberating in a way to find out that musical memory is the same yet very much different than the other types of memory we hold. It is a very informative book, I suggest you to read it when you start wondering about music scientifically.
The gentle doctor turns his pen to another set of mental anomalies that can be viewed as either affliction or gift. If we could prescribe what our physicians would be like, a good number of us would probably choose somebody like Sacks (Uncle Tungsten: Memories of a Chemical Boyhood, 2001, etc.). Learned, endlessly inquisitive and seemingly possessed of a bottomless store of human compassion, the neurologist’s authorial personality both reassures and arouses curiosity. Here, Sacks tackles the whole spectrum of the human body’s experience of music by studying it from the aesthetic as well as medical viewpoint. Fantastical case studies include a young boy assaulted by musical hallucinations who would shout “Take it out of my head! Take it away!” when music only he could hear became unbearably loud. Less frightening are stories about people like Martin, a severely disabled man who committed some 2,000 operas to memory, or ruminations on the linkage between perfect pitch and language: Young children learning music are vastly more likely to have perfect pitch if they speak Mandarin than almost any other language. .. Belongs to Publisher SeriesOrígens (136)
Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does--humans are a musical species. Oliver Sacks's compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. Here, he examines the powers of music through the individual experiences of patients, musicians, and everyday people. Music is irresistible, haunting, and unforgettable, and Oliver Sacks tells us why.--From publisher description. No library descriptions found. |
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![]() GenresMelvil Decimal System (DDC)781.11The arts Music General principles and musical forms Basic principles of musicLC ClassificationRatingAverage:![]()
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