Claire McCardell: The Designer Who Set Women Free
by Elizabeth Evitts Dickinson
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"Claire McCardell forever changed fashion-and most importantly, the lives of women. She shattered cultural norms around women's clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn't see a need for show more them. She made zippers easy to reach because a woman "may live alone and like it," McCardell once wrote, "but you may regret it if you wrench your arm trying to zip a back zipper into place." After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to "save women from nature." McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, "The Gal Who Defied Dior." Filled with personal drama and industry secrets, this story reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress-and our right to choose how we live"-- show lessTags
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Reading this book left me with so many “did you know?...” moments. Claire McCardell was a fashion designer who put the needs of her customers ahead of the fashion du jour. American women needed to be able to move throughout the day and to go from one type of occasion to another with ease. We needed pockets! We needed ballet flats! We needed separates! And so much more that McCardell first wove into her design aesthetic. Did you know she was the first designer to popularize the wrap dress? The story of her professional life is a contrary look at fashion history. If you follow European couture, you may have missed this talented American designer. She spent years working in the traditional space of French couture look-alikes, but she show more kept her own counsel, and produced womenswear that was practical as well as charming, eventually becoming the trendsetter for American fashion. Elizabeth Evitts Dickenson does a remarkable job of telling McCardell’s story while setting it in its place in history, primarily 1930s to 1950s. Although a private person to the extreme, Dickenson was able to suss out some of the artist’s personal life from correspondence and conversation shared by her family. I thoroughly enjoyed this biography and highly recommend it if your interests include feminist history and the long tail of fashion design. show less
Not my typical read, but very interesting! Would have been five stars but there were points where it seemed to veer off topic. Some of the times made sense (deep dive into Dior’s women punishing fashion ideas as compared to McCardell’s). But the out of nowhere section on marginalized people in the fashion industry at that time was clunky and seemed more of a virtue signal. It’s important, but made no sense in a biography of McCardell especially since there was no mention of her views on the subject. It was just this weird non sequitur. Other than that, I highly recommend.
Very interesting book to read back to back biographies about women. I think the things about fashion before the 1960’s was extremely interesting. On the one hand Claire was a pioneer but still bought into the conversation about how women should look - body size, veins thin etc was part of her mantra. I suppose she was the forerunner of Lulemone.
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- Art & Design, Biography & Memoir, Home & Garden, Nonfiction, History, Sexuality and Gender Studies, General Nonfiction
- DDC/MDS
- 746.9 — Arts & recreation Drawing & decorative arts Textile arts Other textile products
- LCC
- TT505 .M33 .D53 — Technology Handicrafts. Arts and crafts Handicrafts. Arts and crafts Clothing manufacture. Dressmaking. Tailoring
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