Wolfbane
by Frederik Pohl, C. M. Kornbluth
On This Page
Description
"WE'RE GOING TO FIND OUT MORE, AND THEN WE'RE GOING TO FIGHT! It was enough to curdle the blood. Haendl was proposing to fight-against the invulnerable, the almost godlike Pyramids! Haendl stood up. "Tropile, that's what this is all about!" He gestured around him. "Guns, tanks, airplanes-it's going to be us against them. Never mind the Sheep; they don't count. It's going to be Pyramids and Wolves, and the Pyramids won't win. And then-" He was glowing, and the fever was contagious. Tropile show more felt his own blood begin to pound. Haendl hadn't finished his "and then-", but he didn't have to. It was obvious. And then the Earth would go back to its own solar system, and an end to the five-year cycle of frost and hunger. And then the Wolves would rule a world worth ruling. This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. show lessTags
Recommendations
Member Reviews
This repulsively occluded crystal of a book is not about werewolves of the transform-into-canine sort, but about human wolves who are a bane almost 300 years into a future earth rent from the solar system on which humans have devolved not into savagery but into an ultra-civilized society, the formalities of which would make Genji's court look like yahoos. The climax is near perfect, the ending a disagreeable muddle.
review of
Fredrik Pohl & C.M.Kornbluth's Wolfbane
by tENTATIVELY, a cONVENIENCE - February 18, 2012
I doubt that I'll say much, if anything, about this bk that hasn't already been sd. This is the 5th collaborative bk by Pohl & Kornbluth that I've read so far & my least favorite of them - wch isn't to say that I didn't like it. In a way, it was refreshingly different from the others b/c it was a bit less social commentary & a bit more space opera. At least they're capable of variety.
SF is full of dystopic projections of futures in wch machines dominate humanity. This is just such a thing. Its prescience lays, perhaps, in how close it is to the (IMO deservedly) popular The Matrix movie - given that it was 1st published in 1957. show more Terminator also comes to mind.
Despite, or b/c of my heavy reliance on & use of technology, I think The Matrix was spot-on indeed in its representations of humanity as batteries for machinery. Today's technology requires such an intense interdependency that I find more & more people being technicians just as a result of their normal daily lives. Is this necessarily 'good'? I think not. A mechanistic mindset is created as a direct or side effect. Whatever. Arguments can be made in many directions. W/ my back to the wall, I'd pick psychic over technic. I'd rather not have my back to the wall.
Wolfbane is different from The Matrix, tho, insofar as potentials are detected in the technological override of humanity being usurped in turn by humanity's override of technology - meaning that one isn't inevitably enslaved by the most advanced technology. As long as humanity stays on top there's much to be gained. Wolfbane initially revolves around 2 types of humans: "sheep", those who accept & demure, vs "wolves", those who resist. Eventually, tho, this duality is called into question. Nonetheless, in the end, the message seems to be on the side of the wolves. show less
Fredrik Pohl & C.M.Kornbluth's Wolfbane
by tENTATIVELY, a cONVENIENCE - February 18, 2012
I doubt that I'll say much, if anything, about this bk that hasn't already been sd. This is the 5th collaborative bk by Pohl & Kornbluth that I've read so far & my least favorite of them - wch isn't to say that I didn't like it. In a way, it was refreshingly different from the others b/c it was a bit less social commentary & a bit more space opera. At least they're capable of variety.
SF is full of dystopic projections of futures in wch machines dominate humanity. This is just such a thing. Its prescience lays, perhaps, in how close it is to the (IMO deservedly) popular The Matrix movie - given that it was 1st published in 1957. show more Terminator also comes to mind.
Despite, or b/c of my heavy reliance on & use of technology, I think The Matrix was spot-on indeed in its representations of humanity as batteries for machinery. Today's technology requires such an intense interdependency that I find more & more people being technicians just as a result of their normal daily lives. Is this necessarily 'good'? I think not. A mechanistic mindset is created as a direct or side effect. Whatever. Arguments can be made in many directions. W/ my back to the wall, I'd pick psychic over technic. I'd rather not have my back to the wall.
Wolfbane is different from The Matrix, tho, insofar as potentials are detected in the technological override of humanity being usurped in turn by humanity's override of technology - meaning that one isn't inevitably enslaved by the most advanced technology. As long as humanity stays on top there's much to be gained. Wolfbane initially revolves around 2 types of humans: "sheep", those who accept & demure, vs "wolves", those who resist. Eventually, tho, this duality is called into question. Nonetheless, in the end, the message seems to be on the side of the wolves. show less
Where do I start? I miss this kind of book. 180 pages! And it could have been shorter but for the tech talk. These old SF masters, they loved their tech talk. Wolfbane was a little trip down educational memory lane, with its long sections on chemical and electrical engineering, and materials technology.
I don't miss this kind of book. The characterisation is a smear, little painted dolls and yet the men still manage to be about twenty times as richly drawn as the women, all wives, and mostly by the time the book gets into serious action, brood mares for the reinvigorated human race.
These old guys, did they truly not know how to draw a character or was it the style? The plot is way cool, though. A planet has kidnapped earth, constrained show more in a binary system with the moon, artificially burning, as the only source of light and heat for both planets. Now they're travelling through space and all but a few humans have given up, living constrained by ritual and malnutrition.
In the movie I cast in my heart, Glenn Tropile, a man rebelling against the strictures of his buttoned down society, is played by Paul Newman, Gala Tropile by Geena Davis (it's a dream team, Philip Jose Farmer-style!), and Haendl by Gene Hackman (if you've read the book, you know this is perfect), the Germyns by Will and Jada Pinkett Smith (casting against type - it's my genius), and Alla Narova by Sophia Loren because I can.
By skipping page 130 completely you can avoid the book's most disgusting racist paragraphs and not miss any of the plot. show less
I don't miss this kind of book. The characterisation is a smear, little painted dolls and yet the men still manage to be about twenty times as richly drawn as the women, all wives, and mostly by the time the book gets into serious action, brood mares for the reinvigorated human race.
These old guys, did they truly not know how to draw a character or was it the style? The plot is way cool, though. A planet has kidnapped earth, constrained show more in a binary system with the moon, artificially burning, as the only source of light and heat for both planets. Now they're travelling through space and all but a few humans have given up, living constrained by ritual and malnutrition.
In the movie I cast in my heart, Glenn Tropile, a man rebelling against the strictures of his buttoned down society, is played by Paul Newman, Gala Tropile by Geena Davis (it's a dream team, Philip Jose Farmer-style!), and Haendl by Gene Hackman (if you've read the book, you know this is perfect), the Germyns by Will and Jada Pinkett Smith (casting against type - it's my genius), and Alla Narova by Sophia Loren because I can.
By skipping page 130 completely you can avoid the book's most disgusting racist paragraphs and not miss any of the plot. show less
This one is timeless. The Earth has been snatched by an alien intelligence which uses men as computational units. It opens many windows on the possible strangeness that waits in the darkness.
Dnf. Couldn’t get into this.
""
Sep 2, 2015French
Ratings
Members
- Recently Added By
Author Information

638+ Works 42,763 Members
Frederik Pohl was born in New York City on November 26, 1919. More interested in writing than in school, he dropped out of high school in his senior year and took a job with a publishing company. After serving as a public relations officer in the United States Army from 1943 to 1945, he returned to publishing as copywriter for Popular Science, a show more literary agent for several sci-fi writers, and the editor for the magazines Galaxy and If from 1959 until 1969, with If winning three successive Hugo awards. His first published work, a poem entitled Elegy to a Dead Satellite: Luna, was printed in Amazing Stories magazine in 1937 under the pen name Elton Andrews. His first science fiction novels were published in the mid 1960's, some written in collaboration with other writers, others created alone. During his lifetime, he won over 16 major awards for his writing (much of which was published pseudonymously) including six Hugo Awards and three Nebula Awards. His works include Gateway, which won the Campbell Memorial, Hugo, Locus SF, and Nebula Awards, Beyond the Blue Event Horizon, and Jem, which won the National Book Award in 1979. He also embraced blogging in his later years, using his online journal as an ongoing sequel to his autobiography, The Way the Future Was. He died on September 2, 2013 at the age 93. (Bowker Author Biography) show less
Some Editions
Series
Belongs to Publisher Series
Work Relationships
Common Knowledge
- Original title
- Wolfbane
- Original publication date
- 1957
- First words
- Roget Germyn, banker, of Wheeling, West Virginia, a Citizen, woke gently from a Citizen's dreamless sleep.
- Last words
- (Click to show. Warning: May contain spoilers.)There was one more. Â There would be others! Â The ring of fire would grow.
- Blurbers
- Clarke, Arthur C.; Lessing, Doris; Wyndham, John; Crispin, Edmund; Conquest, Robert
- Original language*
- English US
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
Classifications
Statistics
- Members
- 583
- Popularity
- 49,731
- Reviews
- 6
- Rating
- (3.26)
- Languages
- 6 — Dutch, English, French, German, Hebrew, Swedish
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 22
- ASINs
- 28




























































