Heart of Gold

As I now expect from Shinn's novels, this was brilliant. The world is just what I expect from a good science fiction novel: strange enough to make it feel completely alien, yet familiar enough for me to relate to the problems its society faces. The summary only gives the romantic aspects of the book, I think. While romance plays a big role, this is also a book about impending war between the indigo and gulden. Through this, Shinn is able to explore major issues about discrimination, politics, racism, and biological warfare all the while entertaining us as readers. I like the idea of two races not getting along not just because of their skin color and bad history, but because of fundamental differences about how they believe life should show more be lived. I really think this would be a good novel to study and analyze because it's able to fit so much in its three hundred fifty pages. As always with Shinn, the characters were interesting and complex; even the minor characters were able to hold my attention.

The one major pitfall of Heart of Gold is the ending. What I particularly loved while reading it was that there were huge internal conflicts and external conflicts that were intricately linked to each other. While the characters' internal conflicts are nicely wrapped up, I felt like the external conflict had just begun to reach its peak at the ending of the novel. In the last few dozen pages, it was building up to be something quite dramatic, but the novel ends before the action can be carried out. That greatly disappointed me, and I know it will frustrate many other readers. show less

Initially, indigo male Nolan Adelpho's only break from tradition is to work in the city before his arranged marriage, after which he will devote himself to hearth and home back in indigo lands, in which the other races rarely mix and never as equals. In the lab, however, he works as equals with alibinos and guldens, whose male chauvinism he finds shocking compared to the female chauvinism under which he was raised.

His unconventional opposite, Kitrini Cadachi, is a rare indigo raised among the gulden and in love with an imprisoned gulden terrorist, Jex, the son of the gulden leader.

As the novel unfolds and unrest between the indigo and gulden races grows, Nolan's and Kitrini's loyalties and values are increasingly challenged in a manner show more I found both realistic and engaging. show less

Lady Wombat says:

A stand-alone Shinn title, which tries to interrogate race and gender constructions, but does so in a rather heavyhanded manner. For a book written in 1990, its message of "yes, things are changing, but we can't change too fast, we can't mix races!" seemed rather behind the times... And the protagonists didn't even meet until more than halfway through the book.

I couldn't help thinking throughout about the Irish word for a black person, daoine gorm or blue people, because to call someone black was to associate them with the devil, or so I was told. This features a world with three main races, blue, gold and white, where white is in the minority and the blue and gold are two very different worlds, blue are a matriarcy and hold men as inferior, and the gold are patriarchal and very much so.

When a male scientist finds a secret that will change his world and change his future he has to get the help of a female blue who understands.

I guessed a few of the twists, and the sexism and racism analogues were a bit overt but overall it's very interesting.

Shinn has created a sf world where three races coexist, each almost biologically identical save for the color of their skin. Through a plot about terrorism and falling in love, Shinn examines the tense relationship between the brutal, colorful and patriarchal Gilder and the repressed, agrarian and martiarchal Indigo. There are a few great moments: when an Indigo character realizes that although she was raised by the Gulden, she still has all the privileges of an Indigo; the long and uncomfortable bus ride two Indigo take to visit a golden friend; the Gulden newspapers printed with two languages, side by side...But the moments that feel like true statements about race, gender, and sexuality are too rare to make up for a hackneyed plot show more and stale characters. I was also really annoyed that Shinn was so lazy in creating the two clashing cultures—each is clearly an Earth culture, with sf colored skin. The Gulden are stereotypically Middle Eastern, complete with honor killings, while the Indigo are oh-so-Western European, complete with fancy balls. Why not create two NEW cultures, or at the very least not map them so closely onto clichés? Still and all, worth a read. show less

First of all, the writing was all right. It started off a little shaky but improved a lot over the book and I got into it enough that I wanted to continue reading.

This book is really something and in a bad way. Shinn tries to do a whole lot and it ends up being WAY too much. I had very high hopes for this book. The racial and sexual politics intrigued me at first. The set up of EXTREMELY flawed characters was nice in the beginning. There was room for a lot of growth. However, that growth never really happens as much as it should. I mean, we have a bit of it. But the "change" wasn't actually that far from the original points of views of the characters anyway.

Shinn really should have also stuck to just race. She brought in homosexuality show more (and made a really mind-boggling distinction between female and male homosexuality that was unbelievable in such a society) and abortion, but she never dealt with them. I mean, we have two conversations where it's like, "yeah. We believe this and you believe that and we both make no sense," in terms of homosexuality, but it's never resolved. On one hand, we're cool with female homosexuality, but even though Nolan spends quite a bit of time talking about his feelings about male homosexuality, it's never resolved. I mean, why put it in, if you're not going to actually tackle it? It makes it seem as if you're supporting that kind of idea. And then abortion is brought up for literally no reason. I got the idea that Shinn is anti-abortion because that side kinda wins the argument (even after comparing abortion to murdering children um . . . ).

Race is dealt with acceptably for the most part, though I must point out that we never actually meet a "good" guldman even though we have several "good" blueman characters. It could have been done a whole lot more effectively but it wasn't atrocious. And sex is done about the same.

I think Shinn tried too hard to reverse all the conventions of our world and ended up messing up big time.

The romance is kind of weird but turns out relatively cute, which was nice. show less

I wanted to like it. I loved Shinn's YA fantasies. I am a feminist, and am interested in topics of race, privilege, and gender. But this is just so clunky, so graceless. I felt like, by p. 24, I got the point of the story, and didn't need to struggle with these unlikable characters any longer. Sorry. Thanks to all who wrote reviews, who convinced me I didn't have to read further before making my decision!