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Thirteen-year-old Rory discovers a spirit world that thrives alongside his contemporary New York City, filled with fantastical creatures and people from the city's colorful past who have become gods and goddesses and who have chosen Rory to perform a dangerous mission.Tags
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Inky_Fingers Both are fantasies using New York City as the source material. Diane Duane did it better.
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Mebus, S. (2008). Gods of Manhattan. New York: Puffin Books.
340 pages.
Appetizer: When thirteen-year-old Rory witnesses a magic trick at his little sister's ninth birthday party that can't be explained, he starts to realize that magic is real and that he has the special ability to see magic throughout New York City.
But when a sorcerer, the gods of the city (who are historical figures--Walt Whitman is the god of optimism!), the gods' children, the memory of the Munsee Native Americans who originally inhabited the city and other magical creatures learn that there is a boy with the power to see the many layers of reality, some will try to protect him while others will try to use him for their own purposes.
On top of all that, for the first show more time ever, someone has found a way to kill the gods as part of a way to grab power. It falls to Rory and his sister Bridget to figure out who to trust and the best way to maintain balance within the city.
I was surprised by how much I enjoyed Gods of Manhattan. At first I was a little suspicious because both Rory and Bridget didn't really feel very child-like to me. Well, Bridget did feel young. But no way her voice was that of a nine-year-old. Plus, the book jumped point of view A LOT. So, it didn't feel very middle grade or even YA.
But as I kept reading, I really started to like the story. It reminded me of Harry Potter. At one point Rory has to break into a bank to steal a magical object, at another point Bridget magically becomes the luckiest girl in the world (and the way her luck works manages to be even more amusing than when Harry takes the Felix Felicis potion in The Half-Blood Prince.
I liked Rory's reaction when he started to realize that magic existed in Manhattan:
He dives "back into the safety of his apartment, his room, his bed, his world--where everything was just as it was supposed to be" (p. 13).
I liked this because this is very similar to my reaction when I encounter something that upsets me: Take a nap. Works every time when I feel the need to avoid reality.
And whether like a nine-year-old or not, I absolutely loved Rory's little sister, Bridget. She was a very fun character. Intent on protecting her brother, she buys steel toed boots and imagines herself to be a heroine, Malibu Death Barbie.
I also like the way the story attempted to take on the historical mistreatments of the Munsee Indians. In the spirit world of the story, Mannahatta, the Munsee spirits were trapped in Central Park by the gods of the city. Throughout the story questions of guilt and reparations are addressed, which could trigger some very thoughtful discussions about American history and the modern implications. (This aspect of the book has *totally* made it into Dudley the Dissertation.)
This series may not be for everyone. But if a middle grade reader already waded their way through Rirodan's Percy Jackson epics, chances are good they'll be up to the challenge of taking on Scott Mebus's Manhattan and seeing some figures of New York's history as gods (which can also lead to a lot of googling about the founding of the city. I know that's what I did.).
On to the second book, Spirits in the Park!
Dinner Conversation:
"Adriaen van der Donck raced over the Henry Hudson Bridge at the northern tip of Manhattan, urging his steaming horse to go faster as he made a break for the Bronx. Maybe he'd be lucky. Maybe his enemy had neglected to pick an assassin with the right kind of blood" (p. 3).
"Maybe he'd save his city, though he couldn't save himself. The assassin sprang, and Adriaen van der Donck stepped forward to meet him, his final trick ready to be played" (p. 4).
"Rory Hennessy, thirteen years old and never fooled, leaned in closer to watch the magician at work. There had never been a magic trick, or a sleight-of-hand maneuver, or any other so-called illusion, that had not been picked apart, seen through, or laid bare by the eagle eyes of the elder Hennessy. He could always spy the magician slipping the twenty-dollar bill into the volunteer's pocket. He unerringly knew where the five of spades was hidden. He would point to the shell with the marble under it every time. He couldn't really explain how he knew. He just did. Rory would look a magician in the eye and suddenly the performer would no longer be a mystical practitioner of wonder, he'd be a sad little man with a weird hat. He'd start to stammer, his rabbit would fall out of his sleeve, and he'd press the wrong button and pour water all over his pants. Rory didn't do it on purpose. It was just his gift" (p. 5).
"There is a world all around you that most mortals cannot see. We call it Mannahatta. Some say it is the spirit world, while others believe it is the city itself dreaming, or rather remembering. If something or someone was important enough, loved enough, feared enough, imagined enough, remembered enough, then it is reborn here in Mannahatta" (p. 59).
"But I'm giving you another option, a chance to take control of your destiny. You can do what they're afraid you'll do--ruin all their plans--and then it will be too late for them. You'll do a great service to our city and protect yourself forever at the same time" (p. 62). show less
340 pages.
Appetizer: When thirteen-year-old Rory witnesses a magic trick at his little sister's ninth birthday party that can't be explained, he starts to realize that magic is real and that he has the special ability to see magic throughout New York City.
But when a sorcerer, the gods of the city (who are historical figures--Walt Whitman is the god of optimism!), the gods' children, the memory of the Munsee Native Americans who originally inhabited the city and other magical creatures learn that there is a boy with the power to see the many layers of reality, some will try to protect him while others will try to use him for their own purposes.
On top of all that, for the first show more time ever, someone has found a way to kill the gods as part of a way to grab power. It falls to Rory and his sister Bridget to figure out who to trust and the best way to maintain balance within the city.
I was surprised by how much I enjoyed Gods of Manhattan. At first I was a little suspicious because both Rory and Bridget didn't really feel very child-like to me. Well, Bridget did feel young. But no way her voice was that of a nine-year-old. Plus, the book jumped point of view A LOT. So, it didn't feel very middle grade or even YA.
But as I kept reading, I really started to like the story. It reminded me of Harry Potter. At one point Rory has to break into a bank to steal a magical object, at another point Bridget magically becomes the luckiest girl in the world (and the way her luck works manages to be even more amusing than when Harry takes the Felix Felicis potion in The Half-Blood Prince.
I liked Rory's reaction when he started to realize that magic existed in Manhattan:
He dives "back into the safety of his apartment, his room, his bed, his world--where everything was just as it was supposed to be" (p. 13).
I liked this because this is very similar to my reaction when I encounter something that upsets me: Take a nap. Works every time when I feel the need to avoid reality.
And whether like a nine-year-old or not, I absolutely loved Rory's little sister, Bridget. She was a very fun character. Intent on protecting her brother, she buys steel toed boots and imagines herself to be a heroine, Malibu Death Barbie.
I also like the way the story attempted to take on the historical mistreatments of the Munsee Indians. In the spirit world of the story, Mannahatta, the Munsee spirits were trapped in Central Park by the gods of the city. Throughout the story questions of guilt and reparations are addressed, which could trigger some very thoughtful discussions about American history and the modern implications. (This aspect of the book has *totally* made it into Dudley the Dissertation.)
This series may not be for everyone. But if a middle grade reader already waded their way through Rirodan's Percy Jackson epics, chances are good they'll be up to the challenge of taking on Scott Mebus's Manhattan and seeing some figures of New York's history as gods (which can also lead to a lot of googling about the founding of the city. I know that's what I did.).
On to the second book, Spirits in the Park!
Dinner Conversation:
"Adriaen van der Donck raced over the Henry Hudson Bridge at the northern tip of Manhattan, urging his steaming horse to go faster as he made a break for the Bronx. Maybe he'd be lucky. Maybe his enemy had neglected to pick an assassin with the right kind of blood" (p. 3).
"Maybe he'd save his city, though he couldn't save himself. The assassin sprang, and Adriaen van der Donck stepped forward to meet him, his final trick ready to be played" (p. 4).
"Rory Hennessy, thirteen years old and never fooled, leaned in closer to watch the magician at work. There had never been a magic trick, or a sleight-of-hand maneuver, or any other so-called illusion, that had not been picked apart, seen through, or laid bare by the eagle eyes of the elder Hennessy. He could always spy the magician slipping the twenty-dollar bill into the volunteer's pocket. He unerringly knew where the five of spades was hidden. He would point to the shell with the marble under it every time. He couldn't really explain how he knew. He just did. Rory would look a magician in the eye and suddenly the performer would no longer be a mystical practitioner of wonder, he'd be a sad little man with a weird hat. He'd start to stammer, his rabbit would fall out of his sleeve, and he'd press the wrong button and pour water all over his pants. Rory didn't do it on purpose. It was just his gift" (p. 5).
"There is a world all around you that most mortals cannot see. We call it Mannahatta. Some say it is the spirit world, while others believe it is the city itself dreaming, or rather remembering. If something or someone was important enough, loved enough, feared enough, imagined enough, remembered enough, then it is reborn here in Mannahatta" (p. 59).
"But I'm giving you another option, a chance to take control of your destiny. You can do what they're afraid you'll do--ruin all their plans--and then it will be too late for them. You'll do a great service to our city and protect yourself forever at the same time" (p. 62). show less
This book is a great leap-off point for anyone who wants to inadvertently learn a bit about New York City history while reading a fun adventure story. But it's also right for the children's fantasy market of today. The suspense is high, mystery driven, and well paced. I thoroughly enjoyed the story and I'm not one of those people who is in LOVE with NYC. In fact, as a general rule, I try to avoid the people who are in love with it. It is clearly the first part of a trilogy though, so if you read book one you're going to be in it for the long haul. You won't be able to walk away believing that everything in the book you just read was resolved by the last page. This one is more of a set-up for what's to come in book two and three. I'd show more recommend it though. Mr. Mebus keeps things pretty tense throughout. Well done. show less
I liked this one, partly because it is very kooky. There are a million and one stories about a supernatural city that exists within (or sometimes underground, or sometimes side-by-side) with another city, usually London or New York, but this one is pretty unique. Rory witnesses an impossible magic trick one day at his sister's birthday party, and suddenly he sees crazy things everywhere, like a squirrel and a rat fighting kung fu (the squirrel wins, btw, but only because it has help); a cockroach riding a rat like a pony, complete with little reins; and an Indian that shoots arrows at him in Central Park. The magician tells Rory that he is a Light, one of the few humans capable of seeing this other world. The other world, Mannahatta, is show more basically one big New York history lesson, because all of New York's famous and infamous people and places are reborn there, and exist as long as they are remembered by present New Yorkers. There's a larger plot at work, involving Rory righting an ancient wrong and some bickering historical figures, but it's really the unique concept that I like and the great characters. My favorite is Rory's sister Bridget, who carries around a cardboard sword named Buttkicker and wants to be Malibu Death Barbie. You can't beat that. show less
Thirteen year old Rory was happily believing that the world was a completely normal place until the magician Hex played a trick on him that opened his eyes to Mannahatta. Now, he sees strange things everywhere he looks – cockroaches riding on rats, people made of paper mache, as well as people and animals that no one else can see. Rory soon learns that he is a Light – a person who can see the truth, and can make others see the truth of what is really there. Hex is excited about the fact that Rory is a Light – most Lights don’t live more than a few years, so Rory is the oldest one to be found in a Very Long Time. But is Hex just trying to manipulate Rory and take advantage of what he is in order to get what he wants?
Mannahatta, show more the world that Rory can now see, is a world parallel to the real Manhattan. It’s comprised of gods and other spirits – the gods being people in our own world who, after their death, return to Mannahatta because of something they were remembered for in our world. The gods in Mannahatta don’t die, they just fade away when people in our world stop remembering them. Except recently, someone has been murdering these gods.
Will Rory’s ability to see the truth help figure out who is murdering these gods? And does he really want to help Hex in his plot?
Starting this, I was not completely sure whether I would enjoy it or not… but it turns out that I completely loved it. I think this may be one of my favourite young adults/childrens books that I have read in a while. It was imaginative, and it was quite different. Had all of the things I consider necessary in a really good book: magic, girls kicking butt, and boys prancing about in early 19th century clothing. (But make no mistake, this isn’t a book about girls kicking butt, it’s about boys kicking butt, but there were a couple of awesome female characters.)
The characters were all great. Rory was a little concerning at first – he seemed to sound more like a adult than a young teen, but considering his father left his family when he was super young, and he had to take care of his younger sister since their mother works ALL THE TIME… he had to grow up quickly, so the fact that he sounded quite a bit older than he’s supposed to be seemed a bit more understandable.
The supporting characters were fabulous – especially some of the people who inhabit Mannahatta. I most particularly loved the Rattle Watch. They are definitely people I would like to have on my side in trouble. As for other characters in Mannahatta, well, I was a little upset about the fact that my favourite character ended up being the assassin. He was so much fun, and he reminded me of Draco from Cassie Claire’s Draco Trilogy.
Definitely looking forward to more books about Mannahatta. There’s so many questions I have unanswered about this – especially since Rory saw his father in Mannahatta. I’m dying to know what happened to him. show less
Mannahatta, show more the world that Rory can now see, is a world parallel to the real Manhattan. It’s comprised of gods and other spirits – the gods being people in our own world who, after their death, return to Mannahatta because of something they were remembered for in our world. The gods in Mannahatta don’t die, they just fade away when people in our world stop remembering them. Except recently, someone has been murdering these gods.
Will Rory’s ability to see the truth help figure out who is murdering these gods? And does he really want to help Hex in his plot?
Starting this, I was not completely sure whether I would enjoy it or not… but it turns out that I completely loved it. I think this may be one of my favourite young adults/childrens books that I have read in a while. It was imaginative, and it was quite different. Had all of the things I consider necessary in a really good book: magic, girls kicking butt, and boys prancing about in early 19th century clothing. (But make no mistake, this isn’t a book about girls kicking butt, it’s about boys kicking butt, but there were a couple of awesome female characters.)
The characters were all great. Rory was a little concerning at first – he seemed to sound more like a adult than a young teen, but considering his father left his family when he was super young, and he had to take care of his younger sister since their mother works ALL THE TIME… he had to grow up quickly, so the fact that he sounded quite a bit older than he’s supposed to be seemed a bit more understandable.
The supporting characters were fabulous – especially some of the people who inhabit Mannahatta. I most particularly loved the Rattle Watch. They are definitely people I would like to have on my side in trouble. As for other characters in Mannahatta, well, I was a little upset about the fact that my favourite character ended up being the assassin. He was so much fun, and he reminded me of Draco from Cassie Claire’s Draco Trilogy.
Definitely looking forward to more books about Mannahatta. There’s so many questions I have unanswered about this – especially since Rory saw his father in Mannahatta. I’m dying to know what happened to him. show less
Another YA. This one seems to be aimed at a fairly young audience between readers of the 39 Clues and readers of series like The Secrets of the Immortal Nicholas Flamel. However, I found The Gods of Manhattan to be less interesting than either of those. The premise that very important people became gods after death until they faded away when people no longer remembered them was interesting and their world had potential. Unfortunately, I don't think that Mebus quite pulled it off. There was something vaguely unsatisfying about the book and I may not bother with the sequel.
The first of an upcoming series, this book was full of an intriguing world that is a layer of Manhattan. This world consists of talking battle cockroaches, gods, and events that go unseen by humans. Our main character - Rory - is a "light" - one who can see this other world and can give that gift to others. He has a special part to play in the recent killings of gods, the entrapment of a native american group called the Munsees, and the key to releasing the trap. There's a ton more involved and it really was a captivating read. I just hope Mr. Mebus can finish the next book sooner than later.
I think I bought this book because I had finished Harry Potter and Percy Jackson and wanted to enter another world of magic and the like, that took place in a variation of our world. Honestly, when I thought about it being about famous people who became gods after death, I kind of expected it to be a bit of fluff; a lot of comedy about who they had been in life. That's not what I got. In fact, this book was far deeper and darker than I expected. It was so much better than I expected. They didn't spend a lot of time with a bunch of gods based on people that we knew a lot about (they show up and its interesting to see them rather than amusing), instead focusing on lesser spirits who'd never been human, Rory and Bridget, and other show more individuals who made up the inhabitants of Mannahatta. This is a wise choice since it prevents huge restrictions on the plot (no saying there's no way that guy/girl would do that). show less
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Author Information

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Scott Mebus is a novelist, songwriter, playwright, comic, and music producer. His rock musical Tarnish appeared in the New York International Fringe Festival. Most recently, Scott was a producer for MTV and VH1, where he worked on the Tom Green Show, Real World, and MTV Yoga. He lives in New York City
Awards and Honors
Awards
Notable Lists
Series
Common Knowledge
- Original publication date
- 2008
- People/Characters
- Rory Hennessy; Bridget Hennessy; Hex; Toy; Fritz M'Garoth; Live M'Garoth (show all 15); Ceasar Prince; William Kieft; Johnny Randel Jr.; Wampage; Sokanen; Tammand; Sooleawa; Penhawitz; Tackapausha
- Important places
- New York, New York, USA
- Dedication
- To Derek, for sharing this crazy waelength with me
- First words
- Adriaen van der Donck raced over the Henry Hudson Bridge at the northern tip of Manhattan, urging his steaming horse to go faster as he made a break for the Bronx.
- Last words
- (Click to show. Warning: May contain spoilers.)Soon she was moving past her slumped body, through the closet door and her open bedroom window, and out into the waiting city.
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- Reviews
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- Rating
- (3.75)
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- English, German
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