Caxton's Trace: Studies in the History of English Printing

by William Kuskin (Editor)

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"Caxton's Trace is an excellent collection that takes up an important and understudied moment in the development of vernacular literature." --Ethan Knapp, Ohio State University "This is a significant contribution to the history of the book. It examines the reified idea of the separation between the medieval and early modern period in a sophisticated and illuminating way. The essays engage the problematics of periodization while also interrogating the twin notions that print somehow show more mystically transformed the Middle Ages into modernity and that the fifteenth century is merely transitional, and, thus, unconnected with modernity." --Thomas Prendergast, The College of Wooster William Caxton (ca. 1421-1492) and the printers who immediately followed him, Wynkyn de Worde and Richard Pynson, dominated early English printing. Surprisingly, their ideological impact on English literary history--their transformation of a textual economy based in manuscript production, their strategic development of authorship, their collation of English literature--remains largely unrecognized, overshadowed by the work of later sixteenth-century printers and folded into the general transition from the Middle Ages to the Renaissance. This collection, the first such work on Caxton and his contemporaries, consists of ten original essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, translation, politics, and genre, to the modern fascination with Caxton's books. The contributors to this volume approach the study of the printed book as the study of literary culture, and so broaden the traditional terms of bibliography to argue that no full understanding of books is possible without consideration of the larger nature of cultural production and reproduction. On one level, then, the book reads early printers' editions as evolutionary, reproducing preexisting production methods; on another, however, it argues that these printers introduced a significantly new relationship between material and symbolic forms. Thus, Caxton's Trace suggests that the first century of print production is defined less by transition or break, than by a dynamic transformation in literary production itself. show less

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Author Information

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Editor
3+ Works 33 Members
William Kuskin is professor of English at the University of Colorado Boulder. He is the editor of Caxton's Trace: Studies in the History of English Printing (2006) and author of Symbolic Caxton: Literary Culture and Print Capitalism (2008), both published by the University of Notre Dame Press.

All Editions

Amos, Mark Addison (Contributor)
Carlson, David R. (Contributor)
Coldiron, A. E. B. (Contributor)
Gillespie, Alexandra (Contributor)
Goodman, Jennifer R. (Contributor)
Lerer, Seth (Contributor)
Machan, Tim William (Contributor)
West, William N. (Contributor)

Common Knowledge

Original publication date
2006
People/Characters
Thomas Berthelet; William Caxton (c.1422-1491); Geoffrey Chaucer; Christine de Pizan; Robert Copeland; Thomas Frognall Dibdin (show all 16); John Gower; Henry VII, King of England; Ranulf Higden; John Lydgate; William de Machlinia; Richard Pynson; John Rastell; Richard III, King of England; Anthony Woodville, Earl Rivers; Wynken de Worde
First words
Introduction
Following Caxton's Trave
William Kuskin
Literary history is a paradox of forms.
Blurbers
Knapp, Ethan; Prendergast, Thomas

Classifications

Genres
Nonfiction, History, Literature Studies and Criticism
DDC/MDS
686.20942Applied science & technologyManufacture for specific usesPrinting and related activitiesPrintingBiography And HistoryEurope
LCC
Z232 .C38 .C43Bibliography, Library Science and Information ResourcesBook industries and tradePrinters and printing establishments
BISAC

Statistics

Members
16
Popularity
1,519,172
Rating
(5.00)
Languages
English
Media
Paper
ISBNs
2