Earthly Signs: Moscow Diaries, 1917-1922 (New York Review Books Classics)
by Marina Tsvetaeva
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Marina Tsvetaeva ranks with Anna Akhmatova, Osip Mandelstam, and Boris Pasternak as one of Russia's greatest twentieth-century poets. Her suicide at the age of forty-eight was the tragic culmination of a life beset by loss and hardship. This volume presents in English a collection of essays published in the Russian emigre press after Tsvetaeva left Moscow in 1922. Based on diaries she kept from 1917 to 1920, the work describes the broad social, economic, and cultural chaos provoked by the show more Bolshevik Revolution. Events and individuals are seen through the lens of her personal experience-that of a destitute young woman of upper-class background with two small children (one of whom died of starvation), a missing husband, and no means of support other than her poetry. These autobiographical writings are an eyewitness account of a dramatic period in Russian history, told by a gifted and outspoken poet. show lessTags
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Essays by one of the greatest Russian poets of the Twentieth Century provide a taste of the literary and cultural life of her emigre life. With only her poetry for support she shares her personal experience in difficult times. Joseph Brodsky praised her: "No more passionate voice ever sounded in Russian poetry of the twentieth century."
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293+ Works 2,331 Members
Marina Ivanovna Tsvetaeva, 1892-1941 Marina Ivanovna Tsvetaeva was born on October 8, 1892 in Moscow. Her first collection appeared in 1910, and she ranks among the major twentieth-century Russian poets. Her numerous lyrics and long poems are distinguished by great vigor and passion and an astonishing technical mastery. Her language and rhythms show more are highly innovative. In subject, her poetry varies greatly, often diary-like but also intensely concerned with the fate of her generation, of Russia, and of Europe. Tsvetaeva did not shy away from controversial topics, often opposing received dogma, be it Soviet or Russian emigre. She frequently subsumed herself in other characters, merging dramatic and lyrical elements. Particularly striking are her long poems Poem of the Mountain, Poem of the End, and Ratcatcher and her later collections Craft (1923) and After Russia (1928). After emigrating from the Soviet Union, Tsvetaeva also seriously turned to prose. (Bowker Author Biography) show less
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- Dedication
- To Joseph Brodsky
who always insisted I persevere - First words
- Marina Ivanovna Tsvetaeva was norn in Moscow in September 1892, the daughter of Maris Alexandrovna Meyn and Ivan Vladimirovich Tsvetaev. (Introduction)
Two and a half days - not a bite, not a swallow. - Last words
- (Click to show. Warning: May contain spoilers.)My hope is that I have managed to read these earthly signs well enough, to follow Tsvetaeva's path closely enough, to repave enough of her singular road, for English readers to be translated across the river. (Introduction)
(Click to show. Warning: May contain spoilers.)And my unjust heart, which nonetheless craves justice, will not rest in peace until a sculpture is erected on Moscow's most prominent plaza - in granite: a sculpture of inhuman height is:
TO A HERO OF LABOR OF THE U.S.S.R. - Original language
- Russian
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- Genres
- Fiction and Literature, Biography & Memoir
- DDC/MDS
- 891.714208 — Literature & rhetoric Asian Literature East Indo-European and Celtic literatures Russian and East Slavic languages Russian poetry USSR 1917–1991 Early 20th century 1917–1945
- LCC
- PG3476 .T75 .A2 — Language and Literature Slavic languages and literatures. Baltic languages. Albanian language Slavic. Baltic. Albanian Russian literature Individual authors and works 1917-1960
- BISAC
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- English, French, Italian, Serbian
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- 6
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