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Fiction. Thriller. HTML:Dr. Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More show more likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.
Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...
Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.
Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down. show less
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Peter Brown started life as an orphaned kiddo being raised by his loving, Holocaust-survivor grandparents, but when they're randomly and brutally murdered in their own home, Peter sets out for revenge and ends up as a very competent hitman for the mob, then as a very competent MD intern in the Witness Protection Program. And then his past comes calling during a hospital shift from hell.
This isn't my usual fare at all, but my friend, Rob, has been wanting me to read it for years and I finally gave in. I'm so glad I did. It's fantastic even as it's also very much not what I usually go for. It's dark and downright brutal in parts, but somehow Bazell manages even so to keep it light and funny. Most of that is because of the narrator, who show more ticks a lot of the right boxes for me: smart, *very* good at pretty much everything he does, but also very matter-of-fact about it and with a healthy dose of self-deprecation, and chock full of charisma. The plot is great, too: lots of interesting twists as the story plays out both in the present and in flashbacks that unfold his hitman past. Definitely recommended, even if, like me, this might not be your usual jam. show less
This isn't my usual fare at all, but my friend, Rob, has been wanting me to read it for years and I finally gave in. I'm so glad I did. It's fantastic even as it's also very much not what I usually go for. It's dark and downright brutal in parts, but somehow Bazell manages even so to keep it light and funny. Most of that is because of the narrator, who show more ticks a lot of the right boxes for me: smart, *very* good at pretty much everything he does, but also very matter-of-fact about it and with a healthy dose of self-deprecation, and chock full of charisma. The plot is great, too: lots of interesting twists as the story plays out both in the present and in flashbacks that unfold his hitman past. Definitely recommended, even if, like me, this might not be your usual jam. show less
Beat the Reaper by Josh Bazell is a wildly funny mashup of a medical and gangser thriller. Peter Brown is an overworked medical resident trying to get through his day at the worst hospital in Manhattan. Between keeping his medical students in line, overseeing the care of patients, covering up the medical mistakes he routinely comes across, and trying to keep communications open between himself and other medical workers, the last thing he needed was to recognize a patient as a mobster. You see, in another life Peter Brown was a mob hit-man known as Bearclaw Brown.
He entered the witness protection program and is hiding in plain sight as a trauma physician. His former accomplice threatens to rat him out if he doesn’t save his life. The show more day that follows is both thrilling and hilarious as it includes the doctor making a clever diagnosis, chasing down a runaway wheelchair patient and getting accidentally stuck with a needle full of infected pus. We are also treated to Brown’s backstory which includes plenty of gun and knife play as well as a harrowing encounter with a shark tank.
Fast, original and darkly funny, I found Beat the Reaper an absolute blast. This book will not appeal to everyone as it is very violent and quite improbable but for those who like dark and twisted stories as much as I, this is a great read. show less
He entered the witness protection program and is hiding in plain sight as a trauma physician. His former accomplice threatens to rat him out if he doesn’t save his life. The show more day that follows is both thrilling and hilarious as it includes the doctor making a clever diagnosis, chasing down a runaway wheelchair patient and getting accidentally stuck with a needle full of infected pus. We are also treated to Brown’s backstory which includes plenty of gun and knife play as well as a harrowing encounter with a shark tank.
Fast, original and darkly funny, I found Beat the Reaper an absolute blast. This book will not appeal to everyone as it is very violent and quite improbable but for those who like dark and twisted stories as much as I, this is a great read. show less
Dr. Peter Brown is an intern at a Manhattan hospital. He is a good doctor but the brutal assembly-line of sick and wounded, is starting to grind him down, turning him into an addled pill-popping mess.
One day, while making his rounds, a patient seems to recognize him as a terrifying Mafia hitman, known as the Bearclaw. Is Dr. Brown really, Pietro Brwna, tucked away in the Federal Witness Protection program? Or is this another rattled patient? I’m not telling, but I implore you to jump in and find out for yourself.
This is wickedly funny, smart as hell and sharp as a razor. Do not attempt to eat or drink, while reading, unless you are up for cleaning up afterwards.
It’s a dazzling debut and I cannot wait to see where this author takes show more me next. show less
One day, while making his rounds, a patient seems to recognize him as a terrifying Mafia hitman, known as the Bearclaw. Is Dr. Brown really, Pietro Brwna, tucked away in the Federal Witness Protection program? Or is this another rattled patient? I’m not telling, but I implore you to jump in and find out for yourself.
This is wickedly funny, smart as hell and sharp as a razor. Do not attempt to eat or drink, while reading, unless you are up for cleaning up afterwards.
It’s a dazzling debut and I cannot wait to see where this author takes show more me next. show less
Novela desquiciada, frenética, grosera y divertidísima sobre un médico residente que es también un antiguo matón de la mafia metido en el programa de protección de testigos. Si tuviéramos que hacer de periodistas diríamos que es una mezcla de House y los Soprano, pero con Tourette. En realidad es el médico Pietro "Garra de oso" Brnwna, cuya historia pasada y presente conoceremos intercaladas en un libro delirante.
Me ha encantado, con los fallos de narración que tiene (que los tiene, incluyendo los alegatos políticos en la visita a Auschwitz que no encajan nada con el resto de la novela). La historia es interesante (a la vez que delirante, triste, violenta, todo mezclado y en alternancia) y el ritmo no decae.
O sea,que la show more recomiendo. No es para almas amantes de Coelho, eso sí.
Vaya como muestra de la sapiencia médica mezclada con la brutalidad y la grosería el comienzo del libro:
Me ha encantado, con los fallos de narración que tiene (que los tiene, incluyendo los alegatos políticos en la visita a Auschwitz que no encajan nada con el resto de la novela). La historia es interesante (a la vez que delirante, triste, violenta, todo mezclado y en alternancia) y el ritmo no decae.
O sea,que la show more recomiendo. No es para almas amantes de Coelho, eso sí.
Vaya como muestra de la sapiencia médica mezclada con la brutalidad y la grosería el comienzo del libro:
De modo que voy camino del trabajo, me paro a ver cómo una paloma se pelea con una rata en la nieve y un gilipollas intenta atracarme! Naturalmente tiene una pistola. Se me acerca por detrás y me la clava en la base del cráneo. Está fría, y en realidad produce una sensación agradable, como de digitopuntura.show less
–Tranquilo, doctor –me sugiere.
Lo que lo explica todo, al menos. Incluso a las cinco de la mañana, no soy la clase de tío al que se suele atracar. Soy como una estatua de estibador plantada en la Isla de Pascua.
Pero el capullo me ve bajo el abrigo los pantalones azules del pijama sanitario y los zuecos de plástico verde perforados, así que piensa que debo de llevar drogas y dinero encima. Y que a lo mejor he hecho alguna especie de juramento de no patearle su culo de tonto del culo por tratar de asaltarme.
Apenas tengo drogas y dinero suficiente para pasar el día. Y el único juramento que he hecho, según recuerdo, es el de no tener propósito de hacer daño. Me parece que ya hemos pasado de ese punto.
–Vale –digo, alzando las manos.
La rata y la paloma se han largado. Cobardes.
Me doy la vuelta, movimiento que me aparta la pistola de la nuca y me deja con la mano derecha levantada por encima del brazo del capullo. Lo agarro del codo y tiro bruscamente hacia arriba, haciendo que sus ligamentos salten como tapones de champán.
Detengámonos un momento a contemplar el prodigio que llamamos codo.
Los dos huesos del brazo, cúbito y radio, se mueven por separado, y también giran. Lo que pueden comprobar poniendo la palma de la mano hacia arriba, posición en la cual el cúbito y el radio se encuentran en paralelo, y volviéndola luego hacia abajo, postura en que se cruzan formando una equis. Necesitan, por tanto, un complejo sistema de anclaje en el codo, con los ligamentos envolviendo los diversos extremos óseos en unas tiras rebobinables semejantes a la cinta pegada en el mango de una raqueta de tenis. Es una pena romperlos.
It's hard to sympathize with a mafia hitman, but Josh Bazell manages to get us to more than sympathize by getting us into the head of Pietro Brnwa. By the end of the story, we genuinely care for the guy. The story is woven skillfully, pulling together threads from our unlikely hero's past and present to paint the full picture of how he got into this fix. Like everyone on the "Hero's Journey," he's not flawless, and despite the fact that he always seems to come out on top, we can't help but root for him as the underdog.
The book is not without it's faults, of course, but for a first novel, Bazell could have gotten away with a lot worse. The descriptive footnotes peppered through the story certainly help explain a lot of the medical show more terminology that the med-student-author is likely to have been jotting down during his classes, but they are also a little gimmicky. They don't quite tip to becoming annoying didactic asides, but it's a thin line. I suppose they work better as footnotes than somehow stitched into the main storyline.
Also, the first chapter opens with a barrage of profanity (which isn't sustained throughout the book, thank goodness), and while it helps give a flavor of the main character, it feels a bit overdone. Not that I'm a prude or anything, but those first pages are a bit jarring and off-putting. Stick with it, though-- soon the story takes over, and if there is an occasional flood of foul language, it doesn't distract anymore.
Overall, this is a fine, page-turning novel complete with a family history distorted by the holocaust, a primer on mafia initiation rites, a love story, medical drama cliffhangers, and even a few good cat-and-mouse chase scenes. If Josh Bazell can continue to live up to the promise of this first book, he will be on his way to following the footsteps of Michael Crichton from the chaos of med school to a quiet writing cabin, and eventually, perhaps, a slew of novels adapted for the silver screen. show less
The book is not without it's faults, of course, but for a first novel, Bazell could have gotten away with a lot worse. The descriptive footnotes peppered through the story certainly help explain a lot of the medical show more terminology that the med-student-author is likely to have been jotting down during his classes, but they are also a little gimmicky. They don't quite tip to becoming annoying didactic asides, but it's a thin line. I suppose they work better as footnotes than somehow stitched into the main storyline.
Also, the first chapter opens with a barrage of profanity (which isn't sustained throughout the book, thank goodness), and while it helps give a flavor of the main character, it feels a bit overdone. Not that I'm a prude or anything, but those first pages are a bit jarring and off-putting. Stick with it, though-- soon the story takes over, and if there is an occasional flood of foul language, it doesn't distract anymore.
Overall, this is a fine, page-turning novel complete with a family history distorted by the holocaust, a primer on mafia initiation rites, a love story, medical drama cliffhangers, and even a few good cat-and-mouse chase scenes. If Josh Bazell can continue to live up to the promise of this first book, he will be on his way to following the footsteps of Michael Crichton from the chaos of med school to a quiet writing cabin, and eventually, perhaps, a slew of novels adapted for the silver screen. show less
This review was written for LibraryThing Early Reviewers."Beat The Reaper" is entertaining to a degree; its greatest strength the narrative voice of the protagonist: lively, brash, cynical and often enjoyably offensive. The plot is frequently ridiculous, but that doesn't matter unless the author wants us to take the book as more than a genre mash-up. The book has other strengths as well: I admire Bazell's willingness to inject pure doses of his own factually-supported opinions about such things as corporate involvement in the Holocaust and the state of institutionalized medicine in the United States, in theory, though in practice he comes across as sharing many of his protagonist's worst attributes: a smart, self-educated guy who thinks he's cooler than you, and knows more than you. (My show more guess: he's cooler than me, and knows less.)
The best thing about the book is that it includes shark scenes. I admire the choice to throw in the kitchen sink -- every hospital/mafia book should have either a shark scene, or a fight on the wings of a biplane.
Unfortunately, he screws up the shark scene.
However, the book has weaknesses as well. Among these are:
SIGNIFICANT SPOILERS:
There is one woman in the book, if you can call her that. Her name is Brangelina or something. She is as flat a character as you will find in a book, possessed of less autonomy and life than the least Bond woman. (I saw that someone online called her a blow-up sex doll, and that's a fair description.) This matters, because it is the protagonist's love for her, and her fate, that is supposed to humanize him and explain to us why we should care about him. But his supposed love for her doesn't move us a whit, because she doesn't exist as an independent person. She is pure fantasy, and a fantasy of a paltry kind. (Josh Bazell also makes a huge mistake when he has our hero convince Brangelina to "let him" perform oral sex on her as she wept, traumatized and nearly catatonic, her brother having just died the same horrible death she is threatened with. As that point, were she an actual woman, she might have emotional needs of her own. (My objection isn't the act, but that it is thought to be an appropriate depiction of love to talk someone into the act at that time.) Also, it is sort of a strange place to drop a footnote about why people like to go to the beach.)
A footnote at this point dares the reader to condemn the protagonist for this -- my guess is Bazell put this in as a sop to his editors who tried their best to get him not to make this mistake.
Also, Brangelina's ultimate fate was purely for the convenience of the author, again exposing her as less than real. The protagonist summarizes what happens to him as God punishing him by sending him Brangelina, and then taking her away. I think it was Brangelina who was being punished, but by Bazell, not God, unless God's punishment was to drop her into the hands of this author who doesn't handle his female characters very well.
The inability to create a realistic woman as anything other than an object for the protagonist to have sex with and than redeem himself in the eyes of the reader is a huge weakness in this book.
The Brangelina problem is related to a perhaps bigger problem. What we enjoy from the beginning of the book is the unrepentently cynical and often offensive voice of the narrator. But by the end of the book, we learn that we are supposed to like this guy, to judge others (mostly his ex-Mafia cronies) for the same sins of crudeness we enjoy in the narrator, and to find him a largely reformed guy with a soft spot for old teachers and handlers. I think the book goes soft on us; I'd rather have a more consistent narrator to enjoy rather than one I was supposed to sympathize with and didn't. Either the book needs to be thoroughly blacker, in humor and outlook, or the characters need to be more rounded and worthy of sympathy.
I also think the alternating chapters, between present day hospital and flashback to before the witness protection program, while fruitful at first, is carried on too long and ends up draining some of the tension from the hospital scenes. I was hoping for a larger climax, with more disparate threads coming together to threaten the hero. Instead, it just ends with an event -- a notable one, but in narrative terms just another incident. And the alternating chapters are illogical: all of the hospital scenes occur after he finds his humanity the first time, why, except for the sakes of parallel action, does he need to do so again? And how many times should we expect him to be redeemed in the sequel?
I know why some readers are entertained by this, but I felt the book asked both too little and too much of me as a reader. show less
The best thing about the book is that it includes shark scenes. I admire the choice to throw in the kitchen sink -- every hospital/mafia book should have either a shark scene, or a fight on the wings of a biplane.
Unfortunately, he screws up the shark scene.
However, the book has weaknesses as well. Among these are:
SIGNIFICANT SPOILERS:
There is one woman in the book, if you can call her that. Her name is Brangelina or something. She is as flat a character as you will find in a book, possessed of less autonomy and life than the least Bond woman. (I saw that someone online called her a blow-up sex doll, and that's a fair description.) This matters, because it is the protagonist's love for her, and her fate, that is supposed to humanize him and explain to us why we should care about him. But his supposed love for her doesn't move us a whit, because she doesn't exist as an independent person. She is pure fantasy, and a fantasy of a paltry kind. (Josh Bazell also makes a huge mistake when he has our hero convince Brangelina to "let him" perform oral sex on her as she wept, traumatized and nearly catatonic, her brother having just died the same horrible death she is threatened with. As that point, were she an actual woman, she might have emotional needs of her own. (My objection isn't the act, but that it is thought to be an appropriate depiction of love to talk someone into the act at that time.) Also, it is sort of a strange place to drop a footnote about why people like to go to the beach.)
A footnote at this point dares the reader to condemn the protagonist for this -- my guess is Bazell put this in as a sop to his editors who tried their best to get him not to make this mistake.
Also, Brangelina's ultimate fate was purely for the convenience of the author, again exposing her as less than real. The protagonist summarizes what happens to him as God punishing him by sending him Brangelina, and then taking her away. I think it was Brangelina who was being punished, but by Bazell, not God, unless God's punishment was to drop her into the hands of this author who doesn't handle his female characters very well.
The inability to create a realistic woman as anything other than an object for the protagonist to have sex with and than redeem himself in the eyes of the reader is a huge weakness in this book.
The Brangelina problem is related to a perhaps bigger problem. What we enjoy from the beginning of the book is the unrepentently cynical and often offensive voice of the narrator. But by the end of the book, we learn that we are supposed to like this guy, to judge others (mostly his ex-Mafia cronies) for the same sins of crudeness we enjoy in the narrator, and to find him a largely reformed guy with a soft spot for old teachers and handlers. I think the book goes soft on us; I'd rather have a more consistent narrator to enjoy rather than one I was supposed to sympathize with and didn't. Either the book needs to be thoroughly blacker, in humor and outlook, or the characters need to be more rounded and worthy of sympathy.
I also think the alternating chapters, between present day hospital and flashback to before the witness protection program, while fruitful at first, is carried on too long and ends up draining some of the tension from the hospital scenes. I was hoping for a larger climax, with more disparate threads coming together to threaten the hero. Instead, it just ends with an event -- a notable one, but in narrative terms just another incident. And the alternating chapters are illogical: all of the hospital scenes occur after he finds his humanity the first time, why, except for the sakes of parallel action, does he need to do so again? And how many times should we expect him to be redeemed in the sequel?
I know why some readers are entertained by this, but I felt the book asked both too little and too much of me as a reader. show less
This book goes to the extreme, then takes that over the top, then goes over the top a little more. It is the most profane, irritated sounding, attitude-heavy, outrageous book I've read in a long time. Actually, I listed to it, and the reader's voice will stick in my head for a long time. Mostly he was superb, especially in the voice of the first person narrator. I liked him less as Magdalena, the Romanian girlfriend.
This book has the mob, it has sex, it has hospital antics--it has more than you would think is even possible to put into a book of this size. I went between loving it and feeling irritated, but I certainly had to hear it out to the end. The plot jumps deftly between the protagonist's present predicament and the story of how show more he got there, going back to his childhood. The book is filled with so many strong opinions about so many things (medicine, Poland, treatment of Jews, the mob, etc. etc. etc. etc.) that it makes John D. MacDonald's works look like those of a man without an opinion in the world. So your taste for this book will depend on your tolerance for its opinions. I don't know if they are the author's--so I won't say they are. There is a disclaimer at the end of the book that basically tells the reader to disregard any facts, particularly medical ones, the book seems to promote.
In the end, it was the sheer unbelievability of whole story that caused me to downgrade the book a notch or two. But I remain intrigued and may try this author again. (What do you know--there's a sequel.)
BTW, the author is a doctor. I'm kind of relieved and kind of scared to know that. show less
This book has the mob, it has sex, it has hospital antics--it has more than you would think is even possible to put into a book of this size. I went between loving it and feeling irritated, but I certainly had to hear it out to the end. The plot jumps deftly between the protagonist's present predicament and the story of how show more he got there, going back to his childhood. The book is filled with so many strong opinions about so many things (medicine, Poland, treatment of Jews, the mob, etc. etc. etc. etc.) that it makes John D. MacDonald's works look like those of a man without an opinion in the world. So your taste for this book will depend on your tolerance for its opinions. I don't know if they are the author's--so I won't say they are. There is a disclaimer at the end of the book that basically tells the reader to disregard any facts, particularly medical ones, the book seems to promote.
In the end, it was the sheer unbelievability of whole story that caused me to downgrade the book a notch or two. But I remain intrigued and may try this author again. (What do you know--there's a sequel.)
BTW, the author is a doctor. I'm kind of relieved and kind of scared to know that. show less
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ThingScore 79
This may be the most imaginative, albeit the most violent and profanity-laden, debuts of the new year.
added by stephmo
Beat the Reaper is definitely not a book to pick
up if you happen to be recuperating in a hospital,
but if you're stuck in an airport with a long flight delay, it's just what the doctor ordered.
added by stephmo
Beat the Reaper is a skillful performance, and the proof lies in our willingness to swallow it whole. If at first we allow Mr. Bazell to hoodwink us because he’s so good, the true test comes later—when we forget we’ve been had.
added by stephmo
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Author Information
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While finishing his medical degree, Josh Bazell also found the time to complete his first novel, a crime thriller called Beat the Reaper about a mob hitman turned doctor. Bazell wanted to be a professional writer since the age of nine, but then a few years later science became his serious interest. Bazell has now managed to attain both goals. Josh show more Bazell has a BA in writing from Brown University and a MD from Columbia University. He is currently a medical resident at the University of California, San Francisco, and is working on his second novel. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title*
- Schneller als der Tod
- Original title
- Beat the Reaper
- Original publication date
- 2008-09-07
- People/Characters
- Peter Brown a.k.a. Pietro "Bearclaw" Brnwa; Magdalena; Adam Locano a.k.a. Skinflick; David Locano; Dr. Friendly; Eddy Squillante
- Important places
- New York, New York, USA
- Epigraph
- If Nietzsche is correct, that to shame a man is to kill him, then any honest attempt at autobiography will be an act of self-destruction.
-Camus - Dedication
- In Memoriam
Stanley Tanz, MD
1911-1996 - First words
- So I'm on my way to work and I stop to watch a pigeon fight a rat in the snow, and some fuckhead tries to mug me!
- Quotations
- I should say here that being chronically sleep-deprived is so demonstrably similar to being drunk that hospitals often feel like giant, ceaseless office Christmas parties. Except that at a Christmas party the schmuck standing... (show all) next to you isn’t about to fillet your pancreas with something called a ‘hot knife.’
"Status post," abbreviated "s/p," is a common medical term meaning "after" and implying "but not necessarily caused by." It's Latin for "Try suing me now, Fucker."
But rituals turn us all into fucking idiots. Like those birds that sleep with their heads facing backwards because their ancestors slept with their heads under their wings. Plutarch says caring new wives across thresholds is ... (show all)stupid because we do't remember that it refers to the rape of the Sabine women -- and that's fucking Plutarch, two thousand years ago. We still draw the Reaper with a scythe. We should draw him driving a John Deere for Archer Daniels Midland.
None of this says anything about her. It doesn't even tell you how she looked.
Most bottled water in a hospital has 5 percent dextrose. This is to prevent the phrase "Liter of plain fucking water: $35" from appearing on your bill.
In order to make it to Squillante's surgery I figure I'll have to do about four hours of work in the next two hours, then another four hours of work in the two hours afterward. I realize right off that this will require drapi... (show all)ng my med students with a bit more responsibility than is usual or legal, and also keeping at least one Moxfane under my tongue at all times. To balance things out ethically, I don't give my med students any Moxfane.
Magdalena looked Rom, which medieval Europeans called "Gypsy" because they thought the Roma originated in Egypt. They originated in India. It's a pretty good joke that Romania, which is historically one of the most racist cou... (show all)ntries on earth -- when it got its first political party primarily based on Jew-hating, in 1910, both its Liberal and Conservative parties were already officially "anti-Semitic" -- is also one of the most racially mixed, because it lies in a mountain pass used by every army in history. Unless you think jokes should be funny.
People think the ocean's about life, and freedom. But beaches are the most impassable barriers in nature. People worship them like they worship outer space, or death, or anything and anyone else that says no to them and means... (show all) it.
The next thing I remember is waking up. The thing I remember after that is thinking that For a guy who complains all the time about never getting any sleep, I sure wake up a lot.
Prof. Marmoset has a kind of agelessness that comes from being smarter and better informed than, say, I will ever be, and having really thick hair. - Last words
- (Click to show. Warning: May contain spoilers.)I don't.
- Blurbers
- Coben, Harlan; Lutz, Lisa; Crais, Robert; Connelly, Michael; Winslow, Don
- Original language*
- Engelska
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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