Closed Circle
by Robert Goddard
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Description
1931. The new, luxurious transatlantic liner Empress of Britain is on her eastward passage. Among the first-class passengers on board are two English confidence tricksters, making a discreet exit from a scam they have left behind them in the United States. A chance meting on deck brings them a tempting new target in the shape of the beautiful and wealthy heiress, Diana Charnwood. It's a trick they've pulled before, with some success. Charm the daughter into an engagement to marry, then get show more the father to buy you off. So confident are they of success, in fact, that they make a pact: whichever of them wins Diana Charnwood's love will share his fortune with the other. But a violent death is to interrupt their neat little scheme. And they find themselves stumbling into something much darker than either had suspected... show lessTags
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If you've read a few of Goddard's novels, you'll recognize the set up - the semi-legit hero of the piece gets drawn into a situation that's wider and deeper in magnitude than he initially thinks, he's got a checkered past, but his heart's mostly in the right place, there's a woman involved who probably can't be trusted, the forces arrayed against him will stop at nothing to protect themselves and the body count mounts. Don't let that put you off, though Goddard often uses this rough framework, he injects a lot of individual differences to keep you interested in how he'll work it all out.
Spoilers!
The final solution to this one reminded me a lot of Chinaman's Chance by Ross Thomas in the way that the conmen become the conned. Only in the show more end does Guy realize that while he and Max were trying to hook Diana, she in turn was luring them in just as hard. Because I read a lot of this kind of thing, I never fully trusted her or auntie Vita, but D turned out to be a lot more vicious than even I thought. When the scales fall from Guy's eyes and he gives her the chronology of her crimes, there was still doubt that she deliberately killed Max. I thought she and Vita did the deed on dear old daddy, so the doppelganger angle was a surprise. Ludicrous, but then again the whole conspiracy of the Concentric Alliance was out there so a little more didn't seem too bad. Max's character was subtle enough that he didn't seem too over-the-top as well, so that was a relief. Neither was Diana a total cartoon femme fatale either. Both of them shared a common denominator that they would each do what was best for themselves, claiming loyalty or constancy only when it was convenient and jettisoning it when it wasn't or wouldn't pay. I like how Guy continues with his shady ways and can imagine him still angling for the win as he applies his Silly Putty morals to new schemes. show less
Spoilers!
The final solution to this one reminded me a lot of Chinaman's Chance by Ross Thomas in the way that the conmen become the conned. Only in the show more end does Guy realize that while he and Max were trying to hook Diana, she in turn was luring them in just as hard. Because I read a lot of this kind of thing, I never fully trusted her or auntie Vita, but D turned out to be a lot more vicious than even I thought. When the scales fall from Guy's eyes and he gives her the chronology of her crimes, there was still doubt that she deliberately killed Max. I thought she and Vita did the deed on dear old daddy, so the doppelganger angle was a surprise. Ludicrous, but then again the whole conspiracy of the Concentric Alliance was out there so a little more didn't seem too bad. Max's character was subtle enough that he didn't seem too over-the-top as well, so that was a relief. Neither was Diana a total cartoon femme fatale either. Both of them shared a common denominator that they would each do what was best for themselves, claiming loyalty or constancy only when it was convenient and jettisoning it when it wasn't or wouldn't pay. I like how Guy continues with his shady ways and can imagine him still angling for the win as he applies his Silly Putty morals to new schemes. show less
I've started to notice a reoccurring theme in Robert Goddard's books. A theme that provides for a fascinating, intriguing story with an array of believable characters with all too human qualities. They aren't always good guys but most have some redeeming qualities. The crimes committed in the past always come back to haunt the protagonists in the present. [The Closed Circle] was no exception...but what a story! Goddard is a master story teller and writes in such beautiful prose. The story sees our hero...Guy... stumble through twists and turns while uncovering truths that may turn out to be lies in the end. This is one of Goddard's very best. It's like watching a Hitchcock movie.
My fourth Goddard book. This one has a lot of the strengths typical of Goddard--fairly well written, compelling though flawed protagonist, intriguing setup--but the conspiracy at the heart of it is just too big and far-fetched; and much of the action is cliche cinematic.
Set in the early part of the 20th century, mainly on a ship, it features two con artists who try to scam a fortune out of a beautiful young heiress. They soon find themselves way out of their depth, suddenly in the middle of events they don't understand, a typical Goddard scenario.
First Robert Goddard novel I've read. Set in the early part of the 20th century, it features two con artists who try to scam a fortune out of a beautiful young heiress. They soon find themselves way out of their depth, suddenly in the middle of events they don't understand.
A really well read thriller, a true page turner and interesting storyline.
A really well read thriller, a true page turner and interesting storyline.
I found this book bogged me down with too much detail which tended to slow the book down.
My least favorite. Maybe I'll read it again.
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Author Information
Common Knowledge
- Canonical title*
- En sluttet kreds
- Original title
- Closed Circle
- Original publication date
- 1994
- People/Characters
- Diana Charnwood
- Important places
- Ocean Liner bound for England
- First words
- Chance had been our ally too often.
- Quotations
- Letchworth on a Saturday night exuded its normal level of gaiety: approximately that of a Welsh village on the Sabbath. ... From the railway station I walked west, past the dark and looming outline of the Goddess factory, whe... (show all)re I had spent two miserable years trying to be the sober-suited manager of a hundred viraginous corsetieres.... It seemed so bare, so flat and soulless ... for all the trimmed verges and smugly angled roofs. The Garden City remained what it had always been in my mind: a wasteland.
I took a taxi to Hatfield and caught the next train to Letchworth. The afternoon was hot and Letchworth was at its most stultifyingly placid, the Garden City in full and earnest leaf.
When the steward returned with the paper, Max whipped out his fountain-pen and ... began to write on one of the sheets.
A sweaty young detective sergeant took my statement. The nib of his pen caused him frequent difficulty ...
I had reached Letchworth, the bastion of temperance... I could stomach life and work in the Garden City no longer.
We were seated in the lounge of the Letchworth Hall Hotel, with tea and scones safely ordered. There, amidst the white napery and antimacassared leather, where silver spoons tinkled demurely in fine china saucers and sunlight... (show all) glimmered respectfully through thick lace curtains, I made my last discovery. - Last words
- (Click to show. Warning: May contain spoilers.)And the memory was gone.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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