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Othello by William Shakespeare
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Othello (edition 2003)

by William Shakespeare (Author)

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17,078131302 (3.97)2 / 478
Drama. Fiction. HTML:

Believed to have been written in 1603, Shakespeare's Othello is a tragedy that puts the playwright's prodigious creative gifts on full display. Based loosely on a Renaissance-era Italian tale, Othello follows the stormy relationship of the Moorish general Othello and his lovely wife Desdemona. Addressing timeless themes of love and betrayal, as well as surprisingly contemporary concepts such as race-based stereotypes, Othello is a satisfying read for modern-day fans of the Bard.

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Member:MiniMarg95
Title:Othello
Authors:William Shakespeare (Author)
Info:Washington Square Pr (2003)
Collections:Your library
Rating:
Tags:School, Read

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Othello by William Shakespeare

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» See also 478 mentions

English (115)  Spanish (5)  French (3)  Catalan (2)  Portuguese (1)  Portuguese (Brazil) (1)  Dutch (1)  Swedish (1)  Italian (1)  All languages (130)
Showing 1-5 of 115 (next | show all)
Hands down, my favorite of his plays. Iago is the absolute worst and utterly fascinating as a character. The historical context, as well as the continuing social fabric into which this story weaves itself is utterly intriguing.

This time aroun, I taught it with a couple 8th grade honors classes and it went really well. ( )
  Library_Guard | Jun 17, 2024 |
A good story, surprising ending. The Shakespearen language really makes this hard to get through. The annotations help quite a bit, but can be distracting as it is very overdone. ( )
  vincenttran | Mar 17, 2024 |
I've read "Othello" a few times in my life and I always enjoy it; there's always something new to notice or learn. Plus honestly, I adore watching Iago construct his plans and twist everything around. I KNOW he's awful, but his villany is entertaining! Also Emilia is wonderful and I shipped her and Cassio. Just sayin'. ;) ( )
  deborahee | Feb 23, 2024 |
The themes of love and betrayal (both actual and imagined), of jealousy and racism, of ambition and violence, are all still very much valid in this day and age. We have Iago who has been granted a position of trust but it's not what he thinks he deserves so he uses the power he has to undermine those around him. One of my most common plaints is that Office Politics is a game I very much prefer not to involve myself in as I have encountered so very viscous players in my time. Othello has achieved so much but still harbors self-doubt that Desdemona really wants just him. There was only the smallest sprout of a doubt initially, but there was enough for rumour to cause it to sprout and spread. He forms his beliefs on what he is told and how he perceives what he sees (and that's for certain still happening).

But this volume itself is beautiful. The illustrations were gorgeous and the weight of the pages enforced that this edition was special.

Not my favourite Shakespeare play by any means, and I would likely prefer to watch performances of it in the future (but I'm also thinking it could be fun to watch the 1990 film while reading the text) ( )
  Damiella | Dec 31, 2023 |
Shakespearian language is hard to grasp but after studying Othello in Literature I've definitely found it easier to follow. The love within the play is overwhelming but the pure jealousy and rage that can be found within the pages is enrapturing and it makes readers question their own ideals and values. The questions Shakespeare asks of our own relationships is valuable to anyone and his views and values are still relevant today. And who doesn't love a villain? Iago is awesome. ( )
  funstm | Oct 22, 2023 |
Showing 1-5 of 115 (next | show all)

» Add other authors (340 possible)

Author nameRoleType of authorWork?Status
Shakespeare, Williamprimary authorall editionsconfirmed
Andrews, John F.Editorsecondary authorsome editionsconfirmed
Cajander, PaavoTranslatorsecondary authorsome editionsconfirmed
Ejiofor, ChiwetelNarratorsecondary authorsome editionsconfirmed
Farjeon, HerbertEditorsecondary authorsome editionsconfirmed
Furness, Horace HowardEditorsecondary authorsome editionsconfirmed
Gentleman, DavidCover designersecondary authorsome editionsconfirmed
Gollancz, IsraelIntroductionsecondary authorsome editionsconfirmed
Harrison, G. B.Editorsecondary authorsome editionsconfirmed
Hart, H. C.Editorsecondary authorsome editionsconfirmed
Hart, Henry ChichesterEditorsecondary authorsome editionsconfirmed
Herford, Charles HaroldEditorsecondary authorsome editionsconfirmed
Honigmann, E.A.J.Editorsecondary authorsome editionsconfirmed
Houseman, JohnEditorsecondary authorsome editionsconfirmed
Hudson, Henry N.Editorsecondary authorsome editionsconfirmed
Jones, James EarlForewordsecondary authorsome editionsconfirmed
Jones, Pei te HurinuiTranslatorsecondary authorsome editionsconfirmed
Jylhä, YrjöTranslatorsecondary authorsome editionsconfirmed
Kastan, David ScottAssociate Editorsecondary authorsome editionsconfirmed
Kerman, AlvinEditorsecondary authorsome editionsconfirmed
Kittredge, George LymanEditorsecondary authorsome editionsconfirmed
LaMar, Virgina A.Editorsecondary authorsome editionsconfirmed
Lombardo, AgostinoContributorsecondary authorsome editionsconfirmed
Mason, LaurenceEditorsecondary authorsome editionsconfirmed
McAlindon, TomEditorsecondary authorsome editionsconfirmed
McMillin, ScottEditorsecondary authorsome editionsconfirmed
Mowat, Barbara A.Editorsecondary authorsome editionsconfirmed
Neill, MichaelEditorsecondary authorsome editionsconfirmed
Neilson, William AllanEditorsecondary authorsome editionsconfirmed
O'Connor, JohnEditorsecondary authorsome editionsconfirmed
Obertello, AlfredoTranslatorsecondary authorsome editionsconfirmed
Orgel, StephenEditorsecondary authorsome editionsconfirmed
Papp, JosephForewordsecondary authorsome editionsconfirmed
Parrott, Thomas MarcEditorsecondary authorsome editionsconfirmed
Raffel, BurtonEditorsecondary authorsome editionsconfirmed
Rasmussen, EricEditorsecondary authorsome editionsconfirmed
Ridley, Maurice RoyEditorsecondary authorsome editionsconfirmed
Rolfe, William JamesEditorsecondary authorsome editionsconfirmed
Sanders, NormanEditorsecondary authorsome editionsconfirmed
Schadee, NoraAnnotationssecondary authorsome editionsconfirmed
Seely, JohnEditorsecondary authorsome editionsconfirmed
Slater, DavidCover artistsecondary authorsome editionsconfirmed
Smith, H.H.Editorsecondary authorsome editionsconfirmed
Spiekerman, JopAnnotationssecondary authorsome editionsconfirmed
Tsegay Gabre-MedhinTranslatorsecondary authorsome editionsconfirmed
Turner, Robert KeanAssociate Editorsecondary authorsome editionsconfirmed
Vitkus, DanielEditorsecondary authorsome editionsconfirmed
Voeten, BertTranslatorsecondary authorsome editionsconfirmed
Werstine, PaulEditorsecondary authorsome editionsconfirmed
Wright, Louis B.Editorsecondary authorsome editionsconfirmed
Zazo, Anna LuisaEditorsecondary authorsome editionsconfirmed

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People/Characters
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Important events
Related movies
O (2001 | IMDb)
Epigraph
Dedication
First words
Never tell me; I take it much unkindly
That thou, Iago, who hast had my purse
As if the strings were thine, shouldst know of this.
Quotations
Trifles light as air
Are to the jealous confirmations strong
As proofs of holy writ;
O, beware, my lord, of jealousy!
It is the green-eyed monster, which doth mock
The meat it feeds on. That cuckold lives in bliss
Who, certain of his fate, loves not his wronger;
But O, what damned minutes tells he o'er
Who dotes, yet doubts, suspects, yet strongly loves!
Not poppy, nor mandragora,
Nor all the drowsy syrups of the world,
Shall ever medicine thee to that sweet sleep
Which thou owedst yesterday.
Reputation
is an idle and most false imposition; oft got without merit
and lost without deserving.
Good name in man and woman, dear my lord,
Is the immediate jewel of their souls.
Who steals my purse steals trash; 'tis something, nothing;
'Twas mine, 'tis his, and has been slave to thousands;
But he that filches from me my good name
Robs me of that which not enriches him
And makes me poor indeed.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This work is for the complete Othello only. Do not combine abridgements, adaptations (graphic or otherwise), modernizations and simplifications (such as "Shakespeare Made Easy"), Cliffs Notes or similar study guides, or videorecordings of performances with this work. Please separate any that you find here.

As should go without saying, please also do not combine this with any other play or combination of plays, or any of its many adaptations (audio, video, reworking, etc.).
The "Timeless Shakespeare" editions are simplifications, not the original text of the plays. Do not combine.
Norton Critical Editions contain a sigificant amount of commentary and additional material along with the core text, thus, they are considered separate works. Please do not combine with the play.
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Canonical LCC
Drama. Fiction. HTML:

Believed to have been written in 1603, Shakespeare's Othello is a tragedy that puts the playwright's prodigious creative gifts on full display. Based loosely on a Renaissance-era Italian tale, Othello follows the stormy relationship of the Moorish general Othello and his lovely wife Desdemona. Addressing timeless themes of love and betrayal, as well as surprisingly contemporary concepts such as race-based stereotypes, Othello is a satisfying read for modern-day fans of the Bard.

.

No library descriptions found.

Book description
[R.L. 8.4]
One of the most often staged of all of Shakespeare's plays, this is a tale of love and betrayal, secrets, passions, and intrigue. Psychology and wit pit strength and virtue against jealousy and evil agendas. The results leave no winners, only tragedy.
Haiku summary
Self-hating black man
Goes medieval on blonde wife
OJ's fav'rite book?
(citygirl)
A viper's hissing,
Destroys a man's happiness,
A faithful wife slain.
(hillaryrose7)

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