Margaret Peterson Haddix
Author of Among the Hidden
About the Author
Margaret Peterson Haddix was born in Washington Court House, Ohio on April 9, 1964. She received bachelor's degrees in English/journalism, English/creative writing, and history from Miami University in 1986. Before becoming an author, she was a copy editor for The Journal-Gazette, a newspaper show more reporter for The Indianapolis News, an instructor at Danville Area Community College, and a freelance writer. Her first book, Running Out of Time, was published in 1995. She has written more than 30 books including Don't You Dare Read This, Mrs. Dunphrey, Just Ella, Turnabout, The Girl with 500 Middle Names, Because of Anya, and Into the Gauntlet. She also writes the Shadow Children series and the Missing series. She has won the International Reading Association Children's Book Award and several state Readers' Choice Awards. (Bowker Author Biography) show less
Series
Works by Margaret Peterson Haddix
Shadow Children Boxed Set: Among the Hidden, Among the Impostors, Among the Betrayed, and Among the Barons (2004) 309 copies, 4 reviews
The Shadow Children, the Complete Series: Among the Hidden; Among the Impostors; Among the Betrayed; Among the Barons; Among the Brave; Among the Enemy; Among the Free (2008) 213 copies, 14 reviews
The Complete Missing Collection: Found; Sent; Sabotaged; Torn; Caught; Risked; Revealed; Redeemed (The Missing) (2016) 26 copies, 1 review
The Complete Children of Exile Series: Children of Exile; Children of Refuge; Children of Jubilee (2019) 7 copies
Torn [MISSING BK04 TORN] [Hardcover] 3 copies
Os filhos das sombras 2 copies
The Missing, Books 1-4 2 copies
The Shadow Children, Books 1-3: Among the Hidden, Among the Impostors, and Among the Betrayed 2 copies, 1 review
Storm Watch 1 copy
Found 1 copy
Return of the Snowflakes 1 copy
בלב הסכנה 1 copy
Among the Hidden, Among the Impostors, Among the Betrayed, Among the Barrons, Among the Brave (Shadow Children Series, 1-5) (2004) 1 copy
{ [ RISKED (MISSING #06) ] } Haddix, Margaret Peterson ( AUTHOR ) Sep-02-2014 Paperback (2014) 1 copy
Children of Frost 1 copy
Associated Works
Twice Told: Original Stories Inspired by Original Artwork (2006) — Contributor — 122 copies, 4 reviews
Tagged
Common Knowledge
- Birthdate
- 1964-04-09
- Gender
- female
- Education
- Miami University of Ohio (BA - Creative Writing and Journalism)
- Occupations
- writer
author - Short biography
- Margaret Peterson Haddix (born April 9, 1964) is an American writer known best for the two children's series, Shadow Children (1998–2006) and The Missing (2008–2015). She also wrote the tenth volume in The 39 Clues, published by Scholastic.
Haddix grew up on a farm about halfway between two small towns: Washington Court House, Ohio, and Sabina, Ohio. Her family was predominantly farmers and she grew up in a family of voracious readers. Some of her favorite books growing up included E.L. Konigsburg books, Harriet the Spy, Anne of Green Gables, Louisa May Alcott’s Little Women, Anne Frank, Rebecca of Sunnybrook Farm, and The Little Princess.
She graduated from Miami University in Oxford, Ohio with degrees in English/journalism, English/Creative writing, and History. While in college, Haddix worked a series of jobs. She was an assistant cook at a 4-H camp, but almost every other job has been related to writing. During college, she worked on the school newspaper and had summer internships at newspapers in Urbana, Ohio; Charlotte, North Carolina; and Indianapolis, Indiana.
Haddix chose to pursue fiction writing after her husband, Doug, became a news reporter, because she did not want to be his employee. Her previous work as a reporter inspired her to write fiction. After documenting a wide variety of topics, she wanted to create her own plots and characters. Haddix experienced a long period of having her writing rejected by publishers before her first two books were accepted in 1995 and 1996. Her first book was Running Out of Time, published when Haddix was pregnant with her second child, and her first child was one and a half years old. Her second book, Don't You Dare Read This, Mrs. Dunphrey, followed shortly after. The Summer of Broken Things, written in 2018, is Haddix’s most recently published stand-alone book.
Haddix has written more than 30 books for children and teenagers, including Running Out of Time, Don't You Dare Read This, Mrs. Dunphrey, Leaving Fishers, Just Ella, Turnabout, Takeoffs and Landings, The Girl with 500 Middle Names, Because of Anya, Escape from Memory, Say What?, The House on the Gulf, Double Identity, Dexter the Tough, Uprising, Palace of Mirrors, Claim to Fame, The Always War, Game Changer, the Shadow Children series, and the Missing series. She also wrote Into the Gauntlet, book 10 in The 39 Clues series. Her books have made New York Times Best Seller lists and American Library Association (ALA) annual book lists and they have won the International Reading Association's Children's Book Award and more than a dozen state reader's choice awards.
The New York Times’ best-selling author currently lives in Columbus, Ohio with her husband, Doug, and their two children, Meredith and Connor.
Haddix has received the International Reading Association Children's Book Award, Champions league, some ALA listings on Best Books for Young Adults and Quick Picks for Reluctant Young Adult Readers, The National Kids Award, and readers' choice lists in more than 29 states. - Nationality
- USA
- Places of residence
- Columbus, Ohio, USA
- Associated Place (for map)
- Ohio, USA
Members
Discussions
Found: Juvenile fiction book where characters see their future selves in Name that Book (February 2025)
Found: Book I cannot remember for the life of me in Name that Book (November 2024)
Found: YA Fiction - Girl thinks it's 19th century, searching for medicine in Name that Book (July 2023)
Found: YA Fiction. Princess in Hiding. Plays Harp. 13 Adopted Princesses. in Name that Book (September 2021)
Fake Virtual War in Name that Book (April 2018)
sabatoged by Margret peter Haddix in Book talk (May 2011)
Three Unknowns in Name that Book (October 2010)
Reviews
This is charmingly written, engaging, very cute capitalist apologia. The messages of the book are really mixed up. Truly horrible, indefensible, egregious things happen to the poor children in this book, their families, and their communities—but in the end it's all fine because they've moved to the middle class and a family of billionaires are their friends . No structural change to make sure horrible things aren't happening to every other poor community in the country/world is mentioned, show more and it seems like everyone thinks it's totally fine for billionaires to exist while poor mothers die in underfunded hospitals nearby (explicitly, this is the dichotomy). This probably started out from interesting thoughts about income stratification and automation, but its solutions were nowhere near what was necessary for the world it created. It suffers from a problem in trying to make everyone "nice" in a world where rich families stand blithely by while poor families suffer and are destroyed for their benefit—something that is not nice at all. show less
Read in one sitting. Terribly enjoyable until I reached the last page and closed the cover and had a moment to think - wait, what? Because Haddix should be writing for adults. The Issues here are of power and gender coercion and rape and war and homelessness and identity - these aren't too heavy for children/young adults - but Haddix is bound by the early-2000's-YA-princess-book-format, and it stifles what could be a mature re-telling (for adults!) of the Cinderella fable. Ella isn't a show more fifteen year old telling her story; she's an adult, looking back. She writes "I was confused I was lonely I was uncertain I was desperate I was clever", but her sense-of-self isn't credible; it's an adult self-assurance, and even the most self-assured teen is bound by youth and relative inexperience.
... I felt like Ms. Haddix was tied up in the corsets she wrote about, unable to take a deep breath. She didn't have room to expand as much as she wanted to; her ideas were cramped up. Haddix/Ella never quite connected with most of the characters and settings. I'll blame it on the YA format, though, and hold out hopes for an adult novel to come.
Two stars because the faults overpower the good for me. And because the ending is terribly abrupt. And my copy has twenty or so pages from the "sequel" inserted at the back, and it gave the impression the book was coming to some more gentle conclusion, and it LIED (not Haddix's fault, but it pissed me off). show less
... I felt like Ms. Haddix was tied up in the corsets she wrote about, unable to take a deep breath. She didn't have room to expand as much as she wanted to; her ideas were cramped up. Haddix/Ella never quite connected with most of the characters and settings. I'll blame it on the YA format, though, and hold out hopes for an adult novel to come.
Two stars because the faults overpower the good for me. And because the ending is terribly abrupt. And my copy has twenty or so pages from the "sequel" inserted at the back, and it gave the impression the book was coming to some more gentle conclusion, and it LIED (not Haddix's fault, but it pissed me off). show less
I was super duper extremely pleasantly surprised with how much I totally loved this story!! Books 2 & 3 are currently on the way from Amazon---can I wait that long??
The story has a sort of A Wrinkle in Time feel to it, without all the over-kids'-heads sciencey trippyness that I didn't even understand when I tried to reread it at 40. There's just enough science and sci-fi to make it fun---and I'm so glad it didn't contain the supernatural/magic elements that are so prevalent in almost every. show more single. book. one picks up these days.
Like most books written for kids by someone who hasn't had kids at home on a daily basis, at least for quite awhile, the characters suffer from shifts in intellectual and vocabulary maturity---but most of these were still somewhat believable for all but the youngest character. With no "he's a weird genius like Charles Wallace" explanations to cover for this, I had to just pretend he was really 12 instead of eight.
One element that really surprised me and argued against my normal bias against today's literature offers for children and young adults, was the stance the author took relating to the government. This story is fantastic in that it shows kids the possibility and consequences of a government that lies to its citizens with technology and fake news. It's quite the opposite of the indoctrination prevalent today. Genius---and I hope it was done on purpose.
One of my favorite pieces of dialogue is this (paraphrased):
Joe: "We've had to operate in such secrecy---it's hasn't been safe for anyone to know more than one or two contacts."
Finn: "So there could be lots of people here who are secretly on our side! They just need to know it's safe to unite!"
This is literally what I've been saying about all of the crazy that's gone on in our world the last few years. It's the loudest voices that seem to be the majority---but what if they just have the ability (in this case, technology) to drown out the real majority?
Great book! Can't wait to get the next ones. While I have three children in the recommended age range of 8-12, I decided it was only my 13 year old and older that I felt comfortable with reading this right now. I felt like the emotions the children showed about being without their mother would really upset my younger kids---and the sci-fi towards the end would be over their heads. I've loaned this to my 13 year old daughter to enjoy. I hope she loves it! show less
The story has a sort of A Wrinkle in Time feel to it, without all the over-kids'-heads sciencey trippyness that I didn't even understand when I tried to reread it at 40. There's just enough science and sci-fi to make it fun---and I'm so glad it didn't contain the supernatural/magic elements that are so prevalent in almost every. show more single. book. one picks up these days.
Like most books written for kids by someone who hasn't had kids at home on a daily basis, at least for quite awhile, the characters suffer from shifts in intellectual and vocabulary maturity---but most of these were still somewhat believable for all but the youngest character. With no "he's a weird genius like Charles Wallace" explanations to cover for this, I had to just pretend he was really 12 instead of eight.
One element that really surprised me and argued against my normal bias against today's literature offers for children and young adults, was the stance the author took relating to the government. This story is fantastic in that it shows kids the possibility and consequences of a government that lies to its citizens with technology and fake news. It's quite the opposite of the indoctrination prevalent today. Genius---and I hope it was done on purpose.
One of my favorite pieces of dialogue is this (paraphrased):
Joe: "We've had to operate in such secrecy---it's hasn't been safe for anyone to know more than one or two contacts."
Finn: "So there could be lots of people here who are secretly on our side! They just need to know it's safe to unite!"
This is literally what I've been saying about all of the crazy that's gone on in our world the last few years. It's the loudest voices that seem to be the majority---but what if they just have the ability (in this case, technology) to drown out the real majority?
Great book! Can't wait to get the next ones. While I have three children in the recommended age range of 8-12, I decided it was only my 13 year old and older that I felt comfortable with reading this right now. I felt like the emotions the children showed about being without their mother would really upset my younger kids---and the sci-fi towards the end would be over their heads. I've loaned this to my 13 year old daughter to enjoy. I hope she loves it! show less
I just finished re-reading the entire series (except book 1 - I figured I already knew the important stuff from the first two times through). And every time I read this series, Margaret Peterson Haddix blows my socks off all over again with her thought-provoking themes, hard questions, and characters that I empathize with.
I have to say that somewhere in the middle of the re-reading I got kind of bored with the middle books, which basically just inch forward toward that far-off goal of show more defeating the government. But things - important things! - happen in those books, and when looking back I suppose I can't complain.
So, the premise of the series is that there was a famine many years ago, and so the government became incredibly restrictive, limiting food and resources so that there will always be enough for everyone. But there's one more very important, very drastic decision that they made - they outlawed having more than two children. A very Chinese-ish scenario, I know. But this time the government isn't just restrictive, it's evil. And by evil, I mean killing-innocent-children-in-horrible-ways-just-because-they-were-born-third evil. You see, not everyone follows this law, put into place only twelve years before. People accidentally have another child. Some might even on purpose have more, because they want more. But these children can never go outside, can never run or jump or shout, or be an active and visible part of the family. Hide. Whisper. Sit. Don't move, don't talk. That's all these children ever know. But these kids want to do more than just hide in fear of the Population Police knocking on their door someday - they want freedom. And that is what this series is all about.
Luke Garner, a farm boy and a third child, started this series off when he discovered a neighbor shadow child and made friends with her - the first person outside the family he ever met. She was determined to set things right, and when Jen (the girl)'s efforts came to a tragic end, Luke made the decision to leave the safety of his home and try to make a difference. Some of the other books in the series were from the point of view of other kids he met (Nina, Trey, Matthias), but I always found those to be the excess books - the real series were the Luke books - or Lee, as he was known as on his fake I.D. card.
Now Luke works for the Population Police (who run the entire government - rather convenient for the plot, but not entirely ridiculous), undercover alongside his friends as they work to overthrow the government. But when he is told to shoot an old woman who refuses to obey the Population Police, he is forced to make a decision. He drops the gun and runs, setting off a chain of events that go all the way to Population headquarters.
This really is the book where everything comes together, and where all the hard questions really come to the front. Luke struggles with people who will conform to either side of the struggle, do whatever is best in the moment for his personal gain. He wonders if his small contributions are even useful, wether the little things can ever add up to be as useful as the big things. And I think the biggest questions throughout the series, he struggles with the concept of freedom - something he and his friends have obviously had very little of. Here's one of my favorite quotes from the book, that illustrates this nicely:
(SOME SPOILERS! THIS COMES FROM THE END OF THE BOOK - NOTHING HUGE, BUT SOME MENTION OF PLACES/PEOPLE IN THE BOOK!)
"He remembered how baffled he'd been all along, trying to understand freedom. In the beginning, all he'd wanted was a chance to run across his family's front yard or ride in the back of the pickup truck to town, the way his brothers did. He'd seen how the Chiutzans acted like freedom just meant getting to shoot anyone they wanted to shoot; how Eli and the others in his village thought they were free because they were ready to die. He'd watched the people celebrating at the Population Police headquarters as if freedom were just a matter of getting free food.
But he understood now that freedom was more than that. In one sense, he'd been free all along." show less
I have to say that somewhere in the middle of the re-reading I got kind of bored with the middle books, which basically just inch forward toward that far-off goal of show more defeating the government. But things - important things! - happen in those books, and when looking back I suppose I can't complain.
So, the premise of the series is that there was a famine many years ago, and so the government became incredibly restrictive, limiting food and resources so that there will always be enough for everyone. But there's one more very important, very drastic decision that they made - they outlawed having more than two children. A very Chinese-ish scenario, I know. But this time the government isn't just restrictive, it's evil. And by evil, I mean killing-innocent-children-in-horrible-ways-just-because-they-were-born-third evil. You see, not everyone follows this law, put into place only twelve years before. People accidentally have another child. Some might even on purpose have more, because they want more. But these children can never go outside, can never run or jump or shout, or be an active and visible part of the family. Hide. Whisper. Sit. Don't move, don't talk. That's all these children ever know. But these kids want to do more than just hide in fear of the Population Police knocking on their door someday - they want freedom. And that is what this series is all about.
Luke Garner, a farm boy and a third child, started this series off when he discovered a neighbor shadow child and made friends with her - the first person outside the family he ever met. She was determined to set things right, and when Jen (the girl)'s efforts came to a tragic end, Luke made the decision to leave the safety of his home and try to make a difference. Some of the other books in the series were from the point of view of other kids he met (Nina, Trey, Matthias), but I always found those to be the excess books - the real series were the Luke books - or Lee, as he was known as on his fake I.D. card.
Now Luke works for the Population Police (who run the entire government - rather convenient for the plot, but not entirely ridiculous), undercover alongside his friends as they work to overthrow the government. But when he is told to shoot an old woman who refuses to obey the Population Police, he is forced to make a decision. He drops the gun and runs, setting off a chain of events that go all the way to Population headquarters.
This really is the book where everything comes together, and where all the hard questions really come to the front. Luke struggles with people who will conform to either side of the struggle, do whatever is best in the moment for his personal gain. He wonders if his small contributions are even useful, wether the little things can ever add up to be as useful as the big things. And I think the biggest questions throughout the series, he struggles with the concept of freedom - something he and his friends have obviously had very little of. Here's one of my favorite quotes from the book, that illustrates this nicely:
(SOME SPOILERS! THIS COMES FROM THE END OF THE BOOK - NOTHING HUGE, BUT SOME MENTION OF PLACES/PEOPLE IN THE BOOK!)
"He remembered how baffled he'd been all along, trying to understand freedom. In the beginning, all he'd wanted was a chance to run across his family's front yard or ride in the back of the pickup truck to town, the way his brothers did. He'd seen how the Chiutzans acted like freedom just meant getting to shoot anyone they wanted to shoot; how Eli and the others in his village thought they were free because they were ready to die. He'd watched the people celebrating at the Population Police headquarters as if freedom were just a matter of getting free food.
But he understood now that freedom was more than that. In one sense, he'd been free all along." show less
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Statistics
- Works
- 94
- Also by
- 8
- Members
- 56,875
- Popularity
- #258
- Rating
- 3.9
- Reviews
- 1,231
- ISBNs
- 858
- Languages
- 14
- Favorited
- 43


































































































