Basma Abdel Aziz

The world-building and the atmosphere setting were really well done. Assigning architectural feature names to the state institutions such as "The Main Gate of the Northern Building", "The Gate of Maladies" & "The Booth" gave them an additional impersonal aura. Naming military units by their end-result goals such as "The Quell Force', "The Deterrence Force" & "The Conciliatory Force" gave them an added coldness. Using the Eye of Horus on the cover as an all-seeing symbol of state surveillance show more was a further convincing visual touch.

The energy was dissipated though by being spread thinly across too many protagonists with not enough drama. There is a main story of innocent by-stander Yehya who is wounded in the suppression of a "Disgraceful Event" (the regime's name for protests) who is seeking to have a bullet removed by a Doctor who is facing a system that denies the bullet's existence and therefore will not give approval for its removal. That setup is more of a story of a bureaucratic nightmare than of rebellion and resistance. The other stories are of Yehya's friends Nagy and Amani who try to help him, a teacher Ines who makes a slip in the curriculum, a mother Um Mabrouk who is seeking medical care for her children, a regime supporter Shalaby who is seeking a commendation for his slain soldier cousin etc. Tarek, the doctor does seem to take a stand at the end, or does he?

Various reviews compare this to Orwell's "1984" or Kafka's "The Trial", but it doesn't give you a strong single protagonist to latch onto such as Winston Smith or Josef K. But the overall atmosphere of bureaucratic repression is strong and it stays with you. show less

Aziz tells a hauntingly realistic story of an unnamed society where everyday life eventually takes place in a long queue. People are waiting for a gate to open to receive special permits for everything from proof of citizenship in order to obtain permits for other things, to permission for medical treatment. The gate issues orders and fatwas regarding permissible behavior. The country seems to be in an Arab country and the discussion of fatwas indicates it is Muslim.

The intrigue and ethical show more dilemmas presented in the queue are what make the novel so fascinating. There are those who disagree with the edicts coming from the gate as freedoms contract. But Aziz makes us question how far a human being can go to contradict a government into which she has no input and where the consequences seem dire. Skirmishes develop yet the gate denies they ever occurred. The main character is dying of a bullet wound but the government insists no bullets were fired. People disappear. Will people rise up against the gate? The people had become powerless in a society "where rules and restrictions were stronger than everything else, stronger than the ruler himself,...stronger than even the Gate." Is it even possible for those who challenge the rules and restrictions to be successful when everyone is being watched and outliers are severely punished?

This is a very disarming novel told in rich details that make one appreciate their freedoms. It is a very relevant novel with what is occurring in the world right now. show less

I have been reading a few more books by Muslim authors recently but I still can't say that I am well read in that culture. And I still have trouble keeping the difference between Sunni and Shia Muslims straight in my head. I am determined to persevere though and that's one of the reasons I picked this book up when I saw a used copy in my favourite bookstore, Whodunit. Then a younger relative highlighted this book as one that had an impact on him so my curiousity was really piqued.

The author show more is Egyptian but this book is set in some unnamed Middle East country that is governed by a totalitarian regime. The author is a doctor so it perhaps is not surprising that one of the main characters is a physician called Tarek. The other main character is a man named Yehya who was wounded during an uprising against the government; his friends carried him to the hospital Tarek works at and Tarek examined him. Yehya had been shot and the bullet was still lodged in his abdomen but before Tarek could operate to remove the bullet he was reminded by a colleague that he could not remove a bullet until there was written permission from the government. Yehya would have to stand in the Queue before The Gate to obtain this permission. Many other people were standing in the Queue to also ask for various types of permits but The Gate had closed down when the popular uprising (called The Disgraceful Events) occurred and had not reopened. So day after day Yehya, bleeding and in pain, stood in the Queue with many other people. His girlfriend and his best friend tried to support and aid him; his girlfriend even tried to steal the X-Ray taken when Yehya was first examined by Tarek. It is clear that the government is spying on the people and sometimes people disappear. As Yehya gets weaker and weaker Tarek becomes more conflicted about his duty.

As a citizen of a country that accords its people many rights and freedoms it is hard for me to believe this tale but, even though I know it is fiction, I do understand that many people are not so lucky as I am. I think Aziz is exaggerating for effect but so did Margaret Atwood in The Handmaid's Tale. And Atwood has said that everything she posited for that book was based upon real occurrences; I suspect the same could be said of The Queue. show less

Egyptian writer Basma Abdel Aziz (b. 1976) ventures into her own Orwellian dystopia here. It is set in a city completely under the spell of The Gate, a colossal building from which the entire society is controlled. People queue for miles to get their documents in order, but the building never opens.
The central figure is the young man Yehya, who was shot during protests against the regime (“the Disgraceful Events”). But that bullet cannot be removed as long as The Gate does not grant show more permission. And that permission is not forthcoming; moreover, it seems that the regime is doing everything it can to conceal the existence of the bullet. We follow a group of people surrounding Yehya, as well as the doctor who was supposed to treat him. We see despair, opportunism, defiant resistance, resignation, and so on—all human reactions under a totalitarian regime.
Apparently, it is no coincidence that this book was written just after the outbreak of the Arab Spring in 2011 in various countries in the Middle East and North Africa. In Egypt, in particular, that popular protest ended disastrously. The author has not specifically set her story, but everything suggests that it must take place in her region.
There are constant echoes of Orwell, Kafka, and other dystopian writers. Yet, literarily, this novel remains substandard. Abdel Aziz's writing style is very dry, there is little to no psychological depth, and above all, very little humor. Her story is naturally interesting, but at the same time, very depressing. show less