Anthony Horowitz
Author of Stormbreaker
About the Author
Author and television scriptwriter Anthony Horowitz was born in Stanmore, England on April 5, 1956. At the age of eight, he was sent to a boarding school in London. He graduated from the University of York and published his first book, Enter Frederick K. Bower (1979), when he was 23. He writes show more mostly children's books, including the Alex Rider series, The Power of Five series, and the Diamond Brothers series. The Alex Rider series is about a 14-year-old boy becoming a spy and was made into a movie entitled Stormbreaker. He has won numerous awards including the 1989 Lancashire Children's Book of the Year Award for Groosham Grange and the 2003 Red House Children's Book Award for Skeleton Key. He also writes novels for adults including The Killing Joke and The Magpie Murders. He has created Foyle's War and Midsomer Murders for television as well as written episodes for Poirot and Murder Most Horrid. He made The New York Times Best Seller list with his titles The House of Silk Russian Roulette: The Story of an Assassin and Moriarity.Most recently he was commissioned by the Ian Fleming Estate to write the James Bond novel Trigger Mortis. Anthony was awarded an OBE for his services to literature in January 2014. (Bowker Author Biography) show less
Series
Works by Anthony Horowitz
WALKER The Diamond Brothers In...The Blurred Man & I Know What You Did Last Wednesday (2015) 83 copies
The Diamond Brothers in the French Confection & The Greek Who Stole Christmas (2015) 68 copies, 1 review
Power of Five Books Collection 5 Books Set by Anthony Horowitz (Raven's Gate, Evil Star, Night Rise, Necropolis, Oblivion) (2013) 18 copies
Midsomer Murders: The Killings at Badger's Drift [1997 TV Series Episode] (1997) — Screenplay — 16 copies, 1 review
Foyle's War: Sets 1-5 - From Dunkirk to VE-Day — Creator — 13 copies
Crime Traveller: The Complete Series [1997] [DVD] — Creator — 7 copies
Alex Rider Series 13 Books Collection Set By Anthony Horowitz: 13 Explosive Adventures (2025) 4 copies, 1 review
Foyle's War: Sets 1-2 — Creator — 4 copies
Foyle's War: Sets 3-4 — Creator — 4 copies
Foyle's War: Sets 5-6 — Creator — 4 copies
Alex Underground 3 copies
Foyle's War: Sets 7-8 2 copies
Foyle's War: Sets 1-7 — Creator — 2 copies
Midsomer Murders: Complete Season 25 2 copies
The Diamond Brothers Detective Agency Collection Anthony Horowitz 7 Titles in 5 Books Set (2017) 2 copies
A Hawthorne and Horowitz Mystery Anthony Horowitz 3 Books Collection Set (The Word Is Murder, The Sentence is Death & A Line to Kill) (2023) 2 copies
Alex Rider Adventure 9-12 2 copies
The Switch {video} — Author — 2 copies
Coda 2 copies
Alex Rider & K©Þ©Þrmeenp©Þ©Þ 1 copy
Alex Rider 1-11 1 copy
Poisoned Pen 1 copy
Crime Traveller - Part Two 1 copy
Foyle's War: Set 8, Episode 2: Trespass — Creator — 1 copy
Foyle's War: Set 8, Episode 1: High Castle — Creator — 1 copy
Alex Rider, Band 5 - Scorpia 1 copy
The Gatekeepers Set 1 copy
Point Blank 1 copy
Foyle's War (Series 4, Episodes 01-02 / Series 5, Episodes 01-02 / Series 6, Episodes 01-02) — Creator — 1 copy
Foyle's War (Series 2, Episodes 03-04 / Series 3, Episodes 01-04) — Creator — 1 copy
The Word Is Murder 1 copy
Foyle's War (Series 1, Episodes 01-04 / Series 2, Episodes 01-02) — Creator — 1 copy
Alex Rider Graphic Novels Pack, 5 books, RRP £59.95 (Eagle Strike; Point Blanc; Scorpia; Skeleton Key; Stormbreaker). (2016) 1 copy
Crime Traveller - Part One 1 copy
Associated Works
Reader's Digest Select Editions 2019 v03 #365: Past Tense / Hope on the Inside / Forever and a Day / The Last Road Trip (2019) — Author — 5 copies
Válogatott könyvek 2014/2 David Baldacci - Az ártatlan; Dorothy Koomson - Barátnőm kislánya; Anthony Horowitz - A Selyemház titka; Eowyn Ivey - A hóleány (2014) — Contributor — 1 copy
Tagged
Common Knowledge
- Legal name
- Horowitz, Anthony John
- Birthdate
- 1955-04-05
- Gender
- male
- Education
- University of York
Orley Farm, Harrow, Middlesex, England, UK - Occupations
- screenwriter
novelist
creator of television series - Awards and honors
- Order of the British Empire (Officer, 2014)
Commander of the Order of the British Empire (2022) - Agent
- Jonathan Lloyd
- Short biography
- Anthony Horowitz's life might have been copied from the pages of Charles Dickens or the Brothers Grimm. Born in 1956 in Stanmore, Middlesex, to a family of wealth and status, Anthony was raised by nannies, surrounded by servants and chauffeurs. His father, a wealthy businessman, was, says Mr. Horowitz, "a fixer for Harold Wilson." What that means exactly is unclear -- "My father was a very secretive man," he says-- so an aura of suspicion and mystery surrounds both the word and the man. As unlikely as it might seem, Anthony's father, threatened with bankruptcy, withdrew all of his money from Swiss bank accounts in Zurich and deposited it in another account under a false name and then promptly died. His mother searched unsuccessfully for years in attempt to find the money, but it was never found. That too shaped Anthony's view of things. Today he says, "I think the only thing to do with money is spend it." His mother, whom he adored, eccentrically gave him a human skull for his 13th birthday. His grandmother, another Dickensian character, was mean-spirited and malevolent, a destructive force in his life. She was, he says, "a truly evil person", his first and worst arch villain. "My sister and I danced on her grave when she died," he now recalls.
A miserably unhappy and overweight child, Anthony had nowhere to turn for solace. "Family meals," he recalls, "had calories running into the thousands&. I was an astoundingly large, round child&." At the age of eight he was sent off to boarding school, a standard practice of the times and class in which he was raised. While being away from home came as an enormous relief, the school itself, Orley Farm, was a grand guignol horror with a headmaster who flogged the boys till they bled. "Once the headmaster told me to stand up in assembly and in front of the whole school said, 'This boy is so stupid he will not be coming to Christmas games tomorrow.' I have never totally recovered." To relieve his misery and that of the other boys, he not unsurprisingly made up tales of astounding revenge and retribution.
Anthony Horowitz is perhaps the busiest writer in England. He has been writing since the age of eight, and professionally since the age of twenty. He writes in a comfortable shed in his garden for up to ten hours per day. In addition to the highly successful Alex Rider books, he has also written episodes of several popular TV crime series, including Poirot, Murder in Mind, Midsomer Murders and Murder Most Horrid. He has written a television series Foyle's War, which recently aired in the United States, and he has written the libretto of a Broadway musical adapted from Dr. Seuss's book, The 5,000 Fingers of Dr. T. His film script The Gathering has just finished production. And&oh yes&there are more Alex Rider novels in the works. Anthony has also written the Diamond Brothers series. - Nationality
- UK
- Birthplace
- Stanmore, Middlesex, England, UK
- Places of residence
- North London, England, UK
Orford, Suffolk, England, UK - Map Location
- England, UK
Members
Discussions
The House of Silk in Baker Street and Beyond (January 2012)
Reviews
I've watched so many police procedurals and murder mysteries that it sort of surprised me that this is the very first murder mystery I've ever read, or at least added to LibraryThing. I couldn't have picked a better first book.
Horowitz is an amazing author, I couldn't believe how refreshing it felt to read something that felt like a true treat - I had to stop myself from blowing through the entire thing in one sitting. Hawthorne is a great anti-hero, and I loved the meta style of Horowitz show more putting himself into the story. Enjoyed all the twists and turns, I never felt the story lagged for a moment. Absolutely brilliant! show less
Horowitz is an amazing author, I couldn't believe how refreshing it felt to read something that felt like a true treat - I had to stop myself from blowing through the entire thing in one sitting. Hawthorne is a great anti-hero, and I loved the meta style of Horowitz show more putting himself into the story. Enjoyed all the twists and turns, I never felt the story lagged for a moment. Absolutely brilliant! show less
This is a book within a book. We are given a brief intro by editor Susan Ryeland, warning us that this book changed her life forever, then immediately start reading Magpie Murders by Alan Conway. 210 pages later, the story ends abruptly, clearly unfinished.
We then return to present day with Susan Ryeland and the sentence “Annoying, isn’t it?”
It certainly is. We continue with Susan’s narration of the mystery of the missing pages and the seeming suicide of Alan Conway but which we show more immediately suspect is murder. This is Susan Ryeland’s feeling, too, and as she chases down clues and interviews people, trying to find the missing pages and solve what she firmly believes is murder.
After a spectacular denouement, we get to read the last chapters of Alan Conway’s book and a final musing and status update by Susan Ryeland.
There are many sly allusions to various mystery writers and TV series. Midsomer Murders, which I just started watching 2 weeks ago and had never heard about until about a month ago, figures prominently. We meet Agatha Christie’s real life grandson and other authors. We see how the clues in Alan Conway’s Magpie Murders are themed. Names are themed, and Ryeland thinks she is very clever indeed. She also bemoans about how hard it is in real life to follow leads, keep an eye on the overall case, and know what to do when. She says, “It’s one thing reading about detectives, quite another trying to be one.”
At the same time we’re working on solving the two mysteries, we’re also sharing Susan’s relationship woes/musings as she tries to figure out what she feels for her long-time lover Andreas.
There are several places where the plot grinds audibly. This is in the grand tradition of Sayers and Christie (among others), as are the eccentric English characters and blindingly stupid decisions occasionally taken by the detectives, including Susan Ryeland.
It was all very satisfying. And I have to thank Anthony Horowitz for explicating my love of mysteries. Here is my favorite extended quote from the book for why I’ve loved mysteries ever since I picked up my first Nancy Drew when I was 10.
”I’ve always loved whodunnits. I’ve not just edited them. I’ve read them for pleasure throughout my life, gorging on them actually. You must know that feeling when it’s raining outside and the heating’s on and you lose yourself, utterly, in a book. You read and you read and you feel the pages slipping through your fingers until suddenly there are fewer in your right hand than there are in your left and you want to slow down but you still hurtle on towards a conclusion you can hardly bear to discover. That is the particular power of the whodunit which has, I think, a special place within the general panoply of literary fiction because, of all characters, the detective enjoys a particular, indeed a unique relationship with the reader.
Whodunnits are all about truth: nothing more, nothing less. In a world full of uncertainties, is it not inherently satisfying to come to the last page with every i dotted and every t crossed? The stories mimic our experience in the world. We are surrounded by tensions and ambiguities, which we spend half our life trying to resolve, and we’ll probably be on our own deathbed when we reach that moment when everything makes sense. Just about every whodunit provides that pleasure. It is the reason for their existence. show less
We then return to present day with Susan Ryeland and the sentence “Annoying, isn’t it?”
It certainly is. We continue with Susan’s narration of the mystery of the missing pages and the seeming suicide of Alan Conway but which we show more immediately suspect is murder. This is Susan Ryeland’s feeling, too, and as she chases down clues and interviews people, trying to find the missing pages and solve what she firmly believes is murder.
After a spectacular denouement, we get to read the last chapters of Alan Conway’s book and a final musing and status update by Susan Ryeland.
There are many sly allusions to various mystery writers and TV series. Midsomer Murders, which I just started watching 2 weeks ago and had never heard about until about a month ago, figures prominently. We meet Agatha Christie’s real life grandson and other authors. We see how the clues in Alan Conway’s Magpie Murders are themed. Names are themed, and Ryeland thinks she is very clever indeed. She also bemoans about how hard it is in real life to follow leads, keep an eye on the overall case, and know what to do when. She says, “It’s one thing reading about detectives, quite another trying to be one.”
At the same time we’re working on solving the two mysteries, we’re also sharing Susan’s relationship woes/musings as she tries to figure out what she feels for her long-time lover Andreas.
There are several places where the plot grinds audibly. This is in the grand tradition of Sayers and Christie (among others), as are the eccentric English characters and blindingly stupid decisions occasionally taken by the detectives, including Susan Ryeland.
It was all very satisfying. And I have to thank Anthony Horowitz for explicating my love of mysteries. Here is my favorite extended quote from the book for why I’ve loved mysteries ever since I picked up my first Nancy Drew when I was 10.
”I’ve always loved whodunnits. I’ve not just edited them. I’ve read them for pleasure throughout my life, gorging on them actually. You must know that feeling when it’s raining outside and the heating’s on and you lose yourself, utterly, in a book. You read and you read and you feel the pages slipping through your fingers until suddenly there are fewer in your right hand than there are in your left and you want to slow down but you still hurtle on towards a conclusion you can hardly bear to discover. That is the particular power of the whodunit which has, I think, a special place within the general panoply of literary fiction because, of all characters, the detective enjoys a particular, indeed a unique relationship with the reader.
Whodunnits are all about truth: nothing more, nothing less. In a world full of uncertainties, is it not inherently satisfying to come to the last page with every i dotted and every t crossed? The stories mimic our experience in the world. We are surrounded by tensions and ambiguities, which we spend half our life trying to resolve, and we’ll probably be on our own deathbed when we reach that moment when everything makes sense. Just about every whodunit provides that pleasure. It is the reason for their existence. show less
The story opens with an editor, Susan Ryeland, explaining that this book has changed her life. The book in question is Magpie Murders, the ninth book in the popular Atticus Pund series by Alan Conway. The bad news is, it's unfinished, and Susan embarks on a mystery of her own trying to find the missing pages.
"Clever" is the first word that comes to mind in reading this book and I'm sure has been in many reviews. This is book that breaks the fourth wall regularly, referring to previous show more projects of Horowitz's such as Midsomer Murders and also referring to tropes of the mystery genre, even while using all of them. It's an original story - actually two, and of nearly equal length - and an homage to Agatha Christie and the Golden Age of the genre. I enjoyed the cleverness, but thought the solution to one of the mysteries fell a little flat. Still, I'll look forward to reading Moonflower Murders and seeing what Horowitz does next. show less
"Clever" is the first word that comes to mind in reading this book and I'm sure has been in many reviews. This is book that breaks the fourth wall regularly, referring to previous show more projects of Horowitz's such as Midsomer Murders and also referring to tropes of the mystery genre, even while using all of them. It's an original story - actually two, and of nearly equal length - and an homage to Agatha Christie and the Golden Age of the genre. I enjoyed the cleverness, but thought the solution to one of the mysteries fell a little flat. Still, I'll look forward to reading Moonflower Murders and seeing what Horowitz does next. show less
A murder mystery novel with an odd little gimmick: The author writes himself as a character in the novel, pretending that he's been approached by an oddball detective who wants him to write about a case he's currently working on. And, boy, does Horowitz commit to the bit. Parts of the novel read like he's writing his autobiography, as he talks about his writing process, his other novels, real TV shows he's worked on, real famous people he knows, etc. More than that, one of the characters show more involved in the murder mystery is a supposedly famous actor, and Horowitz casually inserts him into actual TV shows and movies. And I have to say, there's something about that blurring of the lines between reality and fiction that kind of does my head in. It's one thing if the reality in question is far enough in the past that I can think of it as historical fiction, but telling me that a guy who doesn't exist had a major part in a movie I've seen just kind of makes me want to yell at the author to stop messing with my mind, even if intellectually I can concede that the conceit is at least kind of interesting.
The murder mystery plot is also kind of interesting, with an intriguing setup and at least one moment where, after a lot of thought, I got to put together one little piece of the puzzle myself and have a nice little "aha!" moment, even if it didn't actually get me any closer to knowing whodunnit. Sadly, though, it all falls apart a little bit at the end, with the clue to who the real killer is coming as part of a big, weirdly out-of-nowhere exposition dump, followed by a very eye-rollingly cliche "Now, before I kill you, let me tell you my life story and explain all my villainous plans!" speech from the bad guy.
Despite all of which, it was still reasonably entertaining, for the most part, but I'm definitely not feeling any great urge to read the rest of the books in this series. show less
The murder mystery plot is also kind of interesting, with an intriguing setup and at least one moment where, after a lot of thought, I got to put together one little piece of the puzzle myself and have a nice little "aha!" moment, even if it didn't actually get me any closer to knowing whodunnit. Sadly, though, it all falls apart a little bit at the end, with the clue to who the real killer is coming as part of a big, weirdly out-of-nowhere exposition dump, followed by a very eye-rollingly cliche "Now, before I kill you, let me tell you my life story and explain all my villainous plans!" speech from the bad guy.
Despite all of which, it was still reasonably entertaining, for the most part, but I'm definitely not feeling any great urge to read the rest of the books in this series. show less
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Awards
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Statistics
- Works
- 233
- Also by
- 17
- Members
- 83,892
- Popularity
- #136
- Rating
- 4.0
- Reviews
- 2,172
- ISBNs
- 2,507
- Languages
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- Favorited
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