Zilpha Keatley Snyder (1927–2014)

Having passed an idyllic childhood in the treetop city or Orbora, the greatest of the seven cities of Green-sky, Raamo considered himself an ordinary Kindar. So it was with astonishment that he learned, at age thirteen, that he had been selected as one of the Chosen—one of only two Kindar children picked each year—destined to become a member of the priestly Ol-zhaan. This surprise was as nothing, however, when he learned from a young Ol-zhaan novitiate named Dol'Neric that all was not show more well within the order, and within Green-sky in general. For the Spirit skills, long the glory of the Kindar, were waning amongst the people; and the enchanted vine known as Wissenroot, which covered the forest floor far below their arboreal civilization, keeping the monstrous underground Pash-shan at bay, was fading. What could Raamo and Neric do about these great evils? Would they be able to discover what role the mysterious Ol-zhaan secret society known as the Geets-kel had to play in all this, and would Genaa, Raamo's fellow Chosen that year, be an ally or an enemy...?

The first of author Zilpha Keatley Snyder's Green Sky Trilogy—subsequent titles are And All Between and Until the Celebration—Below the Root was first published in 1975, and originated in the imaginative play of two characters in her prior non-fantasy children's novel, The Changeling. The "Green Sky" game played by Martha and Ivy, in that earlier book (published in 1970), also concerned an arboreal civilization beset by evil monsters, and was clearly the seed from which the fully fantastic trilogy grew. While there are key differences between the made-up "Green Sky" of The Changeling and the "real" one in the trilogy, and while it is by no means necessary to have read that earlier book to appreciate the trilogy, I find the connections immensely meaningful, as the earlier book is one of my favorites of all time, and is one I read and reread as a girl. How unfortunate that I did not know of this series at that time, or it might also have been a childhood favorite! It's interesting to note that many other readers discovering this series for the first time as adults approach it through the lens of having played the Below the Root video game, which featured an adventure written by Zilpha Keatley Snyder herself, and which is considered part of Green Sky canon.

Leaving all of that aside, this is an immensely engaging and deeply moving work of fantasy/science fiction for young readers. I have read it once before, but recently reread it, for a group read of the series that I am conducting with friends, and it certainly stood the test of time, and the trial of a reread. I love pretty much everything about it, from the world building—the arboreal life of the Kindar is so magical, and the songs and rituals they use to promote peace and joy within themselves and their society, so beautiful—to the vocabulary and the way it is introduced—sometimes Snyder will explain what a word means, but sometimes she will let the reader figure it out—to the emotional depth of the characters—particularly Raamo's self-reflection and Genaa's deeply buried and unexpressed sorrow and rage at the death of her father at the hands of the Pash-shan—to the story itself. The idea of creating a human civilization free of violence is intriguing, as is the sorrow of discovering that utopias are so frequently built using far from utopian means. I have seen this compared to more contemporary works of dystopian fiction, such as The Hunger Games and Divergent, but of course this came far before those works, and was quite groundbreaking in its day. It differs from such stories in this key regard, which only raises my esteem for it: namely, that it understands the central role of religion to all human societies, and it explores the beauty and power of such belief systems for the believer, as well as the all-too-frequent corruption of those who are in charge of such systems.

Although written in the 1970s, and a product of its time in many ways—the peace and joy and love of the Kindar civilization feels like the fulfillment of the hippie dream, in some sense—in other ways it feels oddly current. I was struck, during this reread, by the parallels between the Kindar civilization and social and political progressives in the western world in this present day. The way in which they both structure their beliefs around ideas of care, benevolence, the avoidance of causing harm; and the way both are built on the suppression of those who have expressed disagreement with them, the ways in which those others are demonized and made into monsters. The parallel truly astonished me, as I read how the Pash-shan haunted the dreams of Raamo and his Kindar brethren, and then thought of the many people I have encountered in this day and age, who are so constantly fixated upon those with whom they disagree, those whom they revile and fear.

As if this strength of storytelling—the ideas expressed and explored, the beautiful language of the text itself, the engrossing character studies, the fascinating world-building—weren't enough, this book is also greatly improved by the gorgeous artwork of illustrator Alton Raible. I understand that many paperback and ebook editions of this title are lacking these beautifully intricate pencil drawings, and that is a great shame, for they add to and complement the sense of magic and mystery to be found throughout. Raible worked on eleven of Zilpha Keatley Snyder's books, and his artwork is always worth looking at, poring over, and enjoying. It's a shame that he doesn't seem to have done any other work within the book world, but the drawings he did for Snyder are certainly an impressive body of work! It's well worth seeking out the original edition of this book, for the sake of this artwork.

In any case, to offer such wonderful storytelling, and to have such powerful social and intellectual relevance, almost fifty years after its publication, speaks to this book's staying power, and to its brilliance. I highly recommend it to any young (or older) reader who enjoys fantasy, science fiction, dystopian fiction, or just thoughtful fiction in general. For my part, I cannot wait to reread the next installment of the series. show less

An awesomely creepy book from Snyder, who I love for her unique treatment of the supernatural; always leaving it realistic, ambigious, and not always totally evil.

Jessica feels abandoned; her glamourous mother is gone most of the time, her (former) best friend seems to have forgotten her, and she spends most of her days alone, bothered only by the nosy landlady.

Then Jessica finds Worm, a tiny black kitten, in a cave on a stormy night. He doesn't behave anything like a normal kitten; he show more wails, he has piercing yellow eyes, and he frightens Jessica in a way she doesn't understand.

And then she starts hearing him in her head. Is Worm really evil; a witch's cat sent to turn her into someone terrible? Why is Jessica suddenly playing cruel pranks and lying to her mother? And why is she so unable to resist Worm? Is he really the demon...or is Jessica the witch?

Creepy in an utterly psychological way, the interplay between Worm's supposed evil nature and Jessica's own mental state is fascinating. In the end, it will take a unorthodox exorcism, a reconciliation with her best friend, and a chilling climax chase to reveal the true natures of both Jessica and Worm. A great read for supernatural fans that's appropriately scary but still has a warm ending. show less

Could have been just another historical fiction, but Snyder challenged the reader to think more deeply about things and people. Is Father a bully with unrealistic expectations, a thwarted scholar, a principled man of strong beliefs, something else, all of the above? If Mother had not succumbed to depression, would she have become healthier? Will Lila and/or Nellie ever be able to leave home and have their own families? Is the ending a happy one? Etc.

I certainly don't know, and as a more show more naive child I certainly would have had a lot to think about. I definitely recommend that a child read this at least twice, a few years apart, to have a chance to see it through different perspectives. show less

Zilpha Keatley Snyder's marvelous Green Sky Trilogy, begun in Below the Root and continued in And All Between, comes to a conclusion in this third and final installment of the story. Opening shortly after the events of the previous book, in which Uniforce returned to the Kindar in the form of the children Pomma and Teera, and the secret society of Geets-kel renounced their opposition to the Rejoyning of the Kindar and Erdling peoples, the story here kicks off as the leaders of Orbora are show more informed of the astonishing history that had been kept from them. All does not go quite as the Rejoyners hope however, and the book chronicles the first year after these revelations, as the Erdlings are released from their subterranean prison, and gradually join the above-ground Kindar world. The ongoing tensions between the two groups, and the challenges faced by those hoping for their integration—resistant factions on both the Kindar and Erdling sides, the seeming disappearance of Pomma and Teera, and the theft of the dangerous tool of violence—are chronicled, as events lead up to the Celebration—the one year anniversary of Green Sky's Rejoyning. Can Raamo and his friends triumph, and finally defeat the ancestral specter of violence their society was founded to escape from, and what price must they pay to do so...?

Although there are some flaws in Until the Celebration, as well as in The Green Sky Trilogy in general, I nevertheless enjoyed this conclusion to Snyder's story immensely. As with its predecessors, I found the world of the Kindar and Erdlings to be a fascinating one, appreciating all of the details regarding customs, rituals and beliefs, and the way these varied between the two groups. I thought Snyder did an excellent job depicting the disillusionment experienced by the Kindar, when some of the central tenets of their belief system—the evil nature of the Pash-shan, the infallibility and goodness of the Ol-zhaan—fell away. The way in which they subsequently latched on to the two children, Pomma and Teera, as figures with spiritual meaning, was astutely captured, revealing the way in which people need and desire symbols of hope and strength. Raamo's perceptive understanding that there is a danger in this veneration of the children may be proved correct in the end, but it also reinforces the original idea, that belief and ritual, especially of a spiritual and/or religious nature, is often necessary for peaceful and just societies. I was also greatly impressed by the storytelling decision Snyder made, in killing off her hero. Other great stories have flirted with the idea—a prime example being the Harry Potter books—but I think in general it is very unusual to see this outcome, in a work intended for children. Which isn't to say that children's fiction never addresses death, but when it does, it is usually the focus of the story, which tends to center around grief and loss. Here the focus is on sacrifice, even if done inadvertently, and I think it was a bold choice on Snyder's part. I have read that she regretted the end of this book, so it may be that she changed her mind after the fact, but in the telling, she clearly felt that sacrifice and loss were an essential part of her tale.

All of this being said, despite my great enjoyment of and appreciation for this series, I must admit that it suffers from some structural issues that prevent it from being quite as outstanding as it would otherwise have been. I think the trouble starts in the second book, And All Between, which covers much of the same material as in the first book, Below the Root. While I didn't dislike this "repetition" as much as some other online reviewers—I enjoyed seeing some of the same events from the Erdling perspective—given the fact that I found this third book somewhat rushed, covering too much in too few pages, I think that either this decision in the second book to go back and retell part of the story ought to have been reconsidered, or that this third book ought to have been expanded, and made into two books. There was simply too much going on here, and not enough attention paid to any of it, to truly satisfy. I also felt that the conclusion of the book was somehow off. Raamo's death, which should have been the climax of the story, was overshadowed by the return of Pomma and Teera. The latter also felt rushed, in and of itself, and I couldn't help feeling that the experiences of the two girls ought to have been its own storyline, within the book, rather than relayed briefly after the fact. Of course, despite these structural flaws, I do truly love this series as a whole, and consider the first book (Below the Root) practically perfect. Highly recommended to any younger (or older) reader who enjoys fantasy, science fiction, dystopian fiction, or just thoughtful, more philosophical fiction in general. show less