Picture of author.

Cynthia Harnett (1893–1981)

Author of The Wool-Pack

14+ Works 1,053 Members 7 Reviews 5 Favorited

About the Author

Includes the names: Cynthia Harnett, Harnett Cynthia

Works by Cynthia Harnett

The Wool-Pack (1951) 369 copies, 4 reviews
The Load of Unicorn (1959) 210 copies, 1 review
Ring Out Bow Bells! (1953) 138 copies, 1 review
The Great House (1949) 116 copies, 1 review
The Writing on the Hearth (1971) 113 copies
Stars of Fortune (1956) 87 copies
Monasteries & Monks (1963) 5 copies
BOB-TAIL PUP (1947) 4 copies
Ducks And Drakes (1949) 3 copies
Two and a Bit (1948) 2 copies
Mudlarks 2 copies
Sand Hoppers 1 copy

Associated Works

Chosen for Children (1957) — Contributor — 6 copies

Tagged

Common Knowledge

Birthdate
1893-06-22
Date of death
1981-10-25
Gender
female
Education
Chelsea School of Art
Occupations
children's book author
historical novelist
illustrator
Relationships
Stokes, Vernon (cousin)
Short biography
Cynthia Harnett was born in London and educated privately. She studied at the Chelsea School of Art, and later collaborated with her cousin G(eorge) Vernon Stokes, also an artist, on several picture books for children such as Junk, the Puppy (1937). Cynthia Harnett then turned to writing historical novels for children, based on meticulous background research and filled with exceptionally detailed and vivid language and images, which she also illustrated herself. Her first was The Great House (1949), the story of a late 17th-century architect. The Wool-Pack (1951), which concerned the life of a 16-century wool merchant in the Cotswolds, won Cynthia Harnett the Carnegie Medal and was so popular it was reprinted 11 times in hardcover over the next 25 years. Her next work, Ring Out, Bow Bells! (1953), presented the story of the historical Dick Whittington, who grew up to be Lord Mayor of London. Later works included Stars of Fortune (1956) and The Load of Unicorn (1959). Some of the books changed title when they were published in the USA: for example, Ring Out Bow Bells! became At the Sign of the Green Falcon, and The Load of Unicorn was re-named The Cargo of the Maddalena. In contrast to other authors of the 1950s, whose characters were often to be found in the thick of war and politics, Cynthia Harnett set her stories in the everyday life of (mostly) rural families, using the great world beyond as backdrop.
Nationality
UK
Birthplace
London, Middlesex, England, UK
Places of residence
Berkshire, England, UK
Associated Place (for map)
England, UK

Members

Discussions

Reviews

8 reviews
Because Michael... in Open Library as Nicholas and the Wool Pack.

Compares favorably to the better historical fiction that has won Newbery recognition. I would have liked it as a child, when I was enjoying [b:Adam of the Road|164255|Adam of the Road|Elizabeth Janet Gray|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1348558311l/164255._SX50_.jpg|452487]. It does a wonderful job of teaching us so much about the history and culture of the era when 'Columbus' was show more 'discovering' 'America' and about the Medici family of bankers, etc.

I loved how Nicholas' mother was a fashionable, title-proud woman, who carried a tiny dog around everywhere, even smuggled into church, because it was what the noblewomen were doing. There were lots of details like that, making this an immersive story that felt very real, not musty & dusty at all.

(Googling Medici tells me that Harnett should have written a sequel or companion to this, as just a couple of years later the family had a downfall.)
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Cynthia Harnett, who wrote historical stories for children set in the Middle Ages, often incorporated real-life characters such as Dick Whittington (in Ring out Bow Bells) and William Caxton in this book, The Load of Unicorn.

It is so many years since I read it last (maybe 40!) that I'd forgotten the meaning of the unusual title of this book. Unicorn in this context is not the mythical beast but a 'brand' of paper with a unicorn watermark (the cover illustration shows people unloading some show more Unicorn paper from a ship). The book is set in the late 15th century at the time that Caxton is just establishing his printing press in London, and part of the plot concerns the conflict this causes, as the scriveners (scribes) fear being put out of business by this new-fangled technology, and some use disreputable means to sabotage Caxton's business. A young boy, Bendy (Benedict), is at the heart of this conflict: his father and stepbrothers are scriveners, but he is taken on as an apprentice by William Caxton.

The plot also incorporates another historical figure, Sir Thomas Malory, suggesting how Caxton might have come by the manuscript of his Arthurian tales. There are deeper and darker themes too than commercial rivalry and the history of printing - glory and chivalry, dishonour, treachery and danger are all encountered by young Bendy who learns that the world is a more complex place than his daydreams about chivalrous knights.
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I spotted a historical error in this one—it’s set in England and talks about witch-burnings. Witches were hanged in England and Wales and the English colonies because witchcraft was classed as a felony; but burned in Scotland and Europe because it was classed as a heresy.

Also it would have been nice if Barbara had been a bit more of an intellectual but you can’t have everything.
Excellent historical fiction for children. The objects which feature in the vignettes can mostly be seen in the Museum of London.
I was partly inspired to become a museum curator by this book ... so it was rather a shock to come face to face with the objects in my first job!

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Associated Authors

Eileen Armitage Cover designer
William Plummer Cover artist
Gareth Floyd Illustrator
Amanda Craig Introduction
Vernon Stokes Illustrator

Statistics

Works
14
Also by
2
Members
1,053
Popularity
#24,475
Rating
4.1
Reviews
7
ISBNs
37
Languages
3
Favorited
5

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