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Yang Xianyi (1915–2009)

Author of Poetry and Prose of the Tang and Song

23+ Works 245 Members 4 Reviews

About the Author

Image credit: Gladys and Xianyi Yang, 1941

Works by Yang Xianyi

Ancient Chinese Fables (1981) 40 copies
Stories About Not Being Afraid of Ghosts (1961) — Translator; Translator, some editions — 28 copies, 3 reviews
Tang Dynasty Stories (1986) — Translator — 17 copies, 1 review

Associated Works

Dream of the Red Chamber (1791) — Translator, some editions; Translator, some editions — 877 copies, 9 reviews
The Scholars (1803) — Translator, some editions — 281 copies, 2 reviews
The travels of Lao Ts'an (1903) — Translator, some editions — 99 copies
Found In Translation (2018) — Translator, some editions — 59 copies
A Brief History of Chinese Fiction (1925) — Translator — 51 copies, 1 review
Selected Works of Lu Xun [set] (1983) — Translator, some editions — 41 copies, 1 review
Selected Plays of Guan Hanqing (2002) — Translator — 18 copies
Li Sao: And Other Poems of Qu Yuan (1953) — Translator, some editions; Translator, some editions; Translator, some editions — 12 copies
The white-haired girl : an opera in five acts — Translator, some editions — 5 copies
The butterfly dream — Translator, some editions — 2 copies
Rescued by a coquette — Translator, some editions — 2 copies

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Common Knowledge

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Reviews

5 reviews
There are no ghosts. Belief in ghosts is a backward idea, a superstition and a sign of cowardice.

So opens this curious little Chinese anthology. I picked it up in Oxfam partly because of the woodcut illustrations, and partly because of the delightfully prosaic title. It turns out the ancient stories were chosen, between 1959 and 1961, as fables and satires that illustrated Communist ideals of anti-imperialist rationalism. This is explained at length in the (inadvertently) funny and show more slightly sinister 17 page preface: a pompous and opaque flurry of political doctrine and jargon.

The Stories

The 35 stories themselves are very short, and many are more like anecdotes, than stories. The titles and endings are often as endearingly banal as that of the collection. For example, After 30 days being inundated with frogs of increasing number and decreasing size, the plague just stops, and “After this his family had no further trouble, and all who knew him admired him.” Such bathos.

"I do not fear you with your head on, so what's there to fear with your head off?"

Several have a man staying overnight in an allegedly haunted place to prove there is nothing to fear, and several of the ghosts are female suicides, with lolling tongues.

There’s not a great deal of excitement or mystery, but the best have a mythical charm, a visceral familiarity.

Tips for Overcoming Chinese Ghosts

• Don’t believe in ghosts, and you may not see them.
• Be brave, thus retain your wits, and find a practical solution.
• Demons respect lack of fear, and may go away if you insist.
• Black your face and the ghost may think it is seeing a ghost!
• Catch a ghost in a net or belt. It will turn into a block of wood, which you then fry or burn.
• Investigate and talk to the ghost. It may be a person trying to trick you.
• Bows and arrows can kill ghosts - but it may take three shots.
• Sometimes, just blowing or spitting on a ghost will destroy them.
• Chase ghosts away.
• Smear filthy paper on a ghost's mouth.
• Beat ghosts with peach twigs (no other trees will do).
• Ghosts have three tricks: enchantment, obstruction, and intimidation. If you can endure those, they’ve nothing left.
• A cup of water can cure the temporary madness of a woman who thought she was a ghost.

The Political Preface

There are actually many things in this world which are like ghosts. Some are big, such as international imperialism and its henchmen… modern revisionism… serious natural calamities… Some are small, such as difficulties and setbacks in ordinary work.

The dogma is strong, but it doesn’t quite make sense. It states that literal ghosts don’t exist, but also that “ghosts are afraid of men”. In the stories, some of the ghosts are presented as real (one man eats the meat of one he kills!), though others are people pretending. I guess it doesn’t matter.

The message is about not succumbing to superstition or fear. About needing the strength of character to think and act rationally. About bravery and protecting others. About being prudent and resourceful, to overcome the (non-existent?) ghosts. I’m no Communist, but those are good ideals.

Thoroughgoing dialectical materialists and genuine proletarian revolutionaries are, of course, much wiser than those people who did not fear ghosts in old tales.
(I’m not a proletarian revolutionary, genuine or otherwise, but how would I know if I was a partial or thoroughgoing dialectical materialist, and would I want to be one anyway?)

Comedy in Pragmatism

Picture: “I ain’t afraid of no ghost” - Ghostbusters, 1984

The comedy value of some of these stories is diluted by the earnest political rhetoric that precedes it. That’s not a problem with Oscar Wilde’s The Canterville Ghost, which I read just before these stories (see my review HERE). The Chinese compilers might approve: it’s about a family who initially don’t believe in ghosts, but when confronted by one, they refuse to be alarmed, and take a resolutely pragmatic approach to overcome the inconvenience. However, in Wilde’s hands, it’s comedy, with a poignant message, rather than preaching about good (Communist) character.

Research on Culture and Belief

In 2015, the respected Pew Research found that 18% of Americans claim to have seen a ghost (source here). I’m not sure if this confirms or refutes the Chinese position. ;)

Those who describe themselves as believers – but who don’t attend church regularly – are twice as likely to believe in ghosts than those at the two extremes of religious belief: nonbelievers and the deeply devout (source here).

There is also relationship between the type of ghosts people see and their belief system (source here). For example, ghosts seen by Roman Catholics were often identified as souls in Purgatory, whereas protestants were more likely to see angels and demons. And judging by this book, Chinese ghosts have bizarrely long tongues if they died by hanging (one was “sticking out several feet”). Freud might have fun with that.

It might also be worth reading The Ghost: A Cultural History (I haven't).

See also

Alberto Manguel included An Injustice Revealed in his anthology, Black Water. I reviewed that specific story, HERE.
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Very interesting, and in some cases amusing
Tang dynasty short stories. Some, such as the Song of a Singsong Girl, are sources for later important Chinese literature
Book Description: Foreign Languages Press Peking 1961. This is the second edition 1979 in excellent condition.
Book Description: Peking, China: Foreign Languages Press, 1979. Trade Paperback. Very Good. Paperback, Near Fine, Illustrated. Very Nice Copy, Pristine Text. Second Edition.

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Associated Authors

Gladys Yang Translator
Fu Tai Contributor
Chun-tsai Huang Contributor
Yi-ching Chu Contributor
Pang-eh Ho Contributor
Hsui Niu Contributor
Kuo-chen Chu Contributor
Mai Hung Contributor
Yung Shangkuan Contributor
Huangfu Contributor
Hsing Pei Contributor
Su Niu Contributor
Lien Li Contributor
Yi-ching Liu Contributor
Yun Chi Contributor
Shih-Fa Cheng Illustrator
Ying Lang Contributor
Ho Ch'i-fang Preface
Mei Yuan Contributor
Sung-ling P'u Contributor
Chieh Wang Contributor
Zhou Fang Cover artist
Yan Dunyi Introduction

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Works
23
Also by
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Rating
3.9
Reviews
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ISBNs
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