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William Cullen Bryant (1794–1878)

Author of The Library of World Poetry

123+ Works 1,244 Members 9 Reviews 1 Favorited

About the Author

Like so many successful New Yorkers during the nineteenth century, William C. Bryant was born and reared in New England. There, in his native Massachusetts, among the beautiful highlands of the Berkshires, he learned early to be a close observer of nature and a careful student of English show more versification. A child prodigy, he began to make rhymes before his tenth birthday, and in 1808 he gained some fame as the author of The Embargo, or Sketches of the Time, a satire in verse in which he echoed the conservative political sentiments of his elders. Soon, however, he found his own voice and point of view, and the poetry that followed, unlike so much of the literature that was being produced in the United States in the early decades of the nineteenth century, was considered by his contemporaries to be unmistakably American. During his own lifetime and since, his most famous poem has been "Thanatopsis" (from the Greek thanato and opsis, meaning "a meditation on death"), which was first published in the North American Review in 1817. Other poems, such as "Inscription for the Entrance to a Wood" (1817), "A Forest Hymn" (1825), and "To the Fringed Gentian" (1832), printed during the next several decades, brought him recognition both at home and abroad as the leading poet in the United States. Always solemn and stately, his verse seemed cold to James Russell Lowell, who humorously spoke of Bryant's "iceolation." But others praised Bryant for his careful artisanship, his commitment to romantic aesthetics, his celebration of nature, and his liberal faith in the historical destiny of the United States. Matthew Arnold called "To a Waterfowl" (1818) one of the finest short lyrics in the English language, and "The Prairies" (1833) and "Earth" (1835) have been seen as noble literary expressions "of the Jacksonian version of the American Dream." By training a lawyer and by profession a journalist, Bryant was editor-in-chief of the New York Evening Post from 1829 until his death in 1878. This position gave him enormous influence on national affairs, and his early support for the fledgling Republican party in the 1850s helped insure that party's success. When he was nearly 80 years old, he translated the Iliad and Odyssey of Homer into English blank verse. Bryant died in 1878. (Bowker Author Biography) show less

Works by William Cullen Bryant

The Library of World Poetry (1870) 487 copies, 1 review
Poems (1890) 169 copies, 2 reviews
Picturesque America (1974) — Editor, some editions — 74 copies, 3 reviews
Poetical Works of William Cullen Bryant (1969) 67 copies, 1 review
The Iliad of Homer (2018) 28 copies
Thanatopsis (2010) 28 copies
The flood of years (1878) 15 copies
The Family Library of Poetry and Song (1870) 12 copies, 1 review
Among the trees (1874) 12 copies
Thanatopsis and Other Poems (1900) 12 copies
The Story of the Fountain (2007) 9 copies, 1 review
The Odyssey of Homer (2010) 9 copies
A Forest Hymn (2006) 6 copies
Willian Cullen Bryant (1947) 3 copies
The Prairies 1 copy
Thirty poems 1 copy

Associated Works

The Iliad (0700) — Translator, some editions — 47,239 copies, 445 reviews
One Hundred and One Famous Poems (1916) — Contributor, some editions — 2,315 copies, 21 reviews
Winter Poems (1994) — Contributor — 1,452 copies, 12 reviews
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributor — 1,242 copies, 3 reviews
English Poetry, Volume III: From Tennyson to Whitman (2004) — Contributor — 702 copies, 1 review
A Treasury of the World's Best Loved Poems (1961) — Contributor — 570 copies, 4 reviews
The Heath Anthology of American Literature, Volume 1 (1990) — Contributor, some editions — 252 copies, 1 review
American Religious Poems: An Anthology (2006) — Contributor — 183 copies, 2 reviews
Best Remembered Poems (1992) — Contributor — 182 copies, 4 reviews
A Comprehensive Anthology of American Poetry (1929) — Contributor — 138 copies, 2 reviews
The Standard Book of British and American Verse (1932) — Contributor — 130 copies, 1 review
Poets of the Civil War (2005) — Contributor — 106 copies, 1 review
Storytelling and Other Poems (1949) — Contributor — 99 copies, 2 reviews
American Sonnets: An Anthology (2007) — Contributor — 80 copies
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 72 copies, 1 review
Bright Poems for Dark Days: An Anthology for Hope (2021) — Contributor — 30 copies
American Literature: The Makers and the Making (In Two Volumes) (1973) — Contributor, some editions — 25 copies
Travelers Tales of Old Cuba (2002) — Contributor — 17 copies, 1 review
Christmas Classics: A Treasury for Latter-Day Saints (1995) — Contributor — 16 copies
Gringos in Mexico: An Anthology (1988) — Contributor — 11 copies
Spring World, Awake: Stories, Poems, and Essays (1970) — Contributor — 9 copies
American Poems 1776-1922 (2013) — Contributor — 8 copies
Et Cetera (1924) — Contributor — 7 copies
Themes in American Literature (1972) — Contributor — 5 copies
Representative American Short Stories — Contributor — 5 copies, 1 review
La poesía inglesa románticos y victorianos — Contributor — 4 copies, 1 review
The Best of American Poetry [Audio] (1997) — Contributor — 1 copy

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Reviews

12 reviews
Bryant is one of the greatest poets in America, and his poetry really resonates with me. Bryant's poetry program sought to establish an American literary tradition.
I bought this tome in the early 1970s at a used book sale for 25¢ (or perhaps it was $2). It's a much-loved, antique volume filled to bursting with notable pre-1870 poetry (written in English). Of course, "modern" poetry came along after the turn-of-the-century and this poetry quickly fell out of favor and became antiquated. Still, one can sentimentally indulge, can't we?
A classic, filled with high-quality engravings of towns and scenes across America, plus hundreds of illustrations, some of them full-page. The complete books are hard to find because so many of them have been disbound so the plates could be sold individually. Vol. 1 and Vol. 2 have different bindings and were purchased at different times. I also have many of the plates separately, from a box of engravings I purchased.

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Works
123
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Rating
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ISBNs
128
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