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Jan Beatty

Author of Mad river

14+ Works 166 Members 3 Reviews 1 Favorited

About the Author

Jan beatty's fourth full-length collection, The Switching/Yard, was named one of "30 New Books That Will Help You Rediscover Poetry" by Library Journal. The Huffing ton Post named her as one of ten women writers for "required reading." Her other books include Red Sugar, Boneshaker, and Mad River, show more winner of the Agnes Lynch Starrett Prize. Beatty is host and producer of Prosody on NPR affiliate WESA-FM, featuring the work of national writers. She is director of Creative Writing at Carlow University, where she runs the Madwomen in the Attic writing workshops and teaches in the MFA program. show less

Includes the name: Jan Beatty

Works by Jan Beatty

Mad river (1996) 39 copies, 1 review
Boneshaker (2002) 28 copies, 1 review
Red Sugar (2008) 27 copies
The Switching/Yard (2013) 18 copies
Voices from the Attic (2007) 11 copies
American Bastard (2021) 8 copies, 1 review
Ravenous (1995) 3 copies
Ravage 1 copy
Skydog 1 copy

Associated Works

The Best American Poetry 2013 (2013) — Contributor — 97 copies, 3 reviews
Women of Resistance: Poems for a New Feminism (2018) — Contributor — 94 copies, 4 reviews
Pittsburgh Revealed: Photographs Since 1850 (1997) — Introduction, some editions — 20 copies
The Crafty Poet: A Portable Workshop (2016) — Contributor — 16 copies
Poetry Magazine Vol. 208 No. 1, April 2016 (2016) — Contributor — 14 copies, 1 review

Tagged

Common Knowledge

Birthdate
1952-11-27
Gender
female
Organizations
University of Pittsburgh
Carlow University
Nationality
USA
Associated Place (for map)
USA

Members

Reviews

3 reviews
American Bastard by Jan Beatty is a hybrid memoir that, while being fully a memoir, uses more than straightforward prose to express that narrative.

One of the differences between a memoir and a biography, besides the obvious one of authorship, is one of relaying facts versus relaying feelings. Good books of both genres do some of both but a biographer is by definition a step removed when conveying the subject's feelings while a memoirist is the subject and can tap into the emotions far show more better. Do memoirs sometimes play a little loose with strict facts? Yes, in much the same way all of our memories do the same. But when reading a memoir how events are perceived is at least as important as any "facts." Since those emotions that were experienced are also facts.

I admit to being fairly ignorant about the details, both administratively and personally for those involved, surrounding adoption. A couple of my close friends from years ago were adopted and their experiences, at least that they shared with me, were almost polar opposites. Both had what would be considered loving adoptive parents but while one person seemed to be fine with how it worked out the other was far closer to how Beatty felt. So while I knew there was a spectrum of emotional response this book gave insight to a large portion of that spectrum.

Some readers may be put off by this not being a simple prose memoir, but if you read memoirs to better understand another human being's story from their perspective, and they feel that poetry helps them to express their ideas and thoughts, then the mix of style should be something you would welcome. If you just read memoirs to say you now "understand" someone, well, never mind.

Recommended for readers who want to learn what adoption is like for what is likely a large percentage. Like any group, there is a wide range of feeling but this speaks to a good part of it.

Reviewed from a copy made available by the publisher via Edelweiss.
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She is a poet and a bad-ass. If you've not read Beatty, but like Mary Karr and Kim Addonizio, you have to pick up a volume of Beatty's work.

Awards

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Statistics

Works
14
Also by
6
Members
166
Popularity
#127,844
Rating
½ 3.7
Reviews
3
ISBNs
24
Favorited
1

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